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IMDbPro

Let the Devil Wear Black

  • 1999
  • R
  • 1h 29min
NOTE IMDb
5,0/10
770
MA NOTE
Let the Devil Wear Black (1999)
Home Video Trailer from A-Pix Entertainment
Lire trailer1:26
1 Video
21 photos
CrimeDramaThriller

Ajouter une intrigue dans votre langueIn this updated version of Shakespeare's Hamlet, a young man comes face-to-face with personal treachery after suspecting that his father may have been murdered.In this updated version of Shakespeare's Hamlet, a young man comes face-to-face with personal treachery after suspecting that his father may have been murdered.In this updated version of Shakespeare's Hamlet, a young man comes face-to-face with personal treachery after suspecting that his father may have been murdered.

  • Réalisation
    • Stacy Title
  • Scénario
    • Jonathan Penner
    • Stacy Title
  • Casting principal
    • Jonathan Penner
    • Randall Batinkoff
    • Norman Reedus
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,0/10
    770
    MA NOTE
    • Réalisation
      • Stacy Title
    • Scénario
      • Jonathan Penner
      • Stacy Title
    • Casting principal
      • Jonathan Penner
      • Randall Batinkoff
      • Norman Reedus
    • 18avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Vidéos1

    Let the Devil Wear Black
    Trailer 1:26
    Let the Devil Wear Black

    Photos21

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    + 13
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    Rôles principaux27

    Modifier
    Jonathan Penner
    Jonathan Penner
    • Jack Lyne
    Randall Batinkoff
    Randall Batinkoff
    • Bradbury
    Norman Reedus
    Norman Reedus
    • Brautigan
    Jamey Sheridan
    Jamey Sheridan
    • Carl Lyne
    Brooke Taylor
    • Tiffany
    Jacqueline Bisset
    Jacqueline Bisset
    • Helen Lyne
    Mary-Louise Parker
    Mary-Louise Parker
    • Julia Hirsch
    Jeffrey Schoeny
    • Young Jack
    Chris Sarandon
    Chris Sarandon
    • Jack's Father
    Thomas F. Duffy
    Thomas F. Duffy
    • Bartender
    • (as Thomas Duffy)
    Jonathan Banks
    Jonathan Banks
    • Satch
    Philip Baker Hall
    Philip Baker Hall
    • Sol Hirsch
    Kevin West
    Kevin West
    • Pharmacist
    Tony Plana
    Tony Plana
    • Tall
    Lobo Sebastian
    Lobo Sebastian
    • Ugly
    Lou Hill
    • Mexican Cook
    Jed Sura
    Jed Sura
    • Pleasure Dome Bartender
    Maury Chaykin
    Maury Chaykin
    • Bruce
    • Réalisation
      • Stacy Title
    • Scénario
      • Jonathan Penner
      • Stacy Title
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    5,0770
    1
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    10

    Avis à la une

    5cassxdy

    Scholars never admit that Hamlet always sorely lacked strippers

    One of the few movies completed by female writer-director Stacy Title before her untimely death, this would-be film-noir crime drama has a rather extraordinary cast, including Philip Baker Hall, Jaqueline Bissett, Norman Reedus, Jonathan Penner (Title's husband), Maury Chaykin, Chris Sarandon and Mary-Louise Parker, plus other scene-stealers.

    It would be hard to go entirely wrong with such an ensemble, and they bring the better moments to an overly mannered, filmed-in-deep shadow transplant of the bare-bones plot of Hamlet - yes, that Hamlet - now set in the modern Los Angeles underworld. You may want to watch out of idle curiosity; I did.

    Jack Lyne (Penner) is the troubled son of the owner of the Pleasure Dome, an upscale (well, slightly) strip-club. His father abruptly dropped dead of a very suspicious cardiac arrest. Jack is dismayed now that his uncle (Hall) announces intention to marry Jack's lovely widowed mom (Bissett). Moreover, it is declared the land on which the club operates, also in the family, is priceless urban real estate, eyed greedily by developers. Could someone have given Jack's father a drug that stopped his heart?

