Labyrinthe

By today's standards "Labyrinth" may look dated and cheap but there's something about it that makes it special.

David Bowie makes it a stand alone movie in the weird ranking. The man is crazy but his performance is excellent!

Jennifer Connely (being 16 at the time) delivers a solid and tender performance. She was very, very cute and her performance totally gained the audience's love.

The tale is fantastic and keeps you interested from the beginning to the end. The musical moments are also great! The f/x were great for it's time and I wonder how they came out with the idea for creating such original characters.

The thing that I liked the most about the movie is it's art direction. The world that is created is taken directly from everyone's fantasy world idea. Colorful and dark at the same time.

Better than the "Neverending Story" movies, "Labyrinth" should be watched for lovers of sci-fi.

'Labyrinth' has deep symbolic and psychological significance. It's about a girl going into the fantasy world to work through her issues and fears about growing up. In her room there are all the different creatures/toys etc found in the labyrinth and books from which the symbolism of the labyrinth is taken. Some themes in the movie reminded me of 'The Phantom of The Opera', because it involved a labyrinth, The Goblin King is a musician and a magician and he's in love with a young girl. This movie can be seen on several levels: first, as a children's movie, but also as a movie for grownups, because there are some universal lessons that everyone can learn from it...this movie is so magical and wonderful...the characters in the labyrinth are truly fantastical...I saw this movie in 2006, but i still love it very much and I wish i saw it when i was younger...I probably would have loved it even more, if that's possible :D

In case anyone is interested in the symbolism of Labyrinth and it's characters, here are some interesting links:

http://www.katiescarlett.co.uk/ http://www.oddpla.net/realm/ http://www.angelfire.com/mi2/lorelei/littlemagpie.html http://www.angelfire.com/mi2/lorelei/labyanalysis.html

This is a classic fantasy film from Jim Henson, in collaboration with George Lucas. There really is a magic about the film and that has helped it last as a firm family favourite all these years. As with many films aimed at younger audiences there are messages that the writers, in this case Henson himself, have tried to convey, such as `be careful what you wish for (as in the heat of the moment we are not always sure what is best for us) and also about not taking things for granted. These lessons not only relate to the major target audience of young children but also teenagers and adults alike. The film also has values and attitudes about growing up, the central character Sarah is in the awkward stage between child and womanhood, the stage of adolescence. She acts like a child in her self importance and possessiveness but she is perhaps starting to grow out of her young imagination. She does not want to, her room full of inanimate companions, dreams and fantasies, she feels are slipping away.

Labyrinth is about Sarah keeping her imagination alive, her fantasies and dreams, and these help her figure out what she is doing wrong, it helps her realise how her attitude is wrong and causes her to be depressed. There is certainly intelligence to this film if analysed deeply. There is depth to the script, and clear attitudes and values that Jim Henson conveys. Henson is in a way telling not just kids, but also adults, that our subconscious, which includes our dreams and imaginative side (in terms of taking yourself to another place, more than imagination in creating something like a piece of music for instance.) can be as affective a guide to where and when your live is going wrong as your conscious. Sometimes we don't realise things we have said or done until we dream. How many times have you said something, that every teen must have to their parents, for instance `I wish you were dead', very cruel but it is said. I have in the past and realised the full implication in a bad dream, a dream is the most effective doorway to imagine something outside of it really happening.

What is fantastic about the way the film opens and closes as that it really hints to the fact that Sarah has been through the same dream before, and that she needs these imaginative friends, and dreams to help her see the light as it were. She says for instance at the close that every now and again she needs Hoggle and company. The opening of the film sees Sarah reciting from a book to herself, she is addressing the Goblin king and the characters of this book and her room are the cast of a play inside her mind, they are special to her and meaningful, in a way we might have a favourite song that speaks to us in some way. At the start of the film when we are first in her room there is clever use of visual hints that you wouldn't pick up on until watching a film the second time. Look around her room and you see the characters everywhere, Hoggle, Ludo even a little replica of a maze. There is also a clipping of Sarah's mother, who we do not know whether she is still alive, but in any case is not around, but she is with a man who is the likeness of the Goblin King. The man in the photo probably a figure of blame for the loss (however large) of Sarah's mother. What is also interesting is Sarah being a young girl at the start of puberty has a certain fascination and perhaps crush on the Goblin King, perhaps a combination of the character from the book and the likeness of which she has created this character in her head. Certainly on a visual and script basis there are some clever touches when you consider this is a kids film.

