Noise

A commenter above, Blackwallnut, hit the nail on the head. Ally Sheedy turns in a terrific performance as a neurotic neighbor, and she even comes off as frightening in her last scene. Giancarlo Esposito also does a fine job portraying Hank, the helpful shopkeeper. The problem with the film, however, is the lead--Trish Goff. I thought half the time that she sounded Australian, and, for the most part, her performance lacked emotion. Even when she provided some, it seemed strained and contrived. I also found the British lady with the filthy mouth to be tiresome after a while. With another actress, I suspect we'd have seen a better project. I don't think you can blame the director--unless he cast the lead, of course.

The film Noise was very enjoyable. I have a very low tolerance for noise so I found it fitting to rent a movie with this title. I'm also a fan of Ally Sheedy and when I saw her name on the credits I picked the movie up immediately. This movie really shows you how irritating noises from a neighbor can actually reduce you to "sheer craziness". I've been in the same situation many times, but the noise came from roommate who had no regard or respect for my privacy. I could identify with the character to a certain degree but the ending was not what I expected at all and will shock the first time viewer a great deal. Please go see this movie, invite your noisy neighbor if you have to. LOL

You'll love this film if you are looking for something different. This film defies the predictable and carries the viewer into a plot free to surprise us giving us a satisfying cerebral experience. Noise has the complexity, the nuance, the depth, of some of the best films I've seen. I highly recommend it to those looking for a change of pace from your typical Hollywood film. Trish Goff's performance was remarkable considering this was her first effort and she is literally in every scene. Ally Sheedy was fantastic as the antagonist.

The script introduces us to idiosyncratic characters, dialogue with an ear for the vulgar and the literate. The pace of the editing were dead-on. The music and sound design were perfect.

Very early on the film takes on the feel of a meanderingly paced, talky version of 'Pacific Heights", which it self was a meanderingly paced, talky film. Some good performances come through, but not enough to save the film.

A recently divorced woman moves into a new apartment and tries to move on with her life. She soon discovers that her upstairs neighbor likes to crank up the noise at all hours of the night and keep her awake. When civility fails to resolve the problem and outside issues further complicate matters, the young lady must take more drastic steps.

From the start the film is determined to take it's time. Every scene unrolls at a languid pace, almost like it's challenging the audience to stay awake. Long, often pointlessly so, dialogue exchanges continue for what seems like an eternity only to end just in time for yet another needlessly lengthy dialogue exchange.

It would be fair to say that this over-abundance of exposition serves to build tension, except that there is little of no pay off to all the waiting. One could also say that it expounds on the character personalities were it not for that fact that in the end every one is motivated by either petty or unexplained reasons.

The filming matches the script to a 'T'. Aside for the occasional sporadic (actually kind of jarring) jump cuts, the film follows the events as they are, never appearing to be any more interested in what's happening that it needs to be.

The actors are what they are, an art house crowd for the most part. The lead actress is attractive (if REALLY skinny) and does a decent job with a character we have seen many times before. Ally Sheedy tries for neurotic, but comes off annoying.

Art house crowds might dig it's detached vibe, but most audiences will have a hard time ridding it to conclusion.

4/10

For originality this film rates high. Lance Doty has crafted a screenplay with loads of potential, and instant appeal to anyone who has had their sleep ruined by rotten neighbors. This premise is taken to psychotic lengths, and could have been much, much better. Unfortunately, director Tony Spiridakis seems to have slept through the whole thing. The pacing and camera-work are flat and colorless. He seems to have cast his actors and then abandoned them to their own devices. The only one up to the task was Ally Sheedy, and if not for her, this film would have fallen flat on it's face. Trish Goff, a model in her first film, is supposed to show us the mental disintegration of a young woman -- by degrees -- her fragile mind under assault from her own failures and alcoholism, with her slow collapse considerably hastened by the psychic torture provided by her upstairs neighbor. But Ms. Goff delivers a performance that would barely get her cast in a high school play. She does not inhabit her character; she has no sense of her psychology, no sense of bringing her incrementally to her breakdown. Ms. Goff brings very little to her role at all except what is already built into the script. As she is the pivotal character, and appears in every scene, the whole business bogs down in her flailing search for an appropriate emotion. If a real actress had been cast in this part, the film might have lived up to its promise. As it is, it will quickly be forgotten.