    There is Jack's unstable girlfriend (Parker, in the sorta-Ophelia role), longtime pals who are turned into spies and potential killers (the Rosencrantz/Guildenstern equivalents), mystery thugs who show up at strange moments and seem to be Jack's guardians (like... okay, maybe the whole Shakespeare analogy goes off the rails ultimately), out-of-body experiences and a very Bard-like bloodbath in the end. Plus luscious naked strippers. I don't support there was ever a script draft in which Jack's clan just owned, say, a nice Italian restaurant? Or a White Castle?

    I also do wish Ms. Title had filmed the whole thing in black-and-white, like a 1950s double-bill/drive-in programmer; then the hardboiled meta-genre vibe might have lifted it above being a basic exercise in mood, artful line deliveries and a tribute to the casting director. I thought that somewhere back in the film-noir heyday somebody, maybe in the UK, did a mob version of Othello (more recently, it appears, Indian filmmakers did), but can find no evidence. Am I misremembering Patrick McGoohan's American '70s hippie modernization Catch My Soul or glimpsing a parallel film universe somewhere?
    7jaybob

    What another version of Hamlet

    Believe it or not this is another revised version of Hamlet complete with the Ghost of his father, a murderous uncle, unfaithful mother, even Rozenkranz & Guildenstern; also a suicidal girl friend.

    I wish it were more coherant, even the Keannu Reeves version was more understandable. a mild thumb down for me only **1/2
    Sabina-5

    Jonathan Penner is too SEXY for his own good... Fab film by the way...

    I caught this ditty by chance and was I glad I did. It is a film written and acted suited to my tastes. Jonathan Penner was captivating within his mannerisms, gorgeous to look at and a pleasure to see him act. Plot is grand. Everything else too. I am not giving much more away, solely my two opinions, aforementioned and the last: RENT IT if you find it.
    uds3

    A film whose success or not is very much contained in the eye of the beholder.

    I find it mildly amusing to read the comments of self-styled critics who derive great satisfaction from their ability to string words together in a quasi-intellectual and wannabe MEANINGFUL fashion....the art-house intelligentsia. Yeah some of us other terrestrials HAVE in fact a working knowledge of HAMLET even to the point of realising that this here little number IS in fact a modernistic, though agreed, unspectacular re-working!

    Who gives a flying doughnut if "shooting at night is problematical?" and/or every option available to the aspiring director in charge? Carol Reed in technologically simplistic times came up with THE THIRD MAN, a flick for which "the dark" is synonymous with "mood" and "noir." The problem with this film is not one of inappropriate filming techniques or even the unreasonably slated "script" (let him who is without sin.........etc) it is the fact that you actually have to LISTEN! The film does not sidle up to you and nuzzle your leg saying "Pick me up - aren't I cute?" The characters regrettably are simply unendearing and with all the spontaneity of those from ANOTHER WORLD.

    For all that, I have seen way worse than this and despite cranially displaced assertions that barely one scene in its ninety minute run-time might be said to momentarily hold one's attention, there is in fact a film here you just might get something out of, if you TRY! It IS after all just a film, NOT a philosophical dissertation!
    5merklekranz

    Everything adds up to nothing ........

    Did you ever see a movie where everything added up to nothing? Well that is how I felt after watching "Let the Devil Wear Black". A whole bunch of unlikable characters with little or no development, try killing each other. Jonathan Penner is good as the son seeking revenge on his uncle for murdering his father. The problem is, the film comes across as an almost incoherent series of events. There is lots of small talk, totally unrelated to the story, that constantly bogs things down. Unlike the plot description of violent killings, shocking suicides and a thrilling plot that will shake you to the core, I wound up merely shaking my head. - MERK

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    • Citations

      Carl Lyne: Listen, obviously we have to work together here. And I guess you passed the test. Where did you stash the bodies? The car, the whole thing, that was incredible.

      Jack Lyne: I stuffed them up my ass. And I'm still not as full of shit as you.

    • Connexions
      References La Dernière Maison sur la gauche (1972)
    • Bandes originales
      Bad Vibes
      Written by Brock Walsh

      Performed by The Gustones

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    FAQ16

    • How long is Let the Devil Wear Black?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 9 juin 2000 (Espagne)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Allemand
    • Aussi connu sous le nom de
      • Blackdevil: el diablo viste de negro
    • Lieux de tournage
      • Los Angeles, Californie, États-Unis
    • Société de production
      • New Moon Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 29 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital

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    Let the Devil Wear Black (1999)
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    By what name was Let the Devil Wear Black (1999) officially released in Canada in English?
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