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La clef

Titre original : La chiave
  • 1983
  • 10
  • 1h 56min
NOTE IMDb
5,4/10
3,5 k
MA NOTE
Stefania Sandrelli in La clef (1983)
Steamy RomanceDramaHistoryRomance

Dans les années 1940 à Venise, un professeur et son épouse voient leur passion s'affaiblir après vingt ans de mariage. La lecture réciproque de leurs journaux intimes leur permet de se libér... Tout lireDans les années 1940 à Venise, un professeur et son épouse voient leur passion s'affaiblir après vingt ans de mariage. La lecture réciproque de leurs journaux intimes leur permet de se libérer de leurs inhibitions.Dans les années 1940 à Venise, un professeur et son épouse voient leur passion s'affaiblir après vingt ans de mariage. La lecture réciproque de leurs journaux intimes leur permet de se libérer de leurs inhibitions.

  • Réalisation
    • Tinto Brass
  • Scénario
    • Jun'ichirô Tanizaki
    • Tinto Brass
  • Casting principal
    • Frank Finlay
    • Stefania Sandrelli
    • Franco Branciaroli
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    3,5 k
    MA NOTE
    • Réalisation
      • Tinto Brass
    • Scénario
      • Jun'ichirô Tanizaki
      • Tinto Brass
    • Casting principal
      • Frank Finlay
      • Stefania Sandrelli
      • Franco Branciaroli
    • 10avis d'utilisateurs
    • 30avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos173

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    Rôles principaux31

    Modifier
    Frank Finlay
    Frank Finlay
    • Nino Rolfe
    Stefania Sandrelli
    Stefania Sandrelli
    • Teresa Rolfe
    Franco Branciaroli
    • Laszlo Apony
    Barbara Cupisti
    • Lisa Rolfe
    Armando Marra
    • Aurelio
    Maria Grazia Bon
    • Giulietta
    Gino Cavalieri
    • Don Rusetto
    Piero Bortoluzzi
    • Memo Longobardi
    Irma Veithen
    • Infermiera
    Eolo Capritti
    • Gerarca fascista
    Maria Pia Colonnello
    Milly Corinaldi
    Milly Corinaldi
    • Giustina
    Edgardo Fugagnoli
    Luciano Gasper
    Giovanni Michelagnoli
    • Dr. Fano
    Osiride Pevarello
    • Marinaio genovese
    Sara Tagliapietra
    • Studentessa
    Mirella Zardo
    • Studentessa
    • Réalisation
      • Tinto Brass
    • Scénario
      • Jun'ichirô Tanizaki
      • Tinto Brass
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

    5,43.5K
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    Avis à la une

    russ-112

    Cover art betrays a masterpiece

    This DVD had been calling out to me from the cult section of my local video store for about two months before I rented it. The cover art of Stefania projects an allure that is only the begining of a very profound experience. Brass manages to create a film that doesn't make some epic statement of love, society and relationships. Instead he presents a rather odd and erotic situation that makes you think and feel (in various ways) the gravity of the characters situations. The film is also not afraid to come accross as a little silly at times.

    Don't be mistaken, this is first and foremost and erotic movie, but it manages something masterful in that genre. Tinto Brass has constructed a very nice platform for sensual expression in this film. I wouldn't advise seeing it with your local bible study group, but it isn't frat boy tissue party material either. If you are open to nudity and sensuality this could be just the movie to share with your partner on a night alone together. The sets and the actors are well done, but you still get to see plenty of sex. Tinto's Key is the perfect movie to potentially unlock those who are "one the fence" when it comes to erotic cinema.
    Guy Grand

    What do you expect from the guy who brought us "Caligula" and "Salon Kitty?"

    A main female character sums up this pile of narrative nonsense at the conclusion of the film saying something like, "I was faithful by being unfaithful." Meaning she was compliant in her husband's wishes for her to link up with their son-in-law so her horny husband could become sexually excited by watching her, thus sparking their marriage alive again. Set against Mussolini's rise to power in 1940s Italy, I suppose auteur Tinto Brass is trying to make some haughty comment on how the Italian populace of the time, repressed by Catholic guilt, succumbed to Il Duce's desire for them to fall faithfully in line with Italian pride and become unfaithful from the moral direction of the Church. Who knows really, because Brass is more concerned with Stefania Sandrelli's derriere than he is about political/spiritual ambivalence.

