Un Anglais extrêmement instable et dangereux se rend à Los Angeles pour retrouver l'homme qu'il considère comme responsable de la mort de sa fille.Un Anglais extrêmement instable et dangereux se rend à Los Angeles pour retrouver l'homme qu'il considère comme responsable de la mort de sa fille.Un Anglais extrêmement instable et dangereux se rend à Los Angeles pour retrouver l'homme qu'il considère comme responsable de la mort de sa fille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 9 nominations au total
- Ed
- (as Luis Guzman)
- Uncle John
- (as Joe Dallessandro)
- Pool Hall Creep
- (as Wayne Péré)
- DEA Guy
- (as John Cothran Jr.)
- DEA Guy
- (as Ousan Elam)
Terrance Stamp plays one of those extremely volatile and dangerous Cockneys who goes to Los Angeles to find the man he considers responsible for for his daughter's death .
Despite the over exaggerating accent I really liked this . Stamp's character is certainly unhinged and you definitely feel he has nothing to lose . He's out for revenge and nothing is going to stop him
I love the way we see flashbacks to when he was a young man . The flashbacks are taken from Ken Loach's first ever film - Poor Cow and because it's actually stamp as a man in his twenties, it's about as genuine as you are ever going to get .
This is one of Steven Soderbergh's lesser known films and while it's not perfect , it certainly doesn't look out of place with his back catalogue.
- valleyjohn
- 7 déc. 2020
- Permalien
Histoire
Le saviez-vous
- AnecdotesFootage from the 1967 film Pas de larmes pour Joy (1967) (Ken Loach's directorial debut) is featured as flashbacks of Wilson (Terence Stamp) with his baby daughter and wife.
- GaffesThe Pleiades is a star cluster in the constellation Taurus; it is not a constellation itself.
- Citations
Wilson: How you doin' then? All right, are you? Now look, squire, you're the guv'nor here, I can see that. I'm in your manor now. So there's no need to get your knickers in a twist. Whatever this bollocks is that's going down between you and that slag Valentine, it's got nothing to do with me. I couldn't care less. Alright, mate? Let me explain. When I was in prison - second time - uh, no, telling a lie, third stretch, yeah, third, third - there was this screw what really had it in for me, and that geezer was top of my list. Two years after I got sprung, I sees him in Holland Park. He's sittin' on a bench feedin' bloody pigeons. There was no-one about, I could've gone up behind him and snapped his fuckin' neck, *wallop!* But I left it. I could've knobbled him, but I didn't. 'Cause what I thought I wanted wasn't what I wanted. What I thought I was thinkin' about was something else. I didn't give a toss. It didn't matter, see? This berk on the bench wasn't worth my time. It meant sod-all in the end, 'cause you gotta make a choice: when to do something, and when to let it go. When it matters, and when it don't. Bide your time. That's what prison teaches you, if nothing else. Bide your time, and everything becomes clear, and you can act accordingly.
Head DEA Agent: There's one thing I don't understand. The thing I don't understand is every motherfuckin' word you're saying.
- ConnexionsEdited from Pas de larmes pour Joy (1967)
- Bandes originalesThe Seeker
Performed by The Who
Written by Pete Townshend
Published by Windswept Pacific Songs o/b/o Towser Tunes, Inc./ABKCO Music, Inc./Fabulous Music Limited
Courtesy of MCA Records/Polydor Limited
Under license from EMI Music Special Markets
Meilleurs choix
- How long is The Limey?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Limey
- Lieux de tournage
- The Astral House, 2210 Astral Place, Los Angeles, Californie, États-Unis(Terry Valentine's house)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 204 663 $US
- Week-end de sortie aux États-Unis et au Canada
- 187 122 $US
- 10 oct. 1999
- Montant brut mondial
- 3 325 736 $US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1