James Bond met à jour un complot nucléaire alors qu'il protégeait une héritière du pétrole de son ancien ravisseur, un terroriste international insensible à la douleur.James Bond met à jour un complot nucléaire alors qu'il protégeait une héritière du pétrole de son ancien ravisseur, un terroriste international insensible à la douleur.James Bond met à jour un complot nucléaire alors qu'il protégeait une héritière du pétrole de son ancien ravisseur, un terroriste international insensible à la douleur.
- Récompenses
- 7 victoires et 12 nominations au total
‘Snow White’ Stars Test Their Wits
Histoire
Le saviez-vous
- AnecdotesWhen the real MI6 learned that this movie would shoot a scene around their Headquarters, they moved to prohibit it, citing a security risk. However, Foreign Secretary Robin Cook, at the urging of Member of Parliament Janet Anderson, moved to overrule them and allow the shoot, stating, "After all Bond has done for Britain, it was the least we could do for Bond."
- GaffesWhen Bond slices the parachute with his skis, not only is the damage in the wrong place and the wrong size in the next cut, but there is no reason for the engine to be sputtering once the parachute is damaged - it was not hit.
- Citations
James Bond: You're not retiring anytime soon - are you?
Q: Now, pay attention 007. I've always tried to teach you two things. First, never let them see you bleed.
James Bond: And the second?
Q: Always have an escape plan.
- Crédits fousThe opening credits don't begin until approximately 15 minutes into the movie -- the longest delay in the series until 2021's "No Time to Die" (25 minutes).
- Versions alternativesPress screenings ran at ca. 160 minutes. For general release the film was later cut down to 128 minutes.
- ConnexionsEdited into Omega 'The World is Not Enough' Television Commercial (1999)
Commentaire à la une
The first time I saw this in the cinema in '99, I remember actively disliking it - the first time I'd had that reaction to a new Bond release. I saw it a second time at the cinema, and disliked it less - but still wasn't keen. Now, in the dying days of 2002, and quaking with hatred for - and disappointment at - 'Die Another Day', I re-evaluated TWINE for a second time. And I have to say, compared to this year's farce, TWINE is bathed in a golden glow. In terms of character development, plausibility (always tenuous in Bond films, but still), acting, and script, TWINE is far and away and without a shadow of doubt superior to 'Die Another Day'. Above all, this is a Bond film that does occasionally treat its audience like they have brain cells, rather than a ghastly exercise in sci-fi pretensions with MTV production values.
The opening sequence reveals itself to be one of the very best in the series, taut and exciting, flawlessly directed and perfectly executed. There's nothing else in the film that can quite top it, but some inspired casting helps immeasurably. Sophie Marceau is superb, and it's great to see Robbie Coltrane reprise Valentin Zukovsky, who bags many of the best lines. Judy Dench as 'M' is given a high profile in this entry, which is all to the good as she's clearly the best thing to happen to the Bond films in the Brosnan era. Alas, Desmond Llwelyn makes his final appearance as 'Q' - it would be thus even had he not died the following year - and his exit is well-handled.touching, even. On the downside, Robert Carlyle is not quite convincing as Renard, but it barely matters as Marceau is so firmly in control. Denise Richards isn't as bad as she's been made out to be - indeed, she actually seems smarter and less bland than Halle Berry in DAD.
Plot and action sequences throughout the film are deftly handled, but there are some areas where TWINE seems a little derivative, cheerfully looting the Bond back catalogue, for example in the Caucasus skiing sequence which fuses together action setpieces from YOLT and OHMSS. There are also moments of alarming silliness more redolent of the 1970s and '80s, such as the scene with John Cleese making his debut as future-'Q' and all scenes with Goldie in as Bullion. And for those of us who aren't fans of Pierce Brosnan, there's plenty to annoy - excessive jaw-clenching, lots of posing, inherent charmlessness. I'm sure he's lovely in real life, mind.
Generally, though this is a competent entry in the series, and its attempts at depth just about succeed. It is also the most `how'-and-`why'-proof Bond film since the 1960s, a refreshing change from those Bond films that arrogantly command the audience to suspend their beliefs and do all the maths themselves. Quite why it all went wrong three years later is anyone's guess, but I blame 'XXX' and a continuing adoration of 'The Matrix'.
The opening sequence reveals itself to be one of the very best in the series, taut and exciting, flawlessly directed and perfectly executed. There's nothing else in the film that can quite top it, but some inspired casting helps immeasurably. Sophie Marceau is superb, and it's great to see Robbie Coltrane reprise Valentin Zukovsky, who bags many of the best lines. Judy Dench as 'M' is given a high profile in this entry, which is all to the good as she's clearly the best thing to happen to the Bond films in the Brosnan era. Alas, Desmond Llwelyn makes his final appearance as 'Q' - it would be thus even had he not died the following year - and his exit is well-handled.touching, even. On the downside, Robert Carlyle is not quite convincing as Renard, but it barely matters as Marceau is so firmly in control. Denise Richards isn't as bad as she's been made out to be - indeed, she actually seems smarter and less bland than Halle Berry in DAD.
Plot and action sequences throughout the film are deftly handled, but there are some areas where TWINE seems a little derivative, cheerfully looting the Bond back catalogue, for example in the Caucasus skiing sequence which fuses together action setpieces from YOLT and OHMSS. There are also moments of alarming silliness more redolent of the 1970s and '80s, such as the scene with John Cleese making his debut as future-'Q' and all scenes with Goldie in as Bullion. And for those of us who aren't fans of Pierce Brosnan, there's plenty to annoy - excessive jaw-clenching, lots of posing, inherent charmlessness. I'm sure he's lovely in real life, mind.
Generally, though this is a competent entry in the series, and its attempts at depth just about succeed. It is also the most `how'-and-`why'-proof Bond film since the 1960s, a refreshing change from those Bond films that arrogantly command the audience to suspend their beliefs and do all the maths themselves. Quite why it all went wrong three years later is anyone's guess, but I blame 'XXX' and a continuing adoration of 'The Matrix'.
- Bel Ludovic
- 23 déc. 2002
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- 007: El mundo no basta
- Lieux de tournage
- Chamonix, Haute-Savoie, France(skiing sequence)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 135 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 126 943 684 $US
- Week-end de sortie aux États-Unis et au Canada
- 35 519 007 $US
- 21 nov. 1999
- Montant brut mondial
- 361 832 400 $US
- Durée2 heures 8 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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