Angoisse

This film deserves to be re-released, uncut and digitally mastered and whatnot. I guess it would be by now if it were more popular. You don't hear much about it. It's a shame, because this is one of the most overlooked Italian horror films I've ever seen. It is hard coming across the rare Wizard video, but I was able to find it for a low price and I have been enjoying it nonstop ever since I got it. The plot is strange, twisted, and full of bizarre touches of nasty murder scenes, perverse sexuality, nudity, and some very creepy tones of Satanism and the black arts which more than likely will chill you to the bone. It's hard to explain simply, but I'll try...it's basically about an actor named Michael (the very cute Stefano Patrizi) dealing with the painful memories of his childhood when he accidentally stabbed his father to death. He returns, along with his friends, which include a film director, some curvaceous actresses, and his girlfriend Deborah, to the creepy countryside mansion of his recluse mother. Well, you can guess that from there, strange events happen building up to a thunderstorm, gore murders, and some shocking twists in the finale. It sounds simple in a bare bones description like that, but just remember it also fits in hallucinagenic, trippy dream sequences of hooded Satanists sacrificing a nude girl in their Black Mass, lots of slimy spiders and spiderwebs, bleeding skulls, red herrings including a handful of suspicious characters, black gloves, murder attempts, and not to mention many softcore sex scenes which feature both male and female nudity (the gorgeous Patrizi shows off his firm, taut bare butt - another factor which makes this film a personal favorite). The gore murders, when they occur as the film reaches its peak, aren't really very scary, more cheesy, but they are still bloody and do provide effective shocks. The music is also effective in creating the creepy, stormy atmosphere of Satanism, murder and sex in a remote mansion in the countryside. This film is definitely not for everyone, but those who appreciate fine, classy Italian horror and do not mind complicated, twisted plotlines should enjoy it. A plus is the very talented cast which are very effective in their roles. Silvia Dionosio impresses as Deborah, the girlfriend, and John Richardson is an old favorite of many Italian horror films (he's just so cute even though he's pretty spooky in this movie). This is a great, overlooked film. Have fun seeking it out.

A group of filmmakers travel to the family home of the lead actor to scout locations. They are greeted by his disturbed mother and her sinister servant.

Maestro Freda's last feature is a baroque masterwork which indeed forms a kind of review of the entire Italian horror tradition from BLACK SUNDAY on. BLACK SUNDAY lead actor John Richardson appears as the servant in a possible nod to former Freda collaborator Mario Bava.

The story contains many elements from other horror films: PSYCHO, THE TEXAS CHAINSAW MASSACRE, DEEP RED, but Freda tells the tale in an ornate style referencing classical art and music in his imagery and on the soundtrack. The acting is mediocre, but the carefully composed imagery makes up for it. Such hallucinatory visions as a clutch of bleeding skulls, a giant spider and black mass which resembles both a Dali painting and a Michaelangelo sculpture are indelible. Highly recommended for Italian horror and Freda fans. A very underrated film which shows the director still at the apex of his creative powers.

Members of the cast and crew of a horror movie take a well-earned break at the family home of actor Michael, whose mother (who has obviously been keeping to a tight exfoliation/moisturising regime, since she looks no older than 40) lives a reclusive life with her creepy manservant Oliver. Whilst relaxing at the house, the group are attacked one-by-one by a leather-gloved killer, and Michael begins to fear that a horrific event from his past—one which he has kept suppressed in his mind for years—has finally returned to haunt him.

Murder Obsession opens in fine style with a gleefully trashy scene in which exploitation babe Laura Gemser has her clothes torn from her body by a mysterious assailant who then proceeds to try and strangle her. However, fans of sleazy giallo movies shouldn't get too excited, for director Ricardo Freda soon disappoints by having the camera pull back to reveal that the woman, Beryl, and her attacker, Michael Stanford (Stefano Patrizi), are actors performing their final scene in a horror flick.

Yes, it's the tired old 'movie within a movie' trick! The rest of this wearisome film is just as clichéd and deceptive in style, with numerous silly red herrings during the dull-as-ditch-water first half (nearly every character seems to own a pair of leather gloves!), mucho nudity throughout, cheesy gore towards the end, and a convoluted, logic-free script that is harder to swallow than a broken glass sandwich. Even a genre great like Argento, whose own work is rarely that cohesive, would struggle to make this inept garbage work, so what chance does Freda have?

Supposedly atmospheric dream sequences are rendered laughable by giant rubber spiders; bats flap on clearly visible wires; Michael's girlfriend (Silvia Dionisio) runs through a foggy forest with her tits out; inept gore effects (an axe in the head and a chainsaw in the throat) look as though they were created by a five year old with modelling clay and papier-maché; dreadful dialogue turns emotional scenes into unintentional moments of comedy; and a desperate attempt at shoehorning black magic and psychic powers into the muddled plot severely backfires.

