NOTE IMDb
6,9/10
1,9 k
MA NOTE
Alors qu'il tente de gagner l'affection d'un beau rival, un maître voleur risque la mort pour connaître les intentions secrètes d'une riche et apparemment immortel, mais impitoyable, recluse... Tout lireAlors qu'il tente de gagner l'affection d'un beau rival, un maître voleur risque la mort pour connaître les intentions secrètes d'une riche et apparemment immortel, mais impitoyable, recluse.Alors qu'il tente de gagner l'affection d'un beau rival, un maître voleur risque la mort pour connaître les intentions secrètes d'une riche et apparemment immortel, mais impitoyable, recluse.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Eiko Masuyama
- Fujiko Mine
- (voix)
Tôru Ôhira
- Stuckey
- (voix)
Kôsei Tomita
- Commissioner
- (voix)
Shôzô Îzuka
- Flinch
- (voix)
Shunsuke Shima
- Dietman
- (voix)
Yûji Mikimoto
- Police Officer
- (voix)
- (as Masaru Miyashita)
Kô Nishimura
- Mamo
- (voix)
Bob Bergen
- Lupin (1995 Streamline dub)
- (English version)
- (voix)
David Povall
- Zenigata (1995 Streamline dub)
- (English version)
- (voix)
Avis à la une
Like most people, my first introduction to the character of Lupin was the most famous of his feature films, 1979's 'The Castle of Cagliostro'. That may not be the most faithful to the manga of Lupin's feature films but on its own it was nonetheless a great film on first viewing and still is a personal favourite animated film of mine on top of being my personal favourite Lupin film.
The first Lupin film, this film 'The Secret of Mamo' (its UK title), is a very good feature film debut for the character. It may not be the best overall of the films, but it is the very definition of first class escapism and staying true to its roots. Meaning that it is in some way the most faithful to the manga, being surprisingly risqué, with the sexual elements actually being present and not toned down, and actually having the characters quarrelling. 'The Secret of Mamo' is the boldest, the most ambitious and quite possibly the darkest Lupin film, and on the most part is successful in execution.
It is not faultless. 'The Secret of Mamo' is let down by the third act, which does feel muddled and convoluted, not everything feels resolved and tonally it did feel at odds with the rest of the film, close to feeling like a complete different film. Unlike the rest of the film it did descend into strangeness and the science fiction elements were nowhere near as well executed as the action and characterisation elements, they were on point, the sci-fi elements came over as clunky and confused.
Occasionally, the animation is a little rough. The character designs, like the somewhat odd one for Lupin, lack finesse and it doesn't always flow as well as it could have done.
However, most of the animation in 'The Secret of Mamo' is fine. It is quite creative in the action, the attention to detail is impressive and the colours are both atmospheric and ethereal. The music score is dynamic and groovy, fitting beautifully with the action and story atmosphere.
When it comes to the writing, 'The Secret of Mamo' is largely successful. It provokes a lot of thought and the wry humour and slapstick are genuinely hilarious. Apart from misgivings with the final third, the story is bold but also doesn't forget to be fun and exciting, particularly in the action-oriented parts (the helicopter, police and lorry chase sequence is terrific and classic Lupin). It is Lupin at his most ambitious, though you are also mostly admiring the execution rather than finding it overly-ambitious. Admired 'The Secret of Mamo' too for its tackling of interesting, mature and difficult subjects with cloning, honour, love and personal identity and doing it in a way that's thought-provoking and entertaining, with only the cloning aspect failing somewhat.
Characterisation is on point as is the character interaction, Lupin is not at his most likable, no, but he nonetheless a fun and commanding lead character that carries the film well. Mamo is a suitably intimidating villain and poses as a real danger. Particularly shining are the supporting characters, particularly sexy Fujiko and hilarious Zenigata, though Jigen and Goemen are very cool as well. The voice acting is very good, notably for Mamo.
In summary, not perfect but worth the discovery. Lupin's feature film debut is a very good one. 8/10 Bethany Cox
The first Lupin film, this film 'The Secret of Mamo' (its UK title), is a very good feature film debut for the character. It may not be the best overall of the films, but it is the very definition of first class escapism and staying true to its roots. Meaning that it is in some way the most faithful to the manga, being surprisingly risqué, with the sexual elements actually being present and not toned down, and actually having the characters quarrelling. 'The Secret of Mamo' is the boldest, the most ambitious and quite possibly the darkest Lupin film, and on the most part is successful in execution.
