Ajouter une intrigue dans votre langueA working-class family from Melbourne, Australia fights city hall after being told they must vacate their beloved family home to allow for infrastructural expansion.A working-class family from Melbourne, Australia fights city hall after being told they must vacate their beloved family home to allow for infrastructural expansion.A working-class family from Melbourne, Australia fights city hall after being told they must vacate their beloved family home to allow for infrastructural expansion.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 11 nominations au total
Avis à la une
This is one of those movies, like "This Is Spinal Tap", that appears to aim low but taps into a certain subculture so precisely that it is elevated into something wonderful.
As a pom living in Sydney, I always insist that all overseas visitors watch this film in order to "get" Australia and Australians. The Kerrigan family are easy to mock, but qualities of togetherness, moral courage, unpretentiousness and un-PC earthiness embody a great strand of the national character and warm them to us.
Most of all, though, The Castle is just plain funny. You'll find yourself using the catchphrases over and over again, and you'll smile every time you do it. It's just one of those films. A classic.
As a pom living in Sydney, I always insist that all overseas visitors watch this film in order to "get" Australia and Australians. The Kerrigan family are easy to mock, but qualities of togetherness, moral courage, unpretentiousness and un-PC earthiness embody a great strand of the national character and warm them to us.
Most of all, though, The Castle is just plain funny. You'll find yourself using the catchphrases over and over again, and you'll smile every time you do it. It's just one of those films. A classic.
This movie was quite a surprise, and a pleasant one at that. To be honest, I would probably never have rented nor watched this movie if broadcast, based on the amateurish look of the video cover and the ads. My reaction to it, before seeing it was that it was another movie slapped together to piggyback onto the success of another movie with the same actor/director/theme etc.etc. while the fire was hot. But, a friend borrowed it from the library, and the video was sitting there, so I decided to watch it. Was I happily surprised! The one liners make this movie, if you pay attention and catch them all, this movie has many a belly laugh. It was true to life too, I KNOW these people, whether they come from Australia or Arkansas, they're out there, and this is their reality.
Remove the accents, put a few non working appliances in the front yard, a car up on cinder blocks, and you have the American version. A very nice surprise for me, if you like humor that doesn't insult your intellect, you'll like this movie. Many a memorable line in it too.
I would disagree with others who have commented on the profanity in this movie. In this case there is very little profanity for profanity's sake, it's usually very well timed and ads to the storyline, like when he passes the barrister the note in court.
Remove the accents, put a few non working appliances in the front yard, a car up on cinder blocks, and you have the American version. A very nice surprise for me, if you like humor that doesn't insult your intellect, you'll like this movie. Many a memorable line in it too.
I would disagree with others who have commented on the profanity in this movie. In this case there is very little profanity for profanity's sake, it's usually very well timed and ads to the storyline, like when he passes the barrister the note in court.
10seh-7
Of all the excellent comedies the vastly underrated Australian film industry makes, this is the only one which I insist that every single friend I make from overseas must watch.
This is the quintessential Aussie film - a simple story about a family trying to keep things the way they are, not afraid to have a go at those in power who think they would like to "develop" these people. It's brilliant.
Basic plot: The Kerrigan household is a happy one, but a knock on the door one day changes that. Faced with a compulsory acquisition notice, the family's patriarch decides to take on the system, and to prove for once and for all that a man's home is his castle.
The jokes are funny, but are very Aussie-centric. I'm really surprised at the amount of positive feedback in these reviews from non Aussies, I've always felt that this is one movie which requires a 'native speakin' translator' if you are to get all the jokes! (And tend to recommend overseas folk watch The Dish, made by the same film team but is far more accessible and wider in scope than the very narrowly aimed Castle, which is really just driven by Australian humour, language and colloquialisms).
A true gem, very vibrant movie. For anyone who grew up in a similar location (not next to an airport, but in a 'bogan', working class suburb or small town) it will remind you of so many things you saw as a child. Profanity? Get over it, that's how we talk!
This is the quintessential Aussie film - a simple story about a family trying to keep things the way they are, not afraid to have a go at those in power who think they would like to "develop" these people. It's brilliant.
Basic plot: The Kerrigan household is a happy one, but a knock on the door one day changes that. Faced with a compulsory acquisition notice, the family's patriarch decides to take on the system, and to prove for once and for all that a man's home is his castle.