Take a look if a) you dig bad Italian cinema b) you're a rabid Gemser fan, or c) if you absolutely must see every giallo in existence—but be warned.... it ain't great.

I would take some of the other reviews about this film with a pinch of salt - it's not that amazing and it's not that gory, at least in the version I saw under the title "The Wailing". I also suspect a bit of cheating must have occurred to get it the 5.8 rating.

On to the film... It starts with some brilliant music, the sort you used to get in the early 80's horror films. This made me excited for what was to come, but sadly it seemed to go downhill from there. The problem with The Wailing is that it is confusing and the plot meanders too much. There's some dream sequences that go on for so long you forget they are actually dream sequences. Random scenes seem to be thrown together with no connection. There's also a serious lack of lighting, making it even harder to understand what is happening. It reminded me slightly of Lucio Fulci's "The Beyond" because of the meandering plot.

It does have some good points though. As mentioned, the music is great and gives it a real horror 'feel'. However they used it too much; it almost plays through the entire film and gets tiresome after a while. The atmosphere is quite good, and had the plot been more coherent this could have been a really atmospheric horror flick.

This really isn't worth seeking out unless you're a fan of Italian horror, even then you can still do much better. The UK VHS cover is cool though - I'll give it that.

If I had a time machine, I would prefer going back to the early 80s, especially 1981 and '82, which were the heydays of Horror. The time was one of the most splendid phase of the slasher and zombie genres and we certainly have enough of those films to revel upon. As I look down to the slasher genre, I see there were many that came out victorious and instantly garnered a decent cult-following. Some others were not so effective then, but found audience in course of time and certain others are still waiting for the right audience to get famous. I think 'Fear' aka 'Murder Syndrome' falls in the 3rd of the aforementioned categories.

I got a copy of 'Murder Syndrome' under the name of 'Fear' in 1994. Being a devoted fan of slasher and giallo, I keep digging the heap of such films to discover something precious. I love slashers, but only when they're accompanied with a sound atmosphere. 'Fear' has everything for a slasher buff like me. It's a great giallo with a twist of supernatural, some edgy psychological dilemma, effective dark humor, gore, nudity and a gruesome atmosphere. So you can choose what you want. Wake up man, It's 1981....What did you expect? Budget wise, the movie has a low profile, but the presence of a big Victorial-era mansion, lush outdoor locations combined with some good acting make 'Murder Syndrome' nifty. Freda seems to have invested his mind heavily in the plot that unfolds very rudely. The ending is almost a surprise and will leave you in shock. I think this was an experiment of mingling two alternate endings and surprisingly, both of them are nicely written.

Michael (Stefano Patrizi) is a successful actor. He has everything to be proud of; name, fame, and a beautiful girlfriend Deborah (Silvia Dionisio). During the weekend break, Michael decides to pay a visit to his mother Glenda (Anita Strindberg ), who lives in a palatial house, somewhere far away from the urban locale. Michael takes Deborah along, as he wants to introduce her to his mother. On the way to his home, Michael gets distracted with some flashes of events from his dark and forgotten past. Finally they reach their destination and are greeted by Oliver (John Richardson), the house butler. Michael meets Glenda but it seems she is living a secluded and lonely life. Deborah feels Glenda is acting suspicious, but she doesn't have anything against her. In the meantime a filming crew with director Hans (Henri Garcin) and 2 actresses Shirley (Martine Brochard) and Beryl (Laura Gemser) arrive at the mansion for Michael's latest movie shoot. The guests are given a cold reception by Oliver, who seems to be very superstitious. Once they settle inside the spooky mansion, strange events begin to occur. Beryl faces a murder attempt, where a strange figure with black gloves tries to drown her in the bathtub. Michael's behavior with Deborah begins to change when Deborah tells him about her dream, where she witnessed a black mass and a strange over-sized spider trying to devour her. Deborah emphasizes that she had been a part of the mass, but she isn't able to recall the exact time of the event. Then Beryl is torn open with a hunting knife, right beside the river bank. Hans manages to capture some snaps of the killer, but before he is able to disclose the killer's identity, he is brutally hacked to death with an Axe. Deborah and the Shirley are looking for some clues, when they accidentally stumble upon Hans' camera and some of those nasty snaps. However, Shirley gets killed by a chainsaw as she is in the photo lab trying to develop the prints. Deborah is left with no other option but to run for her life. Deborah runs across the estate and into the woods only to be stopped by Oliver, who may have some hints about the strange events going on in the mansion.

'Fear' is a great film with some of the great moments that left a deep impression in my mind. I keep this very close to me because it acts as a great hallucinogen for me. When I call it a 'hallucinogen', I mean to say that it is able to push you into a dream world, where you won't be able to differentiate between the real and imaginary. The acting is cut above most of the slasher films that oozed during the 80s. This is a smart and intelligent film from Freda and should be watched for what it is!