À Londres, à l'époque victorienne, un détective de la police clairvoyant et troublé enquête sur les meurtres de Jack l'éventreur.À Londres, à l'époque victorienne, un détective de la police clairvoyant et troublé enquête sur les meurtres de Jack l'éventreur.À Londres, à l'époque victorienne, un détective de la police clairvoyant et troublé enquête sur les meurtres de Jack l'éventreur.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 15 nominations au total
Commentaire à la une
There are many things in media that have nearly insurmountable preconceptions that lead to generic truisms. One of these is 'comic books are pure fluff,' and another is 'no good movie is ever based on a comic book'.
From Hell is a project that takes both of those truisms and tosses them completely out the window. Based on an ambitious graphic novel written by Alan Moore and illustrated by Eddie Campbell, From Hell (named for the signature on the Jack the Ripper letters written to the police), is one man's carefully researched theory into the eternal mystery surrounding the Whitechapel murders of 1888.
This is not a factual display of guilt or innocence, as many of the answers behind these crimes will never be known, but as theory mixed with fact, it creates with chilling detail the mood of lower-class London in the late nineteenth century, where life was cheap, bloody and oftentimes short.
The Hughes brothers, noted for their stylish direction, do a very good job of creating the mood here, involving all the grunginess and hopelessness of the streets, and combining the more mystical elements of Moore's story into the crime tale. Johnny Depp is Inspector Abberline - an opium-smoking criminal investigator that often follows up on hunches he receives during moments of hallucinatory revelation.
The style of the film - dripping with violent murder of prostitutes in alleyways - leaves more to the imagination than it reveals, although the gore level is by no means light. The vicious throat-slashes and bloody crime scenes are definitely grotesque, but most of the time we are shown the crime after the fact, letting the viewer decide how horrible the murder itself was.
All the performances are strong, fitting together into an ensemble piece, with Depp being as much a chameleon as ever as Abberline, and Robbie Coltrane equally strong as his colleague Godfrey. Ian Holm, Heather Graham, and Ian Richardson also provide good supporting roles.
For an historical perspective of the Jack the Ripper crimes, best to watch an A&E documentary. But for a theoretical description of the crimes, and an artful depiction of a carefully constructed tale, definitely check out the very chilling, very calculated, and very good From Hell.
From Hell is a project that takes both of those truisms and tosses them completely out the window. Based on an ambitious graphic novel written by Alan Moore and illustrated by Eddie Campbell, From Hell (named for the signature on the Jack the Ripper letters written to the police), is one man's carefully researched theory into the eternal mystery surrounding the Whitechapel murders of 1888.
This is not a factual display of guilt or innocence, as many of the answers behind these crimes will never be known, but as theory mixed with fact, it creates with chilling detail the mood of lower-class London in the late nineteenth century, where life was cheap, bloody and oftentimes short.
The Hughes brothers, noted for their stylish direction, do a very good job of creating the mood here, involving all the grunginess and hopelessness of the streets, and combining the more mystical elements of Moore's story into the crime tale. Johnny Depp is Inspector Abberline - an opium-smoking criminal investigator that often follows up on hunches he receives during moments of hallucinatory revelation.
The style of the film - dripping with violent murder of prostitutes in alleyways - leaves more to the imagination than it reveals, although the gore level is by no means light. The vicious throat-slashes and bloody crime scenes are definitely grotesque, but most of the time we are shown the crime after the fact, letting the viewer decide how horrible the murder itself was.
All the performances are strong, fitting together into an ensemble piece, with Depp being as much a chameleon as ever as Abberline, and Robbie Coltrane equally strong as his colleague Godfrey. Ian Holm, Heather Graham, and Ian Richardson also provide good supporting roles.
For an historical perspective of the Jack the Ripper crimes, best to watch an A&E documentary. But for a theoretical description of the crimes, and an artful depiction of a carefully constructed tale, definitely check out the very chilling, very calculated, and very good From Hell.
Histoire
Le saviez-vous
- AnecdotesGreat care was taken to accurately reproduce the actual sites of the "Ripper" murders. Illustrations and actual photographs from 1888 were used. Similar care was used to reproduce the wounds inflicted upon the Ripper's victims.
- Gaffes(at around 30 mins) In 1888, a bottle of laudanum would not have been labeled as poison, as it was a popular, socially acceptable, and inexpensive painkiller and sedative at the time.
- Citations
Sir William Gull: One day men will look back and say that I gave birth to the twentieth century.
Abberline: You're not going to see the twentieth century.
- Crédits fousThanks to the Megerdichian family
- Versions alternativesThree endings were filmed: one where Abberline dies of a drug overdose in London, one where he travels to the Far East and dies of an overdose in an Opium Den and one where he sneaks off to be with Mary.
- ConnexionsFeatured in HBO First Look: A View from Hell (2001)
- Bandes originalesDuke Street
Written by John Hatton
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Desde el infierno
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 31 602 566 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 014 818 $US
- 21 oct. 2001
- Montant brut mondial
- 74 558 115 $US
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