Carrie au bal du diable

Titre original : Carrie

1976
16
1h 38min

NOTE IMDb

7,4/10

217 k

MA NOTE

POPULARITÉ

1 002

Sissy Spacek in Carrie au bal du diable (1976)

Lire trailer1:26

12 Videos

99+ photos

Supernatural Horror Teen Horror Horror Mystery

Carrie White, une adolescente timide et sans amis, protégée par sa mère pieuse et autoritaire, déclenche ses pouvoirs de télékinésie après avoir été humiliée par ses camarades de classe à so... Tout lireCarrie White, une adolescente timide et sans amis, protégée par sa mère pieuse et autoritaire, déclenche ses pouvoirs de télékinésie après avoir été humiliée par ses camarades de classe à son bal de fin d'année.Carrie White, une adolescente timide et sans amis, protégée par sa mère pieuse et autoritaire, déclenche ses pouvoirs de télékinésie après avoir été humiliée par ses camarades de classe à son bal de fin d'année.

Réalisation
- Brian De Palma
Scénario
- Stephen King
- Lawrence D. Cohen
Casting principal

Voir les informations de production sur IMDbPro

NOTE IMDb

7,4/10

217 k

MA NOTE

POPULARITÉ

1 002

Réalisation
- Brian De Palma
Scénario
- Stephen King
- Lawrence D. Cohen
Casting principal

Voir les informations de production sur IMDbPro

Nommé pour 2 Oscars
- 6 victoires et 9 nominations au total

Avis des utilisateurs686

Commentaire à la une

8/10

"Carrie" marked Brian De Palma's breakthrough

It is a classic offbeat horror-melodrama merging harmoniously the family Gothic extravaganza, supernatural power, and a woman's movie of a peculiar kind It remains the cinema's best adaptation of a Stephen King novel

The film initiated De Palma's inclination for surprise diverts between playful imagination and reality, as in the opening, which swifts from a soft-core porn fantasia of girls taking a shower in the locker room to the fact of Carrie's menstruation for the first timethe first sign of "otherness" that will reserve her as an horrifying monster from her small-minded colleagues

All the oppression that Carrie undergoes both at home (with a bible beating maniacal mother played by scary Piper Laurie who develops twisted bizarre ideas) and at school to suppress tension which takes the shape of super telekinetic power, the ability to move objects with the strength of her mind We observe with ambivalence as Carrie's insatiable revenge jumps the line into uncontrolled mass murders ever filmed

Sissy Spacek is amazing as the mocked, helpless girl pushed over the edge Her face and body twist like a living special effect to unleash her pent up rage, as well as her character's alarming progress from painfully shy high-school teenager to Angel of Vengeance

Anecdotes
When Sissy Spacek was preparing for her character, she isolated herself from the rest of the ensemble, decorated her dressing room with heavy religious iconography and studied Gustave Doré's illustrated Bible. She studied "the body language of people being stoned for their sins," starting or ending every scene in one of those positions.

Gaffes
Stephen King's name is spelled "Steven King" in the trailer.

Citations
Margaret White: [referring to Carrie's prom gown] Red. I might have known it would be red.
Carrie: It's pink, Mama.
[presenting her corsage]
Carrie: Look what Tommy gave me, Mama. Aren't they beautiful?
Margaret White: I can see your dirty pillows. Everyone will.
Carrie: Breasts, Mama. They're called breasts, and every woman has them.

Versions alternatives
The original network TV version opens with an alternate pan across the girl's locker room with most girls wearing at least bras and panties - Nancy Allen is naked but covers herself with a towel. There is a mid-scene dissolve and some brief additional slow motion in a sloppy effort to re-sync the soundtrack, because this shot was shorter than the original one. This alternate take of the shower scene was shot specifically for the network television version of 'Carrie'. Also notable during this sequence, the on-screen credits are white (instead of red) and centered on the screen. Most profanity, especially during the scene with John Travolta and Nancy Allen arguing while he is driving, is re-looped to remove bad language. However, alternate, non-profane takes are used when Travolta and Allen are stopped in a parking lot just before the oral sex scene (which of course is deleted). In recent years, this print of the movie has vanished from circulation.