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Larry Flynt

Titre original : The People vs. Larry Flynt
  • 1996
  • Tous publics
  • 2h 10min
NOTE IMDb
7,3/10
104 k
MA NOTE
POPULARITÉ
4 370
137
Woody Harrelson in Larry Flynt (1996)
Trailer for The People Vs. Larry Flynt
Lire trailer2:21
1 Video
99+ photos
Dark ComedyLegal DramaPolitical DramaShowbiz DramaBiographyDrama

Film partiellement idéalisé et romancé de l'éditeur controversé de pornographie et comment il est devenu un défenseur de la liberté d'expression pour tous.Film partiellement idéalisé et romancé de l'éditeur controversé de pornographie et comment il est devenu un défenseur de la liberté d'expression pour tous.Film partiellement idéalisé et romancé de l'éditeur controversé de pornographie et comment il est devenu un défenseur de la liberté d'expression pour tous.

  • Réalisation
    • Milos Forman
  • Scénario
    • Scott Alexander
    • Larry Karaszewski
  • Casting principal
    • Woody Harrelson
    • Courtney Love
    • Edward Norton
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    104 k
    MA NOTE
    POPULARITÉ
    4 370
    137
    • Réalisation
      • Milos Forman
    • Scénario
      • Scott Alexander
      • Larry Karaszewski
    • Casting principal
      • Woody Harrelson
      • Courtney Love
      • Edward Norton
    • 166avis d'utilisateurs
    • 65avis des critiques
    • 79Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 2 Oscars
      • 22 victoires et 35 nominations au total

    Vidéos1

    The People vs. Larry Flynt
    Trailer 2:21
    The People vs. Larry Flynt

    Photos158

    Voir l'affiche
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    Rôles principaux99+

    Modifier
    Woody Harrelson
    Woody Harrelson
    • Larry Flynt
    Courtney Love
    Courtney Love
    • Althea Leasure Flynt
    Edward Norton
    Edward Norton
    • Alan Isaacman
    Brett Harrelson
    Brett Harrelson
    • Jimmy Flynt
    Donna Hanover
    Donna Hanover
    • Ruth Carter Stapleton
    James Cromwell
    James Cromwell
    • Charles Keating
    Crispin Glover
    Crispin Glover
    • Arlo
    Vincent Schiavelli
    Vincent Schiavelli
    • Chester
    Miles Chapin
    Miles Chapin
    • Miles
    James Carville
    James Carville
    • Simon Leis
    Richard Paul
    Richard Paul
    • Reverend Jerry Falwell
    Burt Neuborne
    • Roy Grutman
    Jan Tríska
    Jan Tríska
    • The Assassin
    Cody Block
    Cody Block
    • 10-Year-Old Larry
    Ryan Post
    • 8-Year-Old Jimmy
    Robert Davis
    • Old Hillbilly
    Kacky Walton
    • Young Ma Flynt
    John Ryan
    • Young Pa Flynt
    • Réalisation
      • Milos Forman
    • Scénario
      • Scott Alexander
      • Larry Karaszewski
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs166

    7,3103.8K
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    Avis à la une

    8TBJCSKCNRRQTreviews

    Very good autobiographical drama

    Before watching this movie, I had nearly no idea who Larry Flynt was. I read a quick summary a few minutes before watching it, but I hardly knew any specific details. After watching it, I know exactly who he is, and what he stands for. He stands for freedom of speech. Some might call him a pervert. Others call him a patriot. I believe he is the latter. While I don't know the exact story of Larry Flynt from any other sources than this movie, I don't know if it's completely accurate. The plot is great, for a biographic piece, the acting is superb, by most actors, especially the three main characters. Most of the cinematography fits the movie perfectly. The only thing that bothered me a little, was there was relatively little information about why Larry Flynt did what he did, believed what he believed so strongly. I sympathized with his character in several scenes, but I never fully understood him. The director should have had at least a few more emotional scenes with Larry, to explain his actions better. Overall, a very good drama. Recommendable to most fans of the genre, as long as they can stand what the movie shows them. If you have an open mind, you're not too easily offended and you're into autobiographical dramas, this is a good film to watch. 8/10
    9great_sphinx_42

    Larry Flynt, Great American

    I went into this one fully expecting to like the heck out of it, and I wasn't disappointed. No one had to convince me the message was a valid one, but I still thought I'd drop a line to say that I thought it was a very well done movie. It shows how a right that is supposedly near and dear to us all is often skewed in favor of mollycoddling lots of hypocrites who has the ridiculous audacity to think they have the right and the obligation to tell the rest of the world what to think of as moral or immoral. I loved the scene where Woody Harrelson, who does an absolutely bang-up job, gives a speech about how explicit depictions of death, murder, and war are considered appropriate while sex is considered filthy. "Sex or war" indeed. The more of Harrelson I see, the more my respect for his work grows. I must also mention Courtney Love, who is terrific as Althea. Great movie, I thought. Most of the people who don't like it are probably also the very ones it portrays as being the "bad guys"-the religious right, of course. Larry Flynt may not be admirable in the type of lifestyle he and Althea lived, and his magazine is, to my mind, entirely repugnant. But if Larry and Althea truly had the sort of relationship portrayed they loved each other beyond all reason, and what he did makes him a great patriot. How many people would do what he did in defense of such an idealistic belief? Not all people who do great things for great reasons are great people.
    10Quinoa1984