It is not faultless. 'The Secret of Mamo' is let down by the third act, which does feel muddled and convoluted, not everything feels resolved and tonally it did feel at odds with the rest of the film, close to feeling like a complete different film. Unlike the rest of the film it did descend into strangeness and the science fiction elements were nowhere near as well executed as the action and characterisation elements, they were on point, the sci-fi elements came over as clunky and confused.
Occasionally, the animation is a little rough. The character designs, like the somewhat odd one for Lupin, lack finesse and it doesn't always flow as well as it could have done.
However, most of the animation in 'The Secret of Mamo' is fine. It is quite creative in the action, the attention to detail is impressive and the colours are both atmospheric and ethereal. The music score is dynamic and groovy, fitting beautifully with the action and story atmosphere.
When it comes to the writing, 'The Secret of Mamo' is largely successful. It provokes a lot of thought and the wry humour and slapstick are genuinely hilarious. Apart from misgivings with the final third, the story is bold but also doesn't forget to be fun and exciting, particularly in the action-oriented parts (the helicopter, police and lorry chase sequence is terrific and classic Lupin). It is Lupin at his most ambitious, though you are also mostly admiring the execution rather than finding it overly-ambitious. Admired 'The Secret of Mamo' too for its tackling of interesting, mature and difficult subjects with cloning, honour, love and personal identity and doing it in a way that's thought-provoking and entertaining, with only the cloning aspect failing somewhat.
Characterisation is on point as is the character interaction, Lupin is not at his most likable, no, but he nonetheless a fun and commanding lead character that carries the film well. Mamo is a suitably intimidating villain and poses as a real danger. Particularly shining are the supporting characters, particularly sexy Fujiko and hilarious Zenigata, though Jigen and Goemen are very cool as well. The voice acting is very good, notably for Mamo.
In summary, not perfect but worth the discovery. Lupin's feature film debut is a very good one. 8/10 Bethany Cox
Lupin III is Japan's longest running anime series, spawning five movies, three television series, annual Television specials which continue to this day and even a live-action movie. One of the films, "Castle Of Cagliostro", in fact, is considered an animation classic by most critics on both sides of the Pacific. However, before "Cagliostro" there was "Mamo". Mamo is based more on the traditional Lupin as created by manga artist Monkey Punch-so those who are used to the kind anti-hero in COC might be in for a slight shock. This Lupin is more of a womanizer and a trickster than Miyazaki's version. The plot doesn't flow as well as COC's, and is kind of drawn out with a couple false endings. The visuals aren't as good as COC either, with some rough-looking animation in spots and action scenes that don't flow as well. Anyway, it's still a good movie, especially for fans of Monkey Punch's take on the character(as opposed to Miyazaki) just overlong. A word to the wise though-the DVD doesn't have the Japanese track, something which some anime fans might not like. The dub is OK voice wise, but the script has obviously been rewritten slightly-something which becomes blatantly obvious when you hear, over a radio, George Bush and Boris Yeltsin chatting, something really out of place in a 1978 film....
The Secret of Mamo is a crazy, memorable, and pretty enjoyable Lupin movie.
The first theatrical Lupin movie, this has some very solid animation for 1978, and some very interesting direction. Very colorful and lively. The soundtrack by Yuji Ohno is a blast too, and of course the original voice cast delivers.
The story in this one is pretty crazy, and by the end it's pretty much pure nonsense. Lupin is up against a psychotic diminutive man with a god complex, and it leads to some very strange things. Including a cameo from Hitler, naturally.
This movie has a fairly brisk pace for the most part, bad things just keep happening to the Lupin gang. One minute they're on the run from a freakishly large truck, the next they're being bombarded by bombs.
Where this movie gets really weird is the characterization. Lupin is less cool and laid back in this one, in general he's pretty irritable and annoyed, even with his loyal gang. I have to admit, this makes Lupin less likable to me in this one.
Fujiko has a pretty big part in this one, she's quite entertaining, although she does make some questionable decisions. Jigen makes out well in this, and Goemon is pretty cool like usual. Zenigata is great in this, tirelessly hunting Lupin down. But again, seeming a bit out of his usual anime character when he actually wants to kill Lupin.
The movie in general is closer to the tone of the manga, with it's insanity and less likable characters.
So, pretty much, this is a very memorable movie, it goes above and beyond into the realm of insanity, and it's quite entertaining. The classic dynamic that the characters usually have in the anime is somewhat skewed here though, and the story itself is not entirely satisfying.
None the less, this is a wild ride that I recommend checking out.
The first theatrical Lupin movie, this has some very solid animation for 1978, and some very interesting direction. Very colorful and lively. The soundtrack by Yuji Ohno is a blast too, and of course the original voice cast delivers.
The story in this one is pretty crazy, and by the end it's pretty much pure nonsense. Lupin is up against a psychotic diminutive man with a god complex, and it leads to some very strange things. Including a cameo from Hitler, naturally.
This movie has a fairly brisk pace for the most part, bad things just keep happening to the Lupin gang. One minute they're on the run from a freakishly large truck, the next they're being bombarded by bombs.
Where this movie gets really weird is the characterization. Lupin is less cool and laid back in this one, in general he's pretty irritable and annoyed, even with his loyal gang. I have to admit, this makes Lupin less likable to me in this one.
Fujiko has a pretty big part in this one, she's quite entertaining, although she does make some questionable decisions. Jigen makes out well in this, and Goemon is pretty cool like usual. Zenigata is great in this, tirelessly hunting Lupin down. But again, seeming a bit out of his usual anime character when he actually wants to kill Lupin.
The movie in general is closer to the tone of the manga, with it's insanity and less likable characters.
So, pretty much, this is a very memorable movie, it goes above and beyond into the realm of insanity, and it's quite entertaining. The classic dynamic that the characters usually have in the anime is somewhat skewed here though, and the story itself is not entirely satisfying.
None the less, this is a wild ride that I recommend checking out.
The first film version of the long-running successful manga series 'Lupin III', 'The Mystery Of Mamo' is non-stop action, adventure, and humour, brought to life with some brilliant animation, an excellent script, and some very good voice acting.
Lupin is the greatest thief since his grandfather Arsene Lupin, but his lifestyle never affords him a moment's peace, especially with maniacally-determined Interpol Inspector Zenigata pursuing him anywhere and everywhere across the globe. Aided by his two friends, Jigen, who prefers a quiet life, sombre samurai warrior Goemon, and on-again-off again girlfriend and equally-skilled thief Fujiko, Lupin finds himself drawn into the world of Mamo, a mysterious billionaire, intent on achieving immortality. But is Mamo exactly what he appears? And how does the fabled Philosopher's Stone fit in?
Now *this* is what animation is *really* about. It's about as far removed from the billion dollar cgi rubbish one usually sees in cinemas as it's possible to be. Every frame in 'Mamo' exudes genuine artistry, whether it's a peaceful Parisian cafe scene, or frenetic car chase through a sewer - yes, a sewer. Every musical motif creates genuine atmosphere, and every line of dialogue is there because it should be - it's not just a collection of lame one-liners for a cynical audience. If you find yourself on the edge of your seat, it's not because you're trying to fend off sleep from Disney-drawn dreck, but because you really find yourself wanting to see what happens next.
There are imperfections within the story - certain plot points that are not entirely followed up, but nothing that ruins the central story. There is also a certain trade-off between characterisation and action, but Lupin III stories are not meant to be deeply introspective character pieces, just a lot of first class fun. They are also an ongoing series, so further revelations are to be had elsewhere.
Probably the most well-known Lupin outing is 'The Castle Of Cagliostro', in many ways a more straightforward adventure with a more traditional action film-type ending. I think they're both excellent, but they're different beasts in temperament. 'The Mystery Of Mamo' takes a left-turn into the surreal, but it's still a cracking film that shouldn't disappoint - and definitely accessible to a Lupin novice.
Lupin is the greatest thief since his grandfather Arsene Lupin, but his lifestyle never affords him a moment's peace, especially with maniacally-determined Interpol Inspector Zenigata pursuing him anywhere and everywhere across the globe. Aided by his two friends, Jigen, who prefers a quiet life, sombre samurai warrior Goemon, and on-again-off again girlfriend and equally-skilled thief Fujiko, Lupin finds himself drawn into the world of Mamo, a mysterious billionaire, intent on achieving immortality. But is Mamo exactly what he appears? And how does the fabled Philosopher's Stone fit in?
