Chica de Río

This was one of the lamest movies we watched in the last few months with a predictable plot line and pretty bad acting (mainly from the supporting characters). The interview with Hugh Laurie on the DVD was actually more rewarding than the film itself...

Hugh Laurie obviously put a lot of effort into learning how to dance the Samba but the scope of his character only required that he immerse himself at the kiddie end of the pool. The movie is based on the appearance of a lovely girl and great music but these are not sufficient to make good entertainment.

If you have never seen Rio, or the inside of a British bank, this film is for you. 2 out of 10.

It's hard for me not to like a movie that: A) takes place in an exotic tropical country B) has the protagonist sleeping with his dream girl after knowing her an hour, and C) has a happy ending. These qualities nearly compensate for the weaknesses of The Girl From Rio.

The plot of this Hollywood Film Festival winner is pedestrian and slack. You gotta like this Raymond guy, though.

Raymond (Hugh Laurie) is a bank clerk with a thoroughly unlikable boss, a cuckolding wife, and an endearing passion for Salsa dancing. Laurie's is the film's only real nuanced performance. No matter what he's saying or doing, his eyes betray him. His ubiquitous fear that the world is a dangerous and scary place has become his reality. It's clear, however, that beneath his pitifully polite and feckless British demeanor is a simmering frustration. Whatever you do, don't confuse Salsa with Bossa Nova. That makes Raymond really angry.

Raymond quietly endures his mostly comfortable life until, quite suddenly, the machinations of his wife and boss render him alone and disconsolate. A coworker commiserates, `It could be worse,' and Rodney does his best to prove his friend right by filling a duffle bag with all the bank's cash on Christmas Eve and hopping a flight to Rio de Janeiro.

Enter The Girl. `S' words come to mind. Sultry. Sensual. Sizzling. Steamy. Vanessa Nunes's Orlinda is a famous Brazilian Samba dancer whose mere picture fuels Raymond's first-class flight from sanity. Then it's this pesky plot stuff again. Paulo, the taxi driver (Raymond's seedy, hapless Sancho Panza) just happens to know Orlinda. They meet, they dance down a Brazilian calle accompanied by a thousand musicians and acolytes, they go to his room, they make love. As much as I was rooting for old Raymond, I felt vaguely ripped off.

Not nearly as ripped off as Raymond, however.

Everyone in this film has a secret. Raymond. Olinda. (`You're just a thief like me,' she tells him.) His boss. His wife. Paulo. Even the painfully anachronistic villain.

As I mentioned, everything turns out just fine. Even the obscene economic disparity of Rio (better portrayed in 1999's Orfeu) is corrected in authentic Robin Hood fashion.

Did I mention the villain? They made him carry a little dog.

Although not technically perfect or with the most amazing 3D effects, actually no effects at all, the film can entangle you in a eerie feeling. I just finished watching it and I am feeling it. The sense of unachievable goals, of beautiful girls, excellent beaches and love through pictures firstly and then at first sight can make you feel awkward.

The story is simple and the plot is naive. Nothing of these would have happened in real life. But, because there is always a but, the film has it's own way into making you mix in the plot. Feel a part of it. Who has not felt betrayed, self-pitted, deserted or just confined in his everyday prison of routine? Who wouldn't like to travel to exotic places and meet beautiful girls of his dreams if he had the chance? Who isn't bullied by other people everyday even if those people are your boos, your landlord, your parents, your wife?

The film tries to make a statement. Simple and clear. The statement is based on everyone's life. So don't ask what I have understood because it, possibly, is different from what you have understood. I matched for some things even with Paulo, the taxi-driver, the penny "thief", the man-for-all-businesses. Watch the film carefully and you will observe that you have similarities with every character in this film.

"Who doesn't like Samba, you'd rather not meet

There's sick in the head,or lame in the feet"

Wrote Dorival Caymmi in 'Samba da Minha Terra'

It seems another punter doesn't know the difference between Salsa and Samba. The difference is the same as between Spanish and Portuguese.

I arrived at this film by accident. I had video taped it and promptly forgot about it. Then I tried to get through City of God and Favela Rising. I know City of God is well thought of but both films I found upsetting. Drugs, kids, killing, guns and gangsters. Enough of that!

As usual I was looking for some spare tape on my badly listed VHS tapes. I fast forwarded a bit, caught the end of another programme I had taped. Then suddenly my favourite Samba beat struck up ! It then alternated with a Northern British brass band. All done in early 1970's bright cartoon style. It was the rhythms that caught my attention. Then came the name of the film ...'The Girl from Rio' I was hooked !