    Alas, Mr. Brass' focus on lead actress Sandrelli's bottom is the only theme you're bound to come away with after viewing an hour and 50 minutes of this soft-core cornfest. British thesp Frank Finlay takes a leap at a starring role by heading south to Italy and being forced to look every bit the dirty old man under the meticulous kink direction by Brass. As the premature, if you will, hubby in this standard menage a trois, he can only last a matter of seconds in the sack with his much younger wife, played by the suitably stunning Sandrelli. It is only when he becomes jealous over his wife's attentions to his son-in-law, played with robot-amateur woodenness by Franco Branciaroli, that Finlay becomes excited enough to maintain another kind of woodenness. By drugging his wife into a fitful slumber and picture-posing her in various open positions for photo-ops, Frank cements our disgusted feeling that we are somehow watching the actual sad home life of the Italian Pinto, Tinto.

    While nowhere near as decadent as "Caligula," "La Chiave" has that movie's ability to make you want to take a cleansing shower afterwards to wash its depressing, sleazy drivel off your conscience. Once we learn the designs of Finlay's ho-hum plan, in the first 20 minutes, all we're left with is countless meandering soft-focus shots of Sandrelli and Branciaroli strolling around Venice, fornicating in their hideaway lair, and Finlay foppishly sniffing after her like a pheremone-obsessed hounddog.

    The fast-forward button won't help you on this one. You'll be woefully buzzing through a flick that has no worthwhile stopping point. My rating: 0 out of ****.
    Cristi_Ciopron

    Brass' best film

    La Chiave (1983) is Brass' only masterpiece,Mrs. Sandrelli's most interesting role,and a peak of the European "trash films" of the '80s.I have seen this flick 4 times,and I found it excellent.Here,Brass is how he knows to be:shameless, shocking,clandestine, lascivious, tasty, scandalous, voluptuary,lustful,Nothingarian,misogynist at the basest level,lubricious;yes,indeed,quite a lot of things to enjoy.Brass is extremely skilled in exploiting his actresses' physical endowments.

    "La Chiave" is an anecdote of bourgeois sexuality during WW2,and a study in Animality;in fact,Brass' coldness and detachment shows no trace of sympathy for his characters,hence the movie's naturalism.("Miranda" brings on screen a rustic debauchery during the same WW2,while "L'Uomo ..." is again a bourgeois adventure,but set in nowadays).WW2 is only an epic convention,because it gives a certain sense of exciting and violent trepidation and brutality and decrepitude,an epic device of the nihilist aestheticism (Pasolini,Bertolucci,Brass).Brass used WW2 as a narrative background in his Teresa Ann Savoy show,Salon Kitty (1976);in his Stefania Sandrelli show,La Chiave (1983) ;in his Serena Grandi show,Miranda (1985);in his Anna Galiena show,Senso '45 (2002).Under the pretext of unmasking this Fascist epoch,it is obvious that these directors pretty much indulged in the world they described.(The same device,of a shattering and totalitarian epoch,was exploited the same way in some Romanian films of the '90s,using the Bolshevick era of the '50s as a background for sexual frolics).

    Stefania Sandrelli was 37 years in this movie,and lucent,slick,slightly adipose,of a very concrete and lusty beauty,luscious,soft-spoken,lurid,but also somehow lubberly.The passionless display of flesh expresses Brass' proclivity for an almost clinical and documentary examination of the nakedness.With this movie,Mrs. Sandrelli became one of the "Brass women".No director was ashamed to undress Mrs. Sandrelli (Bernardo Bertolucci in Il Conformista,1970; Bigas Luna in Jamón, Jamón,1992;Lina Wertmüller in Ninfa Plebea,1996).She posed nude even as an adolescent,I know a piquant picture with the naked teen-ager Sandrelli.

    Barbara Cupisti is a suave and distinguished beauty.

    There is a particular density of the naked flesh,and of the settings also.Brass displays much gusto;his style's plastic quality is extraordinary ."La Chiave" is written by Brass more like a chapter of ethology,and of sexual behaviors.

    There are also other exciting Brass movies.Miranda (1985) (with Serena Grandi) is almost as good as La Chiave (1983),though in a different register,and L'Uomo Che Guarda (1994) (with Katarina Vasilissa,Cristina Garavaglia )is also a fine,thrilling show."Miranda" is a little more cheerful then "La Chiave",and more picturesque as narration,its sexual content is also more erratic (though to see Mrs. Sandrelli asleep being taken advantage of,is no cheap fun either).All these 3 movies are frank and straight.Brass' choice of the actresses is always exquisite.I have seen a photo representing Mrs. Sandrelli while her breast is fondled,or rather felt by Brass;the actress laughs wildly and she seems to be much older than in "La Chiave"; this gallant scene looks like taking place in a very public space.

