Clean

Wonderful characters and beautiful images, on a plot that supports them well, without grabbing too much attention. Assayas shows great skill in timing and in choosing when to pursue and when to cut off a scene, delivering the smoothest storytelling and the most delicate way to bring characters to life. Balibar, Dalle and Tricky provide a rich, clever, contrasting universe where Cheung's brilliant performance and Notle's strong presence can shine. If a bit over-dramatic at times, the use of music is rather moving: no formal perfection, no bland, formatted entertainment, but the sound of real people pouring their life in their songs. Subtlety, sensitivity and humanity in filming life's meanderings make this movie a real treat. 9/10

The former successful forty-two years old rock star Lee Hauser (James Johnston) is decadent and his friends blame his girlfriend Emily Wang (Maggie Cheung) for the fall in his career due to excessive use of drugs. Their son Jay (James Dennis) is raised by his grandparents Albrecht Hauser (Nick Nolte) and Rosemary Hauser (Martha Henry) in Vancouver. When Lee dies of overdose in a motel room, Emily is sentenced to six months in jail. She moves to Paris where she unsuccessfully struggles to keep clean. When she decides to retrieve the guard of he son, she is supported by her father-in-law and finds the necessary strength to rebuild her life.

"Clean" is a heavy drama of second chance in life with great performances of Maggie Cheung and the boy James Dennis, who probably has the strongest lines with the rejection to his mother. Nick Nolte performs an experienced nice man that believes in forgiveness, but he, actor, seems to be tired. The inconclusive end makes the optimistic viewer like me believes in a final redemption of Emily, but it is open to different interpretations. My vote is seven.

Title (Brazil): "Clean"

To get the full, globe-trotting flavor of "Clean," one need simply note that Emily Wang is a Chinese immigrant living in Paris with her British rock star boyfriend, and that their child is being raised by the young man's parents in Vancouver, Canada. All I can say is that "Babel" clearly has nothing on this film when it comes to international story lines spanning widely varying cultures and time zones.

Though a French film, "Clean" actually begins in the English-speaking section of Canada where Emily and her husband, Lee Hauser, both heroin addicts, are desperately attempting to jumpstart Hauser's fading music career. The couple seems to be patterned somewhat after John Lennon and Yoko Ono, since everyone around them seems to think that Emily's undue influence on him is bringing him down both personally and professionally. When Hauser dies of a drug overdose, Emily - who earned some renown of her own as a music show hostess on an MTV-style interview show on French TV a decade or so back - is arrested for heroin possession and sentenced to six months in prison. Upon her release, she returns to Paris, agreeing not to have any contact with her son until she can kick her drug habit and make a decent life for herself.

As a cautionary tale about drug addiction in the music business, "Clean" doesn't show us anything we haven't already seen in countless films (and VH-1 specials) on this very same subject before. Yet, although the movie is a bit too scattered in its focus at times, when it is zeroing in on the things that really matter - Emily's attempts at overcoming her addiction and her efforts at forging a meaningful relationship with her young son - it is poignant, profound and deeply touching. The movie is blessed with a pair of outstanding performances by Maggie Cheung as Emily and Nick Nolte as Hauser's father, a kindhearted soul who believes in forgiveness and who offers a helping hand to a woman whose life, despite all her best efforts, is constantly teetering on the edge of disaster. Their scenes together, as the two characters reveal their fears, insecurities and even tentative hopes to one another, are both spellbinding and breathtaking, and show us what fine movie acting is really all about.

Clean marks Maggie Cheung and her ex-husband Olivier Assayas's 1st project after the divorce.

As i personally unable to catch Irma Vep, the French vampire drama which both previously worked together, i am unable to say how well Maggie Cheung has acted in French, but seriously, i am really impressed by Cheung's performance in her 2nd French film. Playing the role of Emily Wang, a rock singer's husband, Maggie presented herself in fluent English, French and Cantonese, her native language. When Emily was arrested for possession of drugs after her husband died of overdose of heroin, she was imprisoned for 6 months. After her release from the prison, she promised her father-in-law (Nick Nolte) that she would start her life clean, so as to get back her son. During this period, she worked in a Chinese restaurant as a waitress, and at the same time, she wants to settled down with a proper job, which was none other but related to rock music.

Clean focuses on Emily's journey to start life anew, with some scene where her father-in-law is helping her to get back to life, by convincing her son, Jay, to go back to his mum. From the film, we could see the journey Emily has been through, right from the help given by her friends, how she was treated in the restaurant, to the reunion with her son. Maggie Cheung has proved the fim critics that being an Asian female movie star, she could also acted well in this multi-nation production which gains her an Cannes. Nick Nolte, on the other hand, helps to enhance the film with his role of the forgiving father-in-law, who was there to help his daughter-in-law to get back her son, rather than blaming her for his son's death.

It was quite sometime for the Asian audiences to see Maggie Cheung as the main actress in a movie after Zhang Yimou's Hero, which was seen as a failure in Asia. While Wong Kar Wai uses Maggie as Tony Leung Chiu Wai's memory in 2046, where she barely appears for less than 10 seconds in the whole film, Assayas fully enhanced Maggie's potential in Clean, which is a delight to Maggie's fans.

Also, Maggie Cheung performed the theme song for Clean for the first time, which also thrills and surprises her fans. Unlike Madonna and Jennifer Lopez, who are both singer and actress, Maggie Cheung has never recorded an album before, as she's not a professional singer. But with the new try in Clean, not only we could get a chance to see her impressive performance, but also judge on her vocal in the 2 songs performed by her in Clean. By acