Velvet Goldmine
- 1998
- Tous publics
- 1h 58min
En 1984, le journaliste britannique Arthur Stuart enquête sur la carrière de la superstar glamour des années 70, Brian Slade, qui fut à ses débuts fortement influencé par le chanteur américa... Tout lireEn 1984, le journaliste britannique Arthur Stuart enquête sur la carrière de la superstar glamour des années 70, Brian Slade, qui fut à ses débuts fortement influencé par le chanteur américain rebelle et au mode de vie extrême Curt Wild.En 1984, le journaliste britannique Arthur Stuart enquête sur la carrière de la superstar glamour des années 70, Brian Slade, qui fut à ses débuts fortement influencé par le chanteur américain rebelle et au mode de vie extrême Curt Wild.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 4 victoires et 12 nominations au total
- Wilde Housemaid
- (as Maraid McKinley)
At the end of the film, when Arthur Stuart sits to have a drink with Curt Wylde (Oh look! A play on Oscar!, Wylde looks up and tells him that, "The true artist creates beautiful things, and puts none of his own life into them". This is one of the several scenes in which Oscar Wilde is referenced subtly, seamlessly and beautifully.
Curt is not simply Iggy Pop. He is Oscar Wilde. He is the true artist of the crowd, because he creates music without using the art as a form of autobiography.
Brian Slade is Dorian Gray. He invests all of his persona into the public, and into his songs, trapping himself in an expectation. The alter-ego Maxwell Demon is eternal youth. It is the embodiment of Slade in a single moment. Unfortunately, he traps himself, and leaves no room for growth. The shooting accomplishes two things. Slade arranging this pseudo-murder is Dorian gray destroying his portrait. At first Dorian was intrigued, even excited by the changes he saw in the painting. Then it began to wear on him. So with Slade/ Demon. The hoax liberates Slade the way death does Gray. Also, This secures Maxwell Demon a place in history. Brian Slade was a pop-star who was too controversial and too personally naked in his work to have any real longevity. The hype would have faded, and if he changed or grew as a person, that would have meant changing everything about his art (as they were so interlocked) and would have led to cries of "sell out". Either way, he would have faded out and been likely forgotten (the way Britney Spears will hopefully do one day). By enacting this faux death, Slade guarantees Maxwell Demon some form of eternal youth, trading in his career to do so (selling his soul).
There's more, as well. Jerry Devine, for instance, is Lord Henry. Mandy is Sybil Vane. They aren't exact, of course, and there are other veins running through them that make them unique, but one can see the influence.
Beautifully done, and a well paid tribute to the genius of Oscar Wilde!
- swinging_rose_hips
- 4 oct. 2004
- Permalien
Histoire
Le saviez-vous
- AnecdotesThe film was originally supposed to feature some of David Bowie's music, hence the title, which was a Bowie song from the 1970s; however, when Bowie learned that the script for the film was partially based on the unauthorized biographies "Stardust: The David Bowie Story" written by Henry Edwards and Tony Zanetta and "Backstage Passes" written by Bowie's ex-wife Angie Bowie, he threatened the producers with a lawsuit. Bowie's songs were, therefore, not used, and the script was partially re-written to avoid unnecessary resemblance between Bowie and the Bowie-style character Brian Slade.
- GaffesArthur figures out the mystery of what happened to Brian Slade by seeing Shannon on TV. He however had no idea what she looked like so seeing her on TV a decade after the events that led to Brian's "death" could not have happened.
- Citations
Brian Slade: Man is least himself when he talks in his own person... Give him a mask and he'll tell you the truth.
- Crédits fousThe solid background color behind the credits changes several times as they play.
- Bandes originalesNeedle in the Camel's Eye
Written by Brian Eno and Phil Manzanera
Performed by Brian Eno
Courtesy of Caroline Records, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Glitter Kids
- Lieux de tournage
- Lyceum Theatre, Wellington Street, Covent Garden, Londres, Angleterre, Royaume-Uni(Reporting outside at about 6 mins 40 secs in)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 053 788 $US
- Week-end de sortie aux États-Unis et au Canada
- 301 787 $US
- 8 nov. 1998
- Montant brut mondial
- 1 054 291 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1