    While "La Chiave",Miranda (1985),L' Uomo Che Guarda (1994) show derisively woman's depravity,and warm it up, with malice and irony,Senso '45 (2002) marks a decline;it tries to depict woman's love,and fails.Brass' shamelessness lost all its charm and became the sheer Prosaism of Senso '45 (2002) (a banal and conventional,tasteless adultery,moreover inverting Brass' opinion about women;this man was libidinous,base, trenchant and lascivious,and turned sentimental and emotional).The only good thing about "Senso" is Mrs. Erika Savastani 's supporting role as "Emilietta" .

    "La Chiave" is one in a series of medallions of beautiful women,astounding studies of women,on a par with Miranda (1985),Andrea Barzini's Desiderando Giulia (1985),Andrea Bianchi's Dolce Pelle Di Angela (1987),Spiando Marina (1992),L'Uomo Che Guarda (1994),Malèna (2000) ,etc..In the unconventional erotica,Brass' equals are the far less famous Andrea Barzini (the author of the best Serena Grandi show,made when she was 27 years),Andrea Bianchi,the author of the underrated Dolce Pelle Di Angela (1987).These masterpieces,signed by Bianchi and Barzini,and other wonderful Deborah Caprioglio and Serena Grandi shows could be seen in Romanian movie theaters 13 years ago.

    Many are too preoccupied with the film's sexual content,to may be able to notice the exceptional visual beauty.

    If you have reasons to like Mrs. Sandrelli others than this movie,then "La Chiave" will be a treat.
    8christopher-underwood

    this fairly explicit film is about eroticism and not in the main erotic itself

    This is a most accomplished and underrated film from Tinto Brass. There are several reasons why the very mention of the director's name will cause many to stop reading right now. His association with Caligula and Salon Kitty and of course his later joyfully, and uncompromisingly erotic later works do not suggest this might be a 'serious' film maker. However, for me, the most difficult aspect was coming to terms with the fact that this has been transposed from the writer, Junichiro Tanizaki's Japanese homeland to a wintry Venice. The whole notion of a couple each keeping a sexual diary (locked up but knowingly made available) as a way of communicating their hopes and desires is so not the way we consider Italians likely to behave. But, never mind, the film is great enough to overcome this and in no time I was under the spell of the beautiful and prestigious actress, Stefania Sandrelli and to a lesser extent by Frank Finlay. I should also clarify the point that this fairly explicit film is about eroticism and not in the main erotic itself. Mr Brass does, of course, indulge himself quite a few lingering shots of certain parts of Sandrelli's anatomy but I'm sure nobody would grudge him that, certainly not I.
    5dy38493

    Good movie you will love it.

    Good movie to watch for especially the director tinto brass his capability of making every movie is great and he is the best.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Tinto Brass only ever wanted actress Stefania Sandrelli for the role of Teresa Rolfe and waited until she was at the right age for the part.
    • Gaffes
      In the scene Laszlo shows Nino how to use an instant camera. That was not possible in the period the story takes place (Mussolini's fascist Italy). They are using a Polaroid Land Camera model 95 and its production was from 1948 to 1953.
    • Citations

      Nino Rolfe: [while his wife sleeps] When did you ever give me this flesh that sets my prick on fire?

    • Versions alternatives
      The UK cinema and 1987 video version was cut by 38 secs by the BBFC to remove a shot of a man's erection seen through his open shorts and a female masturbation scene, and additional edits were made to optically darken visible shots of female genitals. The 2001 Arrow DVD features the uncut print.
    • Connexions
      Edited into Bellissimo: Immagini del cinema italiano (1985)
    • Bandes originales
      Un'Ora Sola Ti Vorrei
      Lyrics by Umberto Bertini

      Music by Paola Marchetti

      Published by National Music

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    FAQ14

    • How long is The Key?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 6 juin 1984 (France)
    • Pays d’origine
      • Italie
    • Langue
      • Italien
    • Aussi connu sous le nom de
      • La clé
    • Lieux de tournage
      • De Paolis Studios, Rome, Lazio, Italie(Studio)
    • Sociétés de production
      • Selenia Cinematografica
      • International Video Service
      • San Francisco Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 56 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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