The film itself is much like the Wizard of Oz in terms of story (intentional maybe as it could represent something that Sarah finds special and perhaps inspirational). What I really love about the film is, that before the days of CGI, inside the Goblin world, which accounts for 90% of the film, everything is 100% set work, there must be well over a hundred sets and they are all imaginative an create the enchanting atmosphere of the film, these sets combined with some fantastic matte paintings from ILM that give even more of a scale to the film.

I do really like this film, the look, the cheesy feel good 80's music, the characters, it is all great. There is some good humour and of course the odd piece of very childish low brow humour but that is to be expected. It is movie magic no question. David Bowie is good as the Goblin King and all the puppeted characters are fantastically brought to life in there movements and voicing as you would expect from a Henson film. A very youthful Jennifer Connelly before the days when many a website was devoted to her ample bosom, has a charm to her, she has to hold the movie together and win the audience, especially after being very bratty and effectively wishing her baby brother into the clutches of Goblins. She does manage to win the audience though and enchant them with her green eyes and youthful innocence.

This film is great, it is what makes, or made fantasy films of this time really enchanting. Real artistry was involved, there was exuberance and charm to it and it has lasted a long time. It is a firm fans favourite and still gains new young fans. I can still to this day sit down and enjoy the film because I remember what Jim Henson tries to teach us. `Keep the inner child alive inside you sometimes he/she actually knows best'. Perhaps certain events in recent years may have panned out differently had this been heeded by more people, but that is all just hear say.

Overall this is a classic fantasy film with much artistry and charm to appreciate, certainly Henson had a skill in all his fields in the industry. ****

Absence of Muppets aside, this is probably the most Jim Henson movie ever made. On more than one occasion, it feels like the Creature Shop was running wild, coming up with all manner of strangeness just to put in the film. The creativity is never more apparent than during the Shaft of Hands scene; only a gaggle of puppeteers could've pulled that off. Man, it must've been a lot of fun working on this movie!

This is only one reason Labyrinth excels (and lives on past the '80s). The teen angst is real, the songs are great, the lines are funny . . . and then there's David Bowie. The Goblin King brought to life. Bowie struts around the sets with godlike command, at home not only in the role but also the songs, and he offers one hell of a performance. He's exceptional here.

I haven't seen this since I was a teenager, and it holds up very well. It pleases me greatly that the worm has sort of become a staple in my house. We all love doing the accent. "Don't go that way! Nevah go that way! *sigh* Shoulda kept on goin' down that way, she'da gone straight to the castle."

Not to mention Ludo. "Smell baaad!"

Cool film! Way too good for children. Jim Henson, as ever, is the absolute master of every kind of puppetry known to man or muppet.Particularly adorable is the little punk worm who invites Sarah to "Come inside and meet the missus"... very cute. The plot has all the essential elements of a good fairy tale with the added bonus of a heroine who manages to get through all her trials and tribulations without squealing feebly or fainting into the arms of any poxy bloke. David Bowie is wonderfully sexy (despite the fright wig) and his natural humour shines through although his character does a pretty good job of being spiteful and menacing. I get the feeling the he really enjoyed making this film. The soundtrack is excellent and "As the World Falls Down" is quite hauntingly beautiful ('though I have to agree with an earlier reviewer that the ballroom sequence in which it was played did slow the action down a little - but it was a visual feast).

All in all, a beautiful film with a wonderful cast of creatures and humans. Makes me miss Jim Henson's talents lots but at least we've still got Brian (his son). My friend's three year old now has a crush on the Goblin King (I dread to think how that's gonna shape her life!).