The story of this film has already been recounted by previous posters along with the confusion of Salsa and Samba.

I must make a confession, I have been to Samba classes just like Raymond ran in the film. This may be one of the reasons I liked it, identification. Of course there were faults. How did Orlinda open the safe in Raymond's room, a nice big combination lock thing? Santos Dumont Airport was used, Raymond takes of in a Boeing 737 and lands in a MD-11. It would not be unusual to take off from Santos Dumont, land in Sao Paulo. Then get the flight to London. Yet does that matter, for the artistic continuity of the film the way it was done was good enough. How many people would know anyway ?

I was very envious of Raymond's trip to the Salgueiro Samba School and his girlfriend Orlinda(Vanessa Nunes).

When Orlinda appeared out of the crowd of Samba dancers to dance in front of Raymond, I was captivated.

The film was a fun piece of nonsense that I found very enjoyable. I loved the twist at the end. I loved the twist of Orlinda as she danced the Samba. So infectious, neither Robert or myself could stay still.

Strangely back in 1997 I wrote a story with basic similarities. Check out the link:- 'Sex is Great! If you can get it ?' http://www.geocities.com/cafebrasilia_2000/index5.html

Fun romantic comedy with a British/Spanish cast and dealing with a likable Bank clerk who flees Brazil where finds lots of problems . Discovering your wife is sleeping with your boss can make a man do strange things . For a Samba-obsessed London banker (Hugh Laurie) , robbing a bank and boarding the first flight to Rio are just the beginning . He arrives in Rio , there meets a sympathetic taxi man (Santiago Segura) and ¨La Chica De Rio¨ , the lovely Orlinda (Vanessa Nunes) . But he finds his robbed loot and the safe is open and all is gone including his clothes an all , as he is left on the streets of Rio with nothing . After several complications, he travels back to England and finds an amazing surprise when he arrives .

A very pleasant romantic comedy plenty of humor , emotion , agreeable scenes and mayhem . An intelligent and engaging script which uses amusing situations to give us a good movie in a high sense and intimate sensitivity and that kept me entertained for the almost one hour and fifty minutes of duration . Rightly enjoyable and fun-filled , milestone comedy which neatly combines humor , mirth , Samba dancing , entertaining situations and amusement . Flawless story with a trio of sensational protagonists , Hugh Laurie as a clerk getting into trouble , Santiago Segura as cab driver Paulo and including an unforgettable Vanessa Nunes who plays a Samba dancer , she parades sexily at her best and more relaxed and enticing than ever . Fun acting by Hugh Laurie as a mild-mannered banker finds himself living out his wildest dreams . The hit of the show is undoubtedly for the fetching Hugh Laurie who gives one of the best screen acting . I liked everyone in the excellent cast, and the male and female actors , especially Vanessa Nunes as exotic samba dancer , were all very attractive . I have seen many, Hollywood-romantic-comedies that couldn't compare with this one, but many give them a higher rating because they are Hollywood-made . The screenplay manages a lot of laughs from the audience and romantic elements that you never loose your attention from the film . This movie is a lot of fun and well worth the time. I enjoyed the film tremendously and I guarantee you that if you rent it, you'll enjoy it and have a few laughs . It was funny , great actors and a super soundtrack full of Samba music and Bossa Nova . Furthermore , a colorful and evocative cinematography by Jose Luis Alcaine who was first cinematographer to use fluorescent tube as "key" lightning and deemed to be one of the best Spanish cameraman . Alcaine frequently works with Pedro Almodóvar , Bigas Luna and Vicente Aranda , as he has photographed ¨The skin I live in¨ , The bad education¨ , ¨Volver¨ , ¨Women in the verge of a nervous breakdown¨, among others .

The motion picture produced by the great producer Andres Vicente Gomez was well directed by Christopher Monger , a little prolific filmmaker who has directed some movies with moderated success such as : ¨Waiting for the light¨ , ¨The Englishman¨ , ¨Just Like a Woman¨and this ¨Girl from Rio¨ , also titled ¨La ragazza di Rio¨ or ¨A Garota do Rio Brazil¨ or ¨La Chica De Rio¨ . Rating : Good and charming picture , worthwhile seeing . The flick will appeal to Hugh Laurie fans .