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Directors Guy Maddin, Evan Johnson, and Galen Johnson are no strangers to the offbeat and profoundly bizarre. Rumors the trio's latest film (the second feature collaboration between Maddin and the Johnson Brothers; the third between Maddin and Evan Johnson) stars Cate Blanchett as Hilda Ortmann, the Chancellor of Germany and host to the other participants of the annual G7 Summit. For those who don't know, the conclave is framed thusly by a title card: "an intergovernmental political and economic forum consisting of the world's wealthiest liberal democracies." In short, these are the chosen few with the power to make decisions that will impact nations on a major scale -- if only they can remain focused on the task at hand.

Among the G7 attendees are Canadian Prime Minister Maxime Laplace (Roy Dupuis), French President Sylvain Broulez (Denis Mnohchet), Prime Minister of the United Kingdom Cardosa Dewindt (Nikki Amuka-Bird), Prime Minister...

Two decades after they first entered our lives, the "Mean Girls" are back and more musical than ever. And though much has changed since those conniving teens debuted in 2004, the Plastics still rule the world. Never mind that they definitely disbanded at the end of the movie and also lost their social capital at North Shore High — their legacy lives on! The producers behind the scenes of the "Mean Girls" musical movie knew this to be true, which is exactly why they reached out to the original actresses behind the iconic clique.

That's right, there's still a possibility that all four Plastics — Lindsay Lohan, Lacey Chabert, Amanda Seyfried, and Rachel McAdams — will reunite in the upcoming movie. But only if the price is right.

According to a "highly placed production source" who spoke to Page Six, all four actors were open to returning for the movie, but negotiations have since...

Blondie’s drummer has appeared to drop a massive bombshell about the band’s appearance at a certain festival this year.

The band’s drummer, Clem Burke has said that the band “are going to be playing” Glastonbury festival in June.

While being interviewed on Foxy Radio, Burke was asked about the band’s forthcoming show with Iggy Pop in Crystal Palace in July.

“We’re also doing Isle of Wight and we’re doing some other festivals,” the drummer begins in response to the mention of the show.

He then says: “I guess it hasn’t really been announced, the full list of artists to be playing Glastonbury, but we are going to be playing Glastonbury, so maybe you got an exclusive there.”...

Spoiler Alert: Do not read ahead if you have not watched Season 7, Episode 6, of “The Masked Singer,” “The Double Mask-Off — Round 2 Finals,” which aired April 13 on Fox.

The mystery of host Nick Cannon’s missing shirt wasn’t solved on Wednesday’s episode of “The Masked Singer,” but the show did send one more disguised celebrity to its final round. That meant that two more contestants were eliminated in a double exit on this week’s show: Duane “Dog the Bounty Hunter” Chapman as the Armadillo, and Jennifer Holliday as Miss Teddy.

Armadillo aka Chapman was voted out after singing the traditional hymn “Amazing Grace.” Previous songs he performed included “Secret Agent Man,” by Johnny Rivers and “I Fought the Law,” by the Bobby Fuller Four.

As for Holliday, as Miss Teddy, she sang “Mercy,” by Duffy. Before that, she performed “Tell It to My Heart,” by Taylor Dayne, and “Tell Me You Love Me,...

One Way or AnotherTo this day, the iconography of the Cuban Revolution is usually thought of in regards to the polarizing grandeur of its historic political figures and the effervescent popular gatherings around La Habana in the 1960s. Be it in social studies textbooks, historiographical documentaries, or newspaper front covers all around the world, what seemed to be a canonical portrayal of the revolution was cemented early on. This was a carefully constructed version of Cuba built around the values and ideals of the newly established socialist project. But beyond this intellectualized conception of what the island ought to portray, laid a human core: an erratic collection of subjectivities in which the triumphs and limitations of Castro’s Cuba were experienced differently each day. That “other Cuba,” the one rarely broadcasted and always seen from a distance, was precisely the setting around which legendary filmmaker Sara Gomez built her sagacious body of work.

It’s true of most Disney films that the villain is the most memorable character, and often—like with Ursula in The Little Mermaid—the most beautifully drawn, as if even the animators enjoyed their company more. In no case is this more true than in 1961’s One Hundred and One Dalmatians. Outfitted in a huge mink coat lined with blood-red silk and with acid green cigarette smoke billowing around her, Cruella De Vil is more charismatic and entertaining than the upstanding protagonists (and this includes the dogs).

It’s probably inevitable in the current climate—where every thread of plot from Disney’s intellectual property is spun into a standalone project—that Cruella De Vil would get an origin story, one that explains how someone could be callous enough to murder puppies for a coat. But Cruella goes to great lengths to make the villain sympathetic on her journey from a Dickensian childhood,...

Warning: The following contains spoilers for Tuesday’s midseason premiere of The Haves and the Have Nots. If you’d rather watch first, read later, do what Veronica tells so many of her boy toys to do and amscray!

Seriously, though, if The Haves and the Have Nots had stuffed anything more into its two-episode return, the midseason premiere would’ve burst at the seams. We got father/son “bonding” at gunpoint, a supervillain’s arrest, too many idle threats to catalog, a tryst that turned out to be, er, no big deal, and by the time we were done,...