Brazilian auteur Carolina Markowicz will head to Bucharest to hone her third feature, “The Funeral.” In development, the film was selected for the 2024 Pop Up Residency, pairing Markowicz with multi-prized Romanian producer Ada Solomon for a three-week consultancy.
“It’s truly a privilege to be able to dialogue with an industry professional like Ada, a producer who has made some films I truly admire. Daring, original and different. I love the artists who still dare to take risks, this is so rare nowadays. I’m looking forward to hearing her take on my film, and very honored to have it selected by her,” Markowicz told Variety.
The residency is part of an exclusive development initiative from Projeto Paradiso, which additionally awarded Markowicz a Paradiso Scholarship this year to attend the Tfl ScriptLab for the budding concept. It’s the fifth consecutive year that the partner program has offered the residency to a Brazilian filmmaker.
“It’s truly a privilege to be able to dialogue with an industry professional like Ada, a producer who has made some films I truly admire. Daring, original and different. I love the artists who still dare to take risks, this is so rare nowadays. I’m looking forward to hearing her take on my film, and very honored to have it selected by her,” Markowicz told Variety.
The residency is part of an exclusive development initiative from Projeto Paradiso, which additionally awarded Markowicz a Paradiso Scholarship this year to attend the Tfl ScriptLab for the budding concept. It’s the fifth consecutive year that the partner program has offered the residency to a Brazilian filmmaker.
- 21/05/2024
- par Holly Jones
- Variety Film + TV
A Brazilian family struggling with their ailing grandfather are offered an unusual way out in Carolina Markowicz’s darkly comic and suspenseful feature debut
Brazilian director Carolina Markowicz won awards left, right and centre for her touching 2018 short film The Orphan (O Órfão), about a queer teenage boy suddenly placed in an unfamiliar family. Her feature debut, Charcoal, once again centres around an outsider forcibly placed in the heart of family, but this time the algebra of sympathy is much more complex – and the threat of violence adds an unquantifiable extra variable.
In rural Brazil, Irene (Maeve Jinkings) holds her struggling nuclear family together as best she can. Her husband Jairo (Rômulo Braga) earns money seasonally burning charcoal, but when he’s out of work he spends what little he has on booze. The couple’s nine-year-old son Jean is a sweet kid who shares a bedroom with his bedridden...
Brazilian director Carolina Markowicz won awards left, right and centre for her touching 2018 short film The Orphan (O Órfão), about a queer teenage boy suddenly placed in an unfamiliar family. Her feature debut, Charcoal, once again centres around an outsider forcibly placed in the heart of family, but this time the algebra of sympathy is much more complex – and the threat of violence adds an unquantifiable extra variable.
In rural Brazil, Irene (Maeve Jinkings) holds her struggling nuclear family together as best she can. Her husband Jairo (Rômulo Braga) earns money seasonally burning charcoal, but when he’s out of work he spends what little he has on booze. The couple’s nine-year-old son Jean is a sweet kid who shares a bedroom with his bedridden...
- 07/03/2023
- par Leslie Felperin
- The Guardian - Film News
Right now, in this galaxy… featuring Lloyd Kaufman, Brad Simpson, Gilbert Hernandez, Grant Moninger and Blaire Bercy.
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Mondo Keazunt (1955)
The Human Tornado (1976)
Gigot (1962)
The Hustler (1961)
How to Commit Marriage (1969)
The Magnificent Ambersons (1942)
Citizen Kane (1941)
Touch of Evil (1958)
The Last Man On Earth (1963)
Night of the Living Dead (1968)
The Omega Man (1971)
I Am Legend (2007)
Panic In Year Zero! (1962)
Dogtooth (2009)
The Entity (1983)
Shelf Life (1993)
The Killers (1964)
The Next Voice You Hear… (1950)
Donovan’s Brain (1953)
Talk About A Stranger (1952)
Julius Caesar (1950)
They Saved Hitler’s Brain (1968)
The Exterminating Angel (1962)
The Jerk (1979)
Kings Row (1942)
Santa Fe Trail (1940
Bedtime For Bonzo (1951)
The Heart Is A Lonely Hunter (19468)
Point Blank (1967)
House of Wax (1953)
Black Shampoo (1976)
A History Of Violence (2005)
Return To Oz (1985)
Death Wish 4: The Crackdown (1987)
The Anderson Tapes (1971)
Psycho (1960)
Two Evil Eyes (1990)
The Taking of Pelham One Two Three...
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Mondo Keazunt (1955)
The Human Tornado (1976)
Gigot (1962)
The Hustler (1961)
How to Commit Marriage (1969)
The Magnificent Ambersons (1942)
Citizen Kane (1941)
Touch of Evil (1958)
The Last Man On Earth (1963)
Night of the Living Dead (1968)
The Omega Man (1971)
I Am Legend (2007)
Panic In Year Zero! (1962)
Dogtooth (2009)
The Entity (1983)
Shelf Life (1993)
The Killers (1964)
The Next Voice You Hear… (1950)
Donovan’s Brain (1953)
Talk About A Stranger (1952)
Julius Caesar (1950)
They Saved Hitler’s Brain (1968)
The Exterminating Angel (1962)
The Jerk (1979)
Kings Row (1942)
Santa Fe Trail (1940
Bedtime For Bonzo (1951)
The Heart Is A Lonely Hunter (19468)
Point Blank (1967)
House of Wax (1953)
Black Shampoo (1976)
A History Of Violence (2005)
Return To Oz (1985)
Death Wish 4: The Crackdown (1987)
The Anderson Tapes (1971)
Psycho (1960)
Two Evil Eyes (1990)
The Taking of Pelham One Two Three...
- 15/05/2020
- par Kris Millsap
- Trailers from Hell
Few composers have such a long past in network television music as Dick DeBenedictis. A native of New Milford, New Jersey, DeBenedictis never saw himself as a film composer right up until his first commission! He was thrown into the deep end so to speak... Over four decades he provided music for classic episodes of Columbo, Matlock, Father Dowling, Diagnosis Murder and tons of other series' which may not be as well known today. This was all written in addition to a rich background in writing for musical theatre, another major forte of the composer. In my interview with Dick DeBenedictis, we revisit all these shows with a special focus on select episodes of Columbo where Dick had to write music for murderous musicians!
How did your fascination with music begin?
I began piano lessons at the age of ten or eleven, then I attended Ithaca College. I got a...
How did your fascination with music begin?
I began piano lessons at the age of ten or eleven, then I attended Ithaca College. I got a...
- 21/05/2009
- Daily Film Music Blog
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