Une robe d'été

I'm just starting to explore the so far wonderful world of monsieur Ozon. I've seen only 4 films so far, and with the last one in the row it hit me that all of them were in fact about lonely women and their actions. Not a single non-lonely female character out of 12, and all of them bring heavy impact of surroundings.

This film is probably the only one (out of four) where this impact is for good.

The gay theme is an almost standard part of background for Ozon's films, so it doesn't grab the accent (although the looks of the characters might). Watch for the feelings, not for their objects.

Very nice and fleeting, truly like a summer romance, and while being a relaxation to thought and mind, it gives some food for the soul.

Yet another film that tries to be edgy but only reinforces the whole "heterosexuality is more normal and desirable than being gay." I love the films that are "gay-themed" but seem to always have to include scenes of gay guys having sex with women. This seems to be a European thing, the whole "we are so much more liberated." Feh.

The main character is not a particularly likable kid, his annoyance at the beginning with his friend's singing and dancing seems extremely out of proportion. Most guys would be very, very happy to have a man as gorgeous as Sebastien Charles dancing in front of them. But of course this is only so we can get him to go to the beach and have his little fling. The gay side of the film is stereotyped with shallowness and unhappiness. The straight fling results in a sappy score and Summer of '42 like musings. (And to those who find this film "romantic" ... what's so romantic about running off and having sex with somebody you've just met? Does their being straight make it that much more romantic?)

This is not a great short. It's backwards and somewhere along the self-loathing of Tennessee Williams. Throw it on the trash heap.

for its high simplicity. and for the special story. because , in 15 minutes, a long confession about youth, meetings, summer, significance of a beach day , importance of a summer dress are presented. in Ozon manner, off course. but the film seems be complete, each detail solid and clear and pure, the dialogues - as frame of events. a film about youth, joy and coming out. its seductive eroticism. its chaste love scenes. its profound, delicate and subtle message about the importance of small, ordinary things. a young man on a bike to beach. and the revelation of the return. an incident. and a gift. all in precise manner presented by a director who, with a not comfortable humor, gives new senses to well known facts.it is not fair to define it as a gay movie. maybe, only, as inspired portrait of discoveries of a special age.

i expected it to be good, after i'd seen some other ozon's superb moments, and read much about it... but this movie is brilliant - clever, very bright (emotionally and visionally), perfect in all moments. every movement is there for a reason, everything fits so closely and primordially true and honest. this is the movie about the beauty and innocence; about it's simplicity.

There's not a dull moment in Francois Ozon's "Robe d'Ete". It's surprising how much is packed into this short film. While reclining on a deserted beach after a nude swim, a young gay is approached by a girl seeking a light for her cigarette. She invites him to make love in a wooded area near the beach. On returning to the beach. they find that all his clothes have been stolen. She lends him a summer dress to cover his nakedness and requests he return it next day. He rides his bike back to the holiday cabin dressed as a girl. His gay companion is sexually excited. Early next morning the young man returns to the sea and bids farewell to the girl whose holiday has ended. She suggests he keep the dress as a memento of their summer romance. It's a light-hearted film that captures the spirit of summer holidays by the sea, but perhaps not for those who are embarrassed by nudity or homosexual themes.