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La mort des soleils

Titre original : Nightfall
  • 1988
  • PG-13
  • 1h 23min
NOTE IMDb
2,7/10
810
MA NOTE
La mort des soleils (1988)
Far across the cosmos from our world lies a planet bathed in perpetual daylight. Soon nightfall will come and bring with it tremendous destruction.
Lire trailer1:07
1 Video
7 photos
MysterySci-Fi

Ajouter une intrigue dans votre langueOn a planet with perpetual daylight, nightfall's arrival brings destruction. A dramatic depiction of Asimov's award-winning story, exploring the clash between science and superstition as dar... Tout lireOn a planet with perpetual daylight, nightfall's arrival brings destruction. A dramatic depiction of Asimov's award-winning story, exploring the clash between science and superstition as darkness looms.On a planet with perpetual daylight, nightfall's arrival brings destruction. A dramatic depiction of Asimov's award-winning story, exploring the clash between science and superstition as darkness looms.

  • Réalisation
    • Paul Mayersberg
  • Scénario
    • Isaac Asimov
    • Paul Mayersberg
  • Casting principal
    • David Birney
    • Sarah Douglas
    • Alexis Kanner
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    2,7/10
    810
    MA NOTE
    • Réalisation
      • Paul Mayersberg
    • Scénario
      • Isaac Asimov
      • Paul Mayersberg
    • Casting principal
      • David Birney
      • Sarah Douglas
      • Alexis Kanner
    • 62avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Trailer
    Trailer 1:07
    Trailer

    Photos6

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 3
    Voir l'affiche

    Rôles principaux25

    Modifier
    David Birney
    David Birney
    • Aton
    Sarah Douglas
    Sarah Douglas
    • Roa
    Alexis Kanner
    Alexis Kanner
    • Sor
    Andra Millian
    Andra Millian
    • Ana
    Starr Andreeff
    • Bet
    Charley Hayward
    • Kin
    • (as Charles Hayward)
    Jonathan Emerson
    • Architect
    Susie Lindeman
    Susie Lindeman
    • Boffin
    Russell Wiggins
    Russell Wiggins
    • Zol
    Larry Hankin
    Larry Hankin
    • Desert King
    Ronald R. Burns
    • Aton's Man
    Bernard J. Garsen
    • Aton's Man
    Dan Wells
    • Architect's Assistant
    Bradley Reid
    • Trader
    Stephen D. Nathenson
    • City Dweller
    James Barry Blakely
    • Narrator
    Lee Michael Walczuk
    • Nomad Dancer
    Dayna Beilenson
    Dayna Beilenson
    • Nomad Dancer
    • Réalisation
      • Paul Mayersberg
    • Scénario
      • Isaac Asimov
      • Paul Mayersberg
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs62

    2,7810
    1
    2
    3
    4
    5
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    9
    10

    Avis à la une

    Loadmaster

    83 minutes of soul-sucking I'll never get back

    Having read the classic sci-fi story by Asimov, I was, of course, expecting something better. In this case, seeing two wheelchair-bound spasmatics fighting each other with brooms and a bucket of manure would qualify as "better". This film was even worse than "A Boy and His Dog", another sci-fi semi-classic rendered horribly on film.

    After being told about this film, Asimov reportedly told everyone he could that he had nothing to do with making the film, and to avoid it at all costs. He's probably rolling over in his grave right now just thinking about it.

    The filmmakers attempted to portray a primitive society on the brink of technology, but what it looks like instead is that they simply raided the wardrobe closet of a low-budget renaissance festival. All the sets are little more than tents erected in the middle of a desert. Their astronomical "sounding" instruments are seashells and string glued to pieces of wood. (Yes, seashells - I wish I were making this up, but I'm not.)

    My only regret is that I actually stayed to see the end of the film, in the hopes that the film might redeem itself with a climactic ending. Nope.

    Take my word for it, if you don't like the first five minutes of it (and you won't), stop right there.
    BilligerVogel

    Watching paint dry captures your attention more than this film...

    Oh, the humanity!

    There must've been a budget for this, but it must've been used for advertising! The sets are boring, akin to filming in someone's backyard with no attention to detail. The acting? Well, it's just not really. Continuity of story? Must've taken a vacation that day. Were the filmmakers ambitious? Maybe, but it was a heartless attempt to tell a story with film.

    It's not Asimov's fault, rather these film-makers lacked vision.

    The other reviews here I can truly say are valid, since I sat through this turkey in the theater, hoping desperately for it to get better. I mean, it had to didn't it? Alas, it never did...

    Skip it, go watch the Georgio Moroder version of Metropolis again instead... Or read Issac's story, either way you'll be happier, trust me.
    1ikaros-3

    How did MST3K miss this one?

    The temptation to quote the comic shop guy on 'The Simpsons' and leave my entire review at "Worst movie ever" is tremendous, but there *have* been worse movies than this inept and insulting version of one of the masterworks of science fiction.

    Not very many, though.

    I can only assume that Mayersberg came up with this version based on no more than a one-line plot summary of Isaac Asimov's classic short story. It's inconceivable that he actually *read* it, given what he put on film.

    The resemblance to Asimov's original 'Nightfall' is limited, and strictly, to the fact that this culture hasn't experienced a sunset. Other than that, he has taken off on a tangent that, had Asimov written it himself, would have immediately been ripped from the typewriter and consigned to the trashbin.

    My experience with this film was even worse, being the great Asimov fan that I am. Had the tape I watched not been a rental, I would have taken it out into the street and run over it several times, ground what remained into a powder, and burned it before it could hurt anyone else. Alas, I had to return it to the video store, there to sit quietly and innocently on the shelf, awaiting its chance to cruelly crush the hopes of a subsequent SF fan.

    This movie should only be rented if you're holding an MST3K night and want something suitable for riffing. Otherwise, save yourself the money. It ain't worth it.
    wallsg

    Worst I've Seen

    There may be worse films, but I've never seen them. When I saw this movie in the theater the ticket seller actually warned me that a lot of people didn't like it and that I could have my money back if I left in the first 15 minutes.

    Unfortunately I watched the whole thing, thinking to myself that it just *had* to get better. It didn't.

    The only way that I'd watch this movie again is if my other choice was bamboo under the finger nails.
    1fvincentelli

    Do yourself a favor and avoid this putrid film

    Everything about this film is bad: a pathetic adaptation, a boring screenplay, absurd sets, a soundtrack that is worse than my dog's barking and acting that can only be described as perpetrated.

    There is not one single redeeming quality in it, and it is completely useless except maybe as a textbook example of how NOT to make a movie.

    Bad as it is on its own, it is all the more painful if you are familiar with Isaac Asimov's classic short story, on which this absurdity is allegedly based - even though any similarity... no, there are no similarities.

    If IMDb allowed negative scores this film would deserve one. A chimpanzee with a home video camera could (and would) have made a better film than this on the first try. Just skip this junk.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Isaac Asimov was never consulted in the making of the film based on his short story, and completely disowned the finished film when it was released.
    • Citations

      Aton: Why?

      Kin: Cause it has to be.

      Aton: What has to be?

      Kin: We are in a dream, Aton! You, Ana, myself, all of us. We can't change the dream. It has to be. And when we wake, we die. It's simple.

    • Connexions
      Featured in Cult-Tastic: Tales from the Trenches with Roger and Julie Corman: Future Worlds (2019)

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    FAQ16

    • How long is Nightfall?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 15 avril 1988 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Nightfall
    • Lieux de tournage
      • The Domes, Casa Grande, Arizona, États-Unis
    • Société de production
      • New Horizons
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 23 minutes
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.85 : 1

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