Now *this* is what animation is *really* about. It's about as far removed from the billion dollar cgi rubbish one usually sees in cinemas as it's possible to be. Every frame in 'Mamo' exudes genuine artistry, whether it's a peaceful Parisian cafe scene, or frenetic car chase through a sewer - yes, a sewer. Every musical motif creates genuine atmosphere, and every line of dialogue is there because it should be - it's not just a collection of lame one-liners for a cynical audience. If you find yourself on the edge of your seat, it's not because you're trying to fend off sleep from Disney-drawn dreck, but because you really find yourself wanting to see what happens next.
There are imperfections within the story - certain plot points that are not entirely followed up, but nothing that ruins the central story. There is also a certain trade-off between characterisation and action, but Lupin III stories are not meant to be deeply introspective character pieces, just a lot of first class fun. They are also an ongoing series, so further revelations are to be had elsewhere.
Probably the most well-known Lupin outing is 'The Castle Of Cagliostro', in many ways a more straightforward adventure with a more traditional action film-type ending. I think they're both excellent, but they're different beasts in temperament. 'The Mystery Of Mamo' takes a left-turn into the surreal, but it's still a cracking film that shouldn't disappoint - and definitely accessible to a Lupin novice.
Lupin iii film 9
A very different film. This time Fujiko is the main protagonist. There's lots of action, but the film is more centered on the psychological side. The story is just crazy, nonsense after a while honestly. The whole film is abstract. I personally like the drawings, especially Fujiko, despite the difference from the usual.
I really like some things in this film; the fact that they as a team quarrel for Fujiko, so Lupin has to choose his friends or Fujiko; and Fujiko character is great in this film, both her and Lupin give up on immortality for the other. For the first time you can feel both love each other at the end.
There's lots of nude parts and fan service compared to other films.
A very different film. This time Fujiko is the main protagonist. There's lots of action, but the film is more centered on the psychological side. The story is just crazy, nonsense after a while honestly. The whole film is abstract. I personally like the drawings, especially Fujiko, despite the difference from the usual.
I really like some things in this film; the fact that they as a team quarrel for Fujiko, so Lupin has to choose his friends or Fujiko; and Fujiko character is great in this film, both her and Lupin give up on immortality for the other. For the first time you can feel both love each other at the end.
There's lots of nude parts and fan service compared to other films.
Le saviez-vous
- AnecdotesThis was Lupin III creator Monkey Punch's favorite film in the series. Following his passing, Nippon Television aired the film on Friday, April 19 2019 at 9:00 p.m., which concluded with a dedication to his memory.
- GaffesWhen Lupin tells Goemon and Jigen that they should travel towards the ocean, his lips don't move at all, despite his face being clearly visible throughout. This error was repeated in the Toho and Manga dubs, but was corrected for the Streamline and Geneon dubs - Lupin does not say anything in the Streamline dub, while a related line is given to Goemon in the Geneon dub.
- Citations
Mamo: Obviously, eternal life would be wasted on a vulgarian like that man there.
Arsene Lupin III: That's not true. I eat meat!
- Crédits fousIn the closing credits, in a corner of the screen Lupin and Zenigata run from the missile barrage; this scene is intercut with previous scenes from the film.
- Versions alternativesThe masters for this film provided by TMS for Pioneer Entertainment to release on US DVD in 2003 were edited to remove certain product logos, such as real-world cigarette brands. The earlier VHS release by Streamline Pictures in 1995 did not have such alterations.
- Among the deleted items for the Pioneer DVD release include a shot of Stuckey, the US government representative, reading a "Lupin" comic book, with an ad that shows Lupin with DC Comics characters Superman, Wonder Woman, Aquaman, Batmanm and Robin. The ad itself was a real 1978 "Clark Bar" promotion ad that ran in DC and Marvel comics of the time, but the film's producers pasted Lupin onto it.
- ConnexionsEdited into Cliff Hanger (1983)
- Bandes originalesRupan Ondo
(Dance Song for Lupin)
Published by Teichiku Records
Performed by Haruo Minami
Lyrics by Monkey Punch
Music by Yuji Ohno
Lyrical complement by Daizaburô Nakayama (uncredited)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Lupin the 3rd: The Mystery of Mamo?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Edgar de la Cambriole: Le Secret de Mamo
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 500 000 000 JPY (estimé)
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Lupin III: Le Secret de Mamo (1978) officially released in India in English?
Répondre