The jokes are funny, but are very Aussie-centric. I'm really surprised at the amount of positive feedback in these reviews from non Aussies, I've always felt that this is one movie which requires a 'native speakin' translator' if you are to get all the jokes! (And tend to recommend overseas folk watch The Dish, made by the same film team but is far more accessible and wider in scope than the very narrowly aimed Castle, which is really just driven by Australian humour, language and colloquialisms).
A true gem, very vibrant movie. For anyone who grew up in a similar location (not next to an airport, but in a 'bogan', working class suburb or small town) it will remind you of so many things you saw as a child. Profanity? Get over it, that's how we talk!
Roland E Zwick felt compelled to write a rather scathing review of The Castle and how it failed to meet one major requirement for a comedy... it was not funny. Well, that is fine and I can accept the fact that maybe his idea of what constitutes humour is seemingly at odds with the vast majority of voters on IMDB, however I do think that he should get a few facts straight before he makes comments about so called influences he has attributed to this film. Roland stated:
""The Castle," a highly praised Australian farce, is a decidedly minor, lackluster and virtually laughless installment in the recently very popular genre known as the offbeat working class comedy. This vain attempt to mine the territory exploited so successfully a few years back in "The Full Monty," mistakes quirkiness for humor, so much so that it is not overstating it to say that there is nary a laugh in the film's entire (and blessedly brief) 84 minute running time."
Unfortunately, if Roland had bothered to do his homework just a little better, he would have noticed that "The Castle" released in Australia 10th April 1997 and the US 7th May 1997 does actually predate "The Full Monty" which was released in the UK on 27th October, in Australia on the 16th October 1997 and the US on the 13th August 1997. As this seemed to be something that affected his judgement (his use of the term "vain attempt" was a rather strong condemnation), I felt it was an error that needed to be put right.
""The Castle," a highly praised Australian farce, is a decidedly minor, lackluster and virtually laughless installment in the recently very popular genre known as the offbeat working class comedy. This vain attempt to mine the territory exploited so successfully a few years back in "The Full Monty," mistakes quirkiness for humor, so much so that it is not overstating it to say that there is nary a laugh in the film's entire (and blessedly brief) 84 minute running time."
Unfortunately, if Roland had bothered to do his homework just a little better, he would have noticed that "The Castle" released in Australia 10th April 1997 and the US 7th May 1997 does actually predate "The Full Monty" which was released in the UK on 27th October, in Australia on the 16th October 1997 and the US on the 13th August 1997. As this seemed to be something that affected his judgement (his use of the term "vain attempt" was a rather strong condemnation), I felt it was an error that needed to be put right.
The Kerrigan family live in a top property at the end of an airport runway. Dad has endless projects round the house and often stands in proud amazement at the size of his aerial, the hole that his son dug or some of the ideas his middle son has had. Mum is a great cook that can do a sponge cake as easy as seasoned chicken. Wayne is in prison, Steve is an apprentice mechanic and an ideas man, while Dale is just plain happy with his simple family life. However, when a compulsory purchase order comes through the post, the family find that they are being forced to sell up to make room for an extension of the airport.
Shot in less than two weeks because that is all they could afford to do, this comedy is a delightfully gentle comedy that draws laughs from the Kerrigan family but balances it perfectly so that we still like them. This is not as easy as it sounds because, in UK parlance, the Kerrigan's are "chavs" and are very simple people, they admire things that many of us would dislike (living below planes and beside pylons) and they are not the brightest in the world. In essence they are the "typical" Australian working class family and Darryl is the classic Aussie battler. The plot is simple and, although it is fairly obvious where it is going and isn't ever that dramatic, the story is gently engaging and pleasing. The laughs are gentle but consistent and show a real good touch in the writing taking "normal" eccentricities and exaggerating just enough to be funny but not to the point where it is absurd. It is hard to describe but basically give it five minutes you'll either get it or you won't and, if you don't, then don't bother with it because it is the same from the start onwards.
The direction is a bit rough and ready but that does suit the material as does the cast. Caton is enjoyable and fits the bill spot on. Tenney has a smaller role but does it well; likewise Simcoe, Hope and a pre-Hollywood Bana. Narration is good from Curry and the majority of the cast play their material well considering the real time pressure they must have been under. One bit of trivia that illustrates the constraints in making this film is that the family name "Kerrigan" was selected because the tow trucks used for the film already had that name painted on them, so it saved costs to change the script rather than change the paint job.
Overall this was a delightfully amusing film with not a single harsh or cruel line in the whole thing. It may make fun of the Kerrigan family but it does it in an affectionate manner that is consistently funny without being a real belly-laugh fest. A perfectly entertaining family film that doesn't appear to have been damaged or compromised by the rushed shoot or the tiny budget.
Shot in less than two weeks because that is all they could afford to do, this comedy is a delightfully gentle comedy that draws laughs from the Kerrigan family but balances it perfectly so that we still like them. This is not as easy as it sounds because, in UK parlance, the Kerrigan's are "chavs" and are very simple people, they admire things that many of us would dislike (living below planes and beside pylons) and they are not the brightest in the world. In essence they are the "typical" Australian working class family and Darryl is the classic Aussie battler. The plot is simple and, although it is fairly obvious where it is going and isn't ever that dramatic, the story is gently engaging and pleasing. The laughs are gentle but consistent and show a real good touch in the writing taking "normal" eccentricities and exaggerating just enough to be funny but not to the point where it is absurd. It is hard to describe but basically give it five minutes you'll either get it or you won't and, if you don't, then don't bother with it because it is the same from the start onwards.
The direction is a bit rough and ready but that does suit the material as does the cast. Caton is enjoyable and fits the bill spot on. Tenney has a smaller role but does it well; likewise Simcoe, Hope and a pre-Hollywood Bana. Narration is good from Curry and the majority of the cast play their material well considering the real time pressure they must have been under. One bit of trivia that illustrates the constraints in making this film is that the family name "Kerrigan" was selected because the tow trucks used for the film already had that name painted on them, so it saved costs to change the script rather than change the paint job.
Overall this was a delightfully amusing film with not a single harsh or cruel line in the whole thing. It may make fun of the Kerrigan family but it does it in an affectionate manner that is consistently funny without being a real belly-laugh fest. A perfectly entertaining family film that doesn't appear to have been damaged or compromised by the rushed shoot or the tiny budget.
Le saviez-vous
- AnecdotesThe family was named Kerrigan so the filmmakers could borrow trucks from an actual tow-truck company, Kerrigan's Towing.
- GaffesWhen the characters have their final appeal to the High Court of Australia, it is before 5 Justices. However in reality, when a constitutional dispute is brought before the High Court, all 7 Justices will sit (known as the Full Bench).
- Citations
Dale Kerrigan: [voiceover] He loved the serenity of the place
Darryl Kerrigan: Hows the serenity?
Dale Kerrigan: [voiceover] I think he also just loved the word.
Darryl Kerrigan: So much serenity.
- Versions alternativesAfter some mixed sneak previews, distributor Miramax ordered some changes to the film's dialogue for the USA release and a new music score. The dialogue changes included replacing the words:
- 'cladding' with 'siding'
- 'petrol station' with 'gas station'
- 'rissoles' with 'meatloaf'
- 'tertiary education' with 'college education'
- 'a Mini and a Vauxhaull' with 'a Geo and a Volksy'
- 'rabbit on' with 'babble on'
- 'trolley' with 'baggage cart'
- 'caravan' with 'mobile home'
- 'Camira' with 'Corolla'
- 'Hey Hey It's Saturday' with 'Funniest Home Videos' and 'Gong him, Red!' with 'Doggy breath!'
- 'Esky' with 'cooler'
- 'punnet' with 'tub'
- 'baby capsule' with 'baby carriage'
- ConnexionsEdited into Terror Nullius (2018)
- Bandes originalesBaby, Now That I've Found You
(1967)
Performed by Alison Krauss
Written by Roger Nichols (uncredited) and Tony Macaulay (uncredited)
Courtesy of Larriken Entertainment Pty Ltd
Album: Now That I've Found You
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- How long is The Castle?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 877 621 $US
- Week-end de sortie aux États-Unis et au Canada
- 29 452 $US
- 9 mai 1999
- Montant brut mondial
- 894 630 $US
- Durée1 heure 25 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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