    One of the best films of the Year

    Oscar Winning Milos Forman's The People Vs. Larry Flynt is a fascinating (if not too trashy) look at how without the first amendment, people like Flynt would not exist. We see an expose on the man, myth and legend of master porno publisher Larry Flynt (played to damn close perfection by Oscar nominated Woody Harrelson) who releases Hustler (in my opinion the best porno mag ever, but that's just me) and gets severe backlash from censors, church people and just people in general. But, we see his struggle to fight back at any cost (even his legs) to send a message- just because you don't like doesn't mean you can't let me publish what I want. Forman directs this pumped drama with 5-star performances from Harrelson, Love (as the tragedy queen girlfriend) and Especially Norton (as the suffering yet compelling lawyer). Never ashamed and always On the edge, this film has a place not only in film history, but in Hustler magazine's also. The real Flynt appears as a Cinncinatti judge and Norm MacDonald appears as a reporter. A+
    7damianphelps

    Gives Me A Woody

    Woody does here what he always does...he steals the show.

    The story the movie tells is a good one and it does a great job of creating debate about free speech.

    However this movie lives and dies on the performance of Woody.

    One of the most underrated actors off all time :)
    Khaled Yafi-01

    Shocking Expose

    Anyone familiar with Milos Forman's work will know how much he likes to discuss and examine controversial real-life characters and make them the focal point of his films. Amadeus for one was a powerful expose of the legendary composer; Forman was able to extraordinarily add so much spice to the script that the end result was a harrowing documentation that genuinely moved us. We didn't need to know anything about the composer or even like his work or personality; Forman craves on these sorts of challenges. He likes to make films about characters that the audience may not identify with because it heightens the overall achivement if the film is a hit. With Larry Flynt he's done it again.

    Flynt is the story of Porn magazine chairman larry Flynt who amidst an era of overwhelming decadance launched Hustler magazine, a porn magazine that broke all taboos and crossed all boundaries. The magazine was a huge hit that transformed Flynt into a powerful figure in the American Community. Needless to say though, Flynt (superbly played by Harrelson) faces insurmountable odds from everyone to keep the business running. Politicians, reverends, mass public opposition et.al.. Flynt is accompanied along the way by his junkie wife (played with real panache by Courtney Love) and a reluctant lawyer (dependable performance from Edward Norton Jr.). At the midway point of the film Flynt is shot and paralyzed and consequently the fight to stay on top is made even more challenging.

    This story is intriguing because is dares to break universal taboo's. It shows Flynt disassociating himself from the norms and traditions of society and really willing to take genuine risks that could blow up in his face. Before Hustler was formed, Playboy was the porno pioneer. Playboy was subtle in it's nudity, preferring to call itself a REAL magazine rather than something trashy. We notice that Playboy was afraid to overstep the barrier. Playboy was a magazine that was restricted in it's disclosure of barenaked ladies because of the shape of society at the time and the values the society had come to embrace. To call yourself a porno magazine was unthinkable with unthinkable consequences! Hustler dared to step over those lines and bear all the consequences. Flynt was not necessarily a likeable man but he cannot not be admired. He was a risk taker, an enterpeneur, a man with a vision, and a man who believed that oe should act on one's desires and ambitions.

    The mass hysteria the swamps the society as a consequence mainfests how powerful yet dangerous a little "acting on ambition" can bring. Flynt's idea is impossible to resist; the public cannot stay away from the controversial impact of the magazine. As the fan base grows, so does Flynt's empire, and so do the forces determined to suppress him. Flynt's meteoric rise is unprecedented, and made all the more shocking by the fact that the evnets are real. His opposition ranges from hypocritical politicians to dubious religious figures, all of whom are hell-bent on the abolition of Flynt and his tremendous reach.

