Un vagabond sans nom revêt un uniforme de facteur dans une quête pour redonner espoir aux survivants dans une Amérique post-apocalyptique.Un vagabond sans nom revêt un uniforme de facteur dans une quête pour redonner espoir aux survivants dans une Amérique post-apocalyptique.Un vagabond sans nom revêt un uniforme de facteur dans une quête pour redonner espoir aux survivants dans une Amérique post-apocalyptique.
- Récompenses
- 7 victoires et 7 nominations au total
‘Snow White’ Stars Test Their Wits
Histoire
Le saviez-vous
- GaffesThe main character assumes his role because he found an old abandoned mail truck containing the remains of a long dead mailman and pilfered the uniform from the skeleton. The problem here is the condition of the clothing he takes. When a person dies, the body goes through many stages of decomposition on its way to being merely a skeleton. As the tissues break down, many chemicals and enzymes are released, including the hydrochloric acid of the digestive system. In the final stages of decomposition, this is referred to as liquefacation or liquiescence. Given enough time and a suitable environment this combination of byproducts, with the addition of the bacteria that will inevitably emerge, would make any cloth or fabric (with the exception of treated leather products) not only disgustingly filthy, but also so weakened from exposure to what amounts to a corrosive liquid, that the fibers would tear apart from any stresses put on them. Even the act of taking the jacket off of the remains (and certainly that of putting the jacket on himself) would have pulled the fabric apart.
- Citations
The Postman: Wouldn't it be great if wars could be fought just by the assholes who started them?
- ConnexionsEdited from Universal Soldier (1992)
- Bandes originalesYou Didn't Have To Be So Nice
Written by John Sebastian and Steve Boone
Produced by Ted Templeman and Ben Schnee
Performed by Amy Grant and Kevin Costner
Amy Grant Appears Courtesy of A&M Records, Inc. A PolyGram Company
Commentaire à la une
It's a depressing fact that the moviegoing public is being brainwashed by critics to hate everything involving Kevin Costner. When released in 1997 this breathtaking, thought-provoking epic was largely ignored and limped to a box office gross of $14 million, thanks to some vicious reviews.
Lest we forget, Costner made the magnificent Dances With Wolves, but that was in the days when we were told it was okay to like him. His directorial follow up is every bit as good. He knows about directing. He coaxes great performances from his casts. He has real vision and takes chances. Like Michael Cimino, his efforts are belittled and mocked while directors with clearly less talent are applauded.
So to all those people who stayed away in droves and screw their faces up at the mention of this film, I say watch it before you criticise it. Don't rely on some magazine writer to tell you who's good and who's not. Your brain is there for a reason.
Lest we forget, Costner made the magnificent Dances With Wolves, but that was in the days when we were told it was okay to like him. His directorial follow up is every bit as good. He knows about directing. He coaxes great performances from his casts. He has real vision and takes chances. Like Michael Cimino, his efforts are belittled and mocked while directors with clearly less talent are applauded.
So to all those people who stayed away in droves and screw their faces up at the mention of this film, I say watch it before you criticise it. Don't rely on some magazine writer to tell you who's good and who's not. Your brain is there for a reason.
- tony etchells
- 14 août 2002
- Permalien
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Détails
Box-office
- Budget
- 80 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 17 626 234 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 260 324 $US
- 28 déc. 1997
- Montant brut mondial
- 17 626 234 $US
- Durée2 heures 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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