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IMDbPro

Le justicier défie la ville

Titre original : Torino violenta
  • 1977
  • 1h 25min
NOTE IMDb
4,9/10
266
MA NOTE
George Hilton in Le justicier défie la ville (1977)
CrimeDramaThriller

Ajouter une intrigue dans votre langueDrugs, murders, robberies. In Turin, violence is an everyday fact of life, but a mysterious vigilante starts cleaning up the streets. In fact, the killer is a cop, Moretti, who went undercov... Tout lireDrugs, murders, robberies. In Turin, violence is an everyday fact of life, but a mysterious vigilante starts cleaning up the streets. In fact, the killer is a cop, Moretti, who went undercover to do the dirty work he couldn't do in cop's clothing.Drugs, murders, robberies. In Turin, violence is an everyday fact of life, but a mysterious vigilante starts cleaning up the streets. In fact, the killer is a cop, Moretti, who went undercover to do the dirty work he couldn't do in cop's clothing.

  • Réalisation
    • Carlo Ausino
  • Scénario
    • Carlo Ausino
  • Casting principal
    • George Hilton
    • Emanuele Cannarsa
    • Giuseppe Alotta
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,9/10
    266
    MA NOTE
    • Réalisation
      • Carlo Ausino
    • Scénario
      • Carlo Ausino
    • Casting principal
      • George Hilton
      • Emanuele Cannarsa
      • Giuseppe Alotta
    • 5avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos84

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    + 80
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    Rôles principaux24

    Modifier
    George Hilton
    George Hilton
    • Insp. Ugo Moretti
    Emanuele Cannarsa
    • Danieli
    • (as Emanuel Cannarsa)
    Giuseppe Alotta
    • Piero Bosè
    Annarita Grapputo
    • Lucia
    Franco Nebbia
    Franco Nebbia
    • Questore
    Laura Ferraro
    • Maria
    Saverio Moggio
    • Complice
    • (as Rino Moggio)
    Pier Giuseppe Corrado
    • Walter, fratello di Sandra
    Cinzia Arcuri
    • Sandra
    Lorenzo Gobello
    • Dottor Guido Borletti
    Ruggero Spagnoli
    • Sandro Donati
    Sauro Roma
    • Colasanti
    Loretta Mondino
    • Marta Borletti
    Rino Carilli
    Armando Rossi
    • Manfredi
    Mauro Ballesio
    Antonio Campa
    • Franco Solari
    • (as Tonino Campa)
    Nicola Saponaro
    • Réalisation
      • Carlo Ausino
    • Scénario
      • Carlo Ausino
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs5

    4,9266
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    Avis à la une

    8badlieutenent

    I'm from Turin

    I'm from Turin, I heard from my cousin about this film,he's cinephile like me, I tried watch this film, and I loved it. Except the plot, that isn't too bad, the stunts and the all technic part of the film,looking at the budget, it's a very good job
    4Coventry

    Turin is a long way from Milan, Naples or Rome!

    There are a bunch of reasons why "Torino Violenta" is one of the weakest Poliziotesschi flicks ever produced, and in order from least relevant to most important they are: 1) The year of release. The Italian cop/gangster thriller was an exhilarating but also very short-lived genre that spawned an immense amount of titles between 1972-1976. By 1977 the genre was slowly dying already, and no real classics were produced anymore. 2) The Director. Who is Carlo Ausino and where did he emerge from suddenly? I daresay I'm an expert when it comes to Italian cult cinema, but I never heard of him before. The average Poliziotesschi isn't exactly a meticulous piece of art, but you also cannot expect that an inexperienced director like Ausino delivers the same kind of powerful flicks as veterans like Umberto Lenzi, Stelvio Massi, Enzo G. Castellari or Fernando Di Leo. 3) The lead protagonist. I've admired George Hilton in several spaghetti-westerns, and even more so in numerous Gialli-masterpieces, but he totally missed the hype of the poliziotesschi. This man inarguably has a lot of charisma, but not the type of charisma that Maurizio Merli or Luc Merenda bring to a crime film set. Hilton is unconvincing as the tough & unorthodox copper, and even more so as the lawless vigilante. 4) The production values. Admittedly all poliziotesschi films suffer from budget restrictions, but usually the directors and their crews are far more creative than here in "Torino Violenta". The dubbing is truly horrendous, the Turin' locations are uninspired, and the action sequences are thoroughly unimpressive. The obligatory car chases appear to be much slower, while the shootouts aren't as cruel and nasty as you hope them to be. 5) The script. All previous shortcomings are basically minor excuses, but this is where "Torino Violenta" truly fails. It's a weak, derivative and boring story about a police detective fed up with the ever-increasing powers of criminal organizations in his city and the restrictions of the legal system that he must obey. And thus, outside of his duty hours, he tracks down and executes the criminals who spit in his face when he officially arrests them. This is a theme featuring in practically every poliziotesschi flick ever made, but it's very poorly elaborated here. The cops and villains are difficult to keep apart, Ugo Moretti's partner is a lot more fanatic than he is, in fact, and the situation in Turin honestly isn't as desperate as in other major Italian cities.
    5shogun340290492

    Typical Italian crime movie from the 70s

    I had been looking forward to this for quite a while so when i finally bagged a Dutch ex-rental i was over the moon or so i thought.There are only 2 types of Italian crime movies-good or bad.This is bad,very bad!The action is slow and akward and the plot has more holes than one of George Hilton's victims while the dubbing is terrible.Just because its called Violent Torino don't go expecting another Violent Rome or Naples like i did.
    4The_Void

    I wasn't aware that Eurocrime got this boring.

    Well, almost every review ever written for Double Game says that it's not a good film; and who am I to buck that trend? I actually went into this film with some high hopes; 1977 was a good year for Eurocrime (Fearless, Weapons of Death, Destruction Force etc) and George Hilton usually puts in a good turn - but unfortunately, the film is just far too boring and less than half the way through, my mind began to wander. The plot is very thin and simple, and we just; as usual, focus on crime in the city, and this time a vigilante that takes the law into his own hands. However, in spite of it being simple; director Carlo Ausino has somehow managed to completely mess the plot up. It's confusing and turgid throughout, and this makes it very difficult to care about anything that's going on. This is not George Hilton's best performance either; and I can't say I blame him for not giving his all. There's very little action, and when the car chases and things do finally make an appearance; they're not well shot and unlikely to wake the sleeping audience. Overall, I'm really quite appalled at how bad this film is, and needless to say I'm not looking forward to Another Double Game.

    Histoire

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    Le saviez-vous

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    • Anecdotes
      Director Carlo Ausino couldn't find distribution for his previous film Prima che il sole tramonti (1976) so he asked the producers what to do. Euro crime films about violent cities were popular at the time ('Roma violenta (1975)', Opération casseurs (1976)) and they knew he lived in Turin so they asked him to make a crime film called Torino violenta to make up for the lost money. Carlo agreed only if they promised distribution.
    • Connexions
      Followed by Tony, l'altra faccia della Torino violenta (1980)

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    Détails

    Modifier
    • Date de sortie
      • 13 octobre 1977 (Italie)
    • Pays d’origine
      • Italie
    • Aussi connu sous le nom de
      • Double Game
    • Lieux de tournage
      • Torino, Piemonte, Italie(location)
    • Société de production
      • Lark Cinematografica
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 25 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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