    The film earns huge plaudits on the entertainment level. This is undisputed!! The acting demonstartes tremendous range from all involved and Flynt is an offensive yet endearing, and very funny figure. We grow to really love and root for him as the film develops. The points that necessitate discussion however are the legal and moral issues that are debated by Flynt, his lawyer, and the opposition. The freedom of press, of speech, and the freedom to exercise your FREEDOM are all fiercely debated. Flynt vehemently defends his position because he feels that the world is afraid to agree with him, that the world is afraid to speak out. The world is polluted by hypocrits; he's the only pure seed. This presents tremendous irony because Flynt is a low-class pervert up against scholars, and politicians, and bureaucrats, and yet he's claiming that he's the real deal and they are all phonies. He has a point; what's the point in looking presentable and being well-educated if you are banal, hollow, and insipid and cannot open your mind to new ideas?? The film asks that question; we see how closed off the men in power are to Flynt's ideas and we grow to hate them. Then we are torn because we are reluctant to accept the values of a porn fiend. The fact that we cannot resist Flynt's pulling power is the sign of the film's success. We start off opposing Flynt, unable to identify. Then we try and take a neutral stand as we discover the ugliness of Flynt's opponents. Finally, after Flynt is paralyzed and yet continues to defend his honour, we can no longer resist the seduction.

    The film has Flynt giving amazing speeches about why he is doing justice to himself and the people. He's giving them what they want,they are taking it,and yet they are determined to censor him. He debates this point to manifest the outstanding hypocrisy that lies at the heart of society. Flynt is such an important character because he speaks for all of us. On countless occasions, we all seek to expose the two-faced ugliness of those around us. We just can't because not enough people are listening. Flynt however gets eveyone's attention and defends his honour, preserves his integrity, and succeeds in winning over the justice system. The final speech given by Issacman, his lawyer is very insightful and very powerful for it argues this very point: 'We don't need to like what Larry Flynt does, but we should like and appreciate the fact that we have the right to make that decision on our own, and that's what makes our society great. We have the right to accept or reject the offer on hand. We may well reject it but we and we alone need to have the choice made available to us. If that right is taken away, then we wither away as a people and our individuality is nullified' The speech is amazing because it demonstrates how the right to accept a porn fiend and his work preserves the democracy of the Western World. Truly Shocking but brilliant!!!

    I haven't discussed the other characters all that much and I'm not going to except say this: All the characters are multi-dimensional because what we see on the outside is never what we get on the inside. Flynt for all his crude, perverted behaviour is an admirable, likeable, highly identifiable personality. His wife, for all her vulgarity and drug addiction is an endearing, loyal,intelligent personality. Issacman, the lawyer, for all his traditional, stiff boring work ethic, is an idealistic, shrewd, and deeply committed man....The list goes on and on

    I loved this movie because our hero is not perfect; he's anything but!!! Movies that depict the hero as a flawed individual stand a better chance of being embraced by critics and audiences alike. Flynt thrives on this! And exposing hypocrits for their true selves is every cynics (and I happen to be a huge one) dream. Flynt's journey is whopping emotional tour de force!!!! You don't have to like Larry Flynt as a film, but I love the fact that I had the right to make up my own mind!! Society, you ignore that at your peril!!!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Despite being portrayed in an Oscar-nominated movie, Larry Flynt was refused an invitation to the 1997 Academy Awards, so Woody Harrelson brought Flynt to the award shows as his "plus one".
    • Gaffes
      In the oral arguments before the Supreme Court, there are nine Justices. Those arguments took place on 2 December 1987, when there were only 8 Justices on the Supreme Court bench: Justice Lewis F. Powell Jr. had retired on June 26, 1987 and his successor, Justice Anthony Kennedy, would be sworn in on 18 February, 1988. Kennedy took no part in the consideration or decision of the case.
    • Citations

      Larry Flynt: Who is this magazine for, anyway? I mean, you know, it's like if you don't make twenty thousand plus a year - you don't jerk off. Seven million people buyin' it, and nobody's readin' it. Gentlemen, "Playboy" is mocking you.

    • Versions alternatives
      The film was cut by 18 minutes to remove sex references, pornographic images, drugs, and language for television to grant a 'U' (unrestricted) certificate by the CBFC in Chennai in 2007. The uncut version is rated 'A' (adults) in Mumbai for video release in 2009.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Michael/Mother/The People vs. Larry Flynt/The Evening Star/The Portrait of a Lady/I'm Not Rappaport (1996)
    • Bandes originales
      Hello Walls
      Written by Willie Nelson

      Performed by Faron Young

      Courtesy of Capitol Nashville

      Under license from EMI-Capitol Music Special Markets

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    FAQ19

    • How long is The People vs. Larry Flynt?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 février 1997 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El eslabón perdido
    • Lieux de tournage
      • Flynt Publications Building - 8484 Wilshire Boulevard, Beverly Hills, Californie, États-Unis(Flynt Publications building/Jimmy's office)
    • Sociétés de production
      • Columbia Pictures
      • Filmhaus
      • Illusion Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 36 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 20 300 385 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 523 295 $US
      • 29 déc. 1996
    • Montant brut mondial
      • 20 300 385 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 10 minutes
    • Couleur
      • Color
    • Mixage
      • SDDS
      • Dolby Digital
    • Rapport de forme
      • 2.39 : 1

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