Après un accident où il perd son meilleur ami, le marshall Conor Callagher se remet de cet évènement en devenant garde du corps pour un juge fédéral. Ils devront faire échouer un complot vis... Tout lireAprès un accident où il perd son meilleur ami, le marshall Conor Callagher se remet de cet évènement en devenant garde du corps pour un juge fédéral. Ils devront faire échouer un complot visant à déstabiliser le gouvernement américain.Après un accident où il perd son meilleur ami, le marshall Conor Callagher se remet de cet évènement en devenant garde du corps pour un juge fédéral. Ils devront faire échouer un complot visant à déstabiliser le gouvernement américain.
- Réalisation
- Scénario
- Casting principal
- Agent Webber
- (as Benjamin Ratner)
Avis à la une
The presence of Bill Pullman made me overlook the Monday night slot on channel 5 usually a dumping ground for direct-to-video action movies with no names and no real value. When the film opens with a nicely washed out scene, I also ignored the clichés of the shoot-out and the predictable route it takes. However the next scene is 9 months later and Gallagher is "washed-up" but brought back into the fold and it was here that I realised this was only going one way. The film keeps the actual "plot" at bay for the majority of the running time and instead just keeps producing narrow misses and bangs along with some vague attempts at characterisation. When the true plot actually comes out, it is pretty poor and unconvincing with the ideas being as realistic as the shuttle backdrop.
The bangs are just wheeled out with little realism and they didn't engage me at all, while the characters aren't anything interesting or different. The film's mood swings around as well at times it wants to be serious but other times we have joking in the face of danger; the swings don't fit together that well and gives the film an unsure feel. The cast are caught up in this and it shows. Pullman tries to do something serious with the role but also ends up being a clichéd quipping action star; he never fitted into the genre and I couldn't shake the feeling that he is really better than this. Olin also seems ill at ease in it and comes across like she is trying to do something with nothing (and achieving nothing). Feore is a "rent-a-baddie" here and adds little value, while Kent and Harris are just henchmen to be knocked off after a bit of stand-offing. Lea and Ironside are familiar faces but add nothing more than that.
Overall this is an average thriller at best. All the clichés are there and are delivered without imagination or effort by a cast who mostly deserve to be in better stuff than this. No better or worse than a lot of the video thrillers doing the rounds as television filler but that isn't any sort of recommendation.
As for the acting in the film, again, not the best, but not the worst. Bill Pullman plays `Conner Gallagher' the rough around the edges body guard, and Lena Olin plays `Faith Mattis' the federal judge Gallagher is assigned to protect. Both Pullman and Olin turn in descent performances. As for the rest of the cast, well, the acting goes steadily down hill form there. As with any B-movie like Ignition, checking your sense of reality at the door helps one enjoy the movie. However with some B-flicks, no amount of imagination can make the movie watchable. Ignition is certainly at least one cut above that kind of movie. And, in fact, it might even be a bit better than that.
Over all, if you don't have anything better to do, watch it. You might like it.
Le saviez-vous
- AnecdotesRutger Hauer was going to star but dropped out.
- Citations
Conor Gallagher: [referring to the front door] Really? Was it open?
Faith Mattis: I knocked like three times.
Conor Gallagher: I didn't think I'd left it open.
Faith Mattis: I'm sorry. The washing machine guy let me in.
Conor Gallagher: Well, the washing machine guy had no business doing that.
Repairman: Hey, machine's been shot.
Conor Gallagher: Why do you think you're here - to answer the door?
Repairman: Shooting's not covered by the warranty, sir.
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Détails
Box-office
- Budget
- 31 000 000 $CA (estimé)
- Montant brut mondial
- 374 654 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1