U-571
- 2000
- Tous publics
- 1h 56min
Un sous-marin allemand est abordé par des sous-mariniers américains déguisés, afin de mettre la main sur leur machine à chiffrer Enigma.Un sous-marin allemand est abordé par des sous-mariniers américains déguisés, afin de mettre la main sur leur machine à chiffrer Enigma.Un sous-marin allemand est abordé par des sous-mariniers américains déguisés, afin de mettre la main sur leur machine à chiffrer Enigma.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 4 victoires et 10 nominations au total
Terrence 'T.C.' Carson
- Eddie
- (as T.C. Carson)
Commentaire à la une
I sometimes am lucky in matching my film experience to the audience I share it with, and this was such a case. I live near Norfolk, the world's largest collection of Navy people, and the heaviest concentration of US WWII submariners.
I saw this on opening day, the heavy show (7:30) with the audience packed with young and old Navy. And I have to say, the film didn't work. The models were good, the explosions and all the underwater work nicely done. The boat, at least the US boat, was accurate, and the local paper reports that folks here helped with the specifications.
But these actors didn't seem like sailors, never remotely, and the mismatch was pretty obvious in that audience. Maybe Keitel could pull off a chief with better direction, but not here. And McConaughey and Bon Jovi could never reach believability. Submariners are clubby, superstitious and smelly. Submarines, especially the old boats, are confining. Das Boot gave us a feel for the closeness and the terror, and the high mental level of underwater warfare. This movie misses. It takes more than shaking the camera.
I have some familiarity with the crypto world. That dimension is spooky and could have been woven into the story to better effect. Instead we have a simple grab for an object. You may want to see this for the underwater effects, but otherwise, it is a miss.
I saw this on opening day, the heavy show (7:30) with the audience packed with young and old Navy. And I have to say, the film didn't work. The models were good, the explosions and all the underwater work nicely done. The boat, at least the US boat, was accurate, and the local paper reports that folks here helped with the specifications.
But these actors didn't seem like sailors, never remotely, and the mismatch was pretty obvious in that audience. Maybe Keitel could pull off a chief with better direction, but not here. And McConaughey and Bon Jovi could never reach believability. Submariners are clubby, superstitious and smelly. Submarines, especially the old boats, are confining. Das Boot gave us a feel for the closeness and the terror, and the high mental level of underwater warfare. This movie misses. It takes more than shaking the camera.
I have some familiarity with the crypto world. That dimension is spooky and could have been woven into the story to better effect. Instead we have a simple grab for an object. You may want to see this for the underwater effects, but otherwise, it is a miss.
Histoire
Le saviez-vous
- AnecdotesThe caption before the end credits, detailing the fact that the Royal Navy captured the first Enigma machine, was only added after an outcry in Britain, where it was believed that Hollywood was trying to claim the credit for the Americans (whose forces captured no German Naval Enigma material until 1944).
- GaffesAt the beginning of the movie when the U-571 is under depth charge attack from the British destroyer, the order is given to surface the sub due to damage. When they surface, the Captain reports "All clear!" and orders lookouts to the bridge. What happened to the British destroyer that was just attacking them? It should have still been nearby and would have seen them surface.
- Citations
Chief Klough: You're the skipper now. And the skipper always knows what to do whether he does or not.
- Versions alternativesAt least one version of the theatrical release contained no subtitles for the opening scene aboard the German submarine. This was possibly to increase dramatic effect, placing emphasis on the acting and visuals rather than the dialogue.
- ConnexionsEdited into Entre les mains de l'ennemi (2004)
- Bandes originalesLover, Come Back to Me
Written by Sigmund Romberg, Oscar Hammerstein II
(performed at the wedding reception while Dahlgreen is talking to Tyler)
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- U-571: La batalla del Atlántico
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 62 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 77 122 415 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 553 310 $US
- 23 avr. 2000
- Montant brut mondial
- 127 666 415 $US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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