Chat noir, chat blanc

Emir Kusturica's films all pulsate wildly to the wonderful sounds of authentic gypsy music. Guitars, fiddles, accordians and all manor of horns are as much a part of their lives as eating and sleeping.

Song and dance feature heavily in "Black Cat, White Cat," Kustruica's finest and most complete film to date. The music isn't really a soundtrack, but is largely, physically written into each scene (performed with gusto by musicians who often follow the characters around). Indeed, the 'bad-guy' character of Dadan scarcely has a scene where he isn't swinging or dancing along to something (even a bizarre pop/rock song makes a comic cameo). But the other characters have their musical moments as well.

"Black Cat, White Cat" has a large cast and a sprawling storyline, largely resolving around two gangsters - Dadan and the hapless Marko - and their attempts to outwit each other. Things come to a head when Dadan tries to force Marko's son to marry his spinster sister as a repayment for one of his father's debts.

But the plot is largely unimportant in a film of this type. The viewer is simply swept away in a good natured deluge of funny lines, inventive slap-stick, unusual settings and colourful supporting characters (a particular favourite: the old man who continually re-watches the last two minutes of "Casablanca"). All you need to do is sit back and enjoy. Oh...and listen to the music.

This is a gangster film with lively, exaggerated characters, excentric men and resolute women, a weird plot and many visual gags. Kusturica shows the gypsies' life-style again in his last movie, with less depth and power than in „Underground`, but with more ribald humour. Ugly and not too intelligent people (without exception!) chase and kill each other and their animals through a nice-looking landscape in the Balcans, listening to modern but also traditional gypsy music; loud, sometimes too loud, but original and in love with life. It's refreshing to see a convincing gangster movie without people in black suits and sun-glasses.

A return welcome for Emir Kusturica. His BLACK CAT, WHITE CAT is light entertainment, fun and uplifting. It's great to see all the "old Gypsies" back. They haven't aged much in 12 years. Maybe TIME OF THE GYPSIES, the English title of his darker classic on the subject, meant that the gypsies, and Kusturica's in particular, are TIME-less. Vibrant, and colorful, this master director's latest masterpiece turns cliche' into new fresh entertainment.

I saw UNDERGROUND and I have been very impressed, and one month ago I went to the movie theater in order to see BLACK CAT, WHITE CAT and it was the illumination: "What a great movie!" I told myself. The music is very good, very captivating and structures all the movie. It make us discover a not very known culture: the tsigan culture which is very interesting and where music is very important.

That movie stands out the RETURN of Emir Kusturica.

"Underground" may still be the most monumental and brilliant work from Kusturica, yet this movie is just so damn feel-good and enjoyable that the man earns my highest praises yet again. Being a sort of comedic parallel to "Time of the Gypsies," old ways clash with the new in this hilarious comedy about Gypsies living on the bank of Danube river. Gangsters, dirty deals, weddings, eccentric characters, great music (played by the orchestra from "Underground"), delicious Eastern European atmosphere - "Black cat, white cat" has it all. I love it. Kusturica is a master of his craft. I tink, dis is de begining of a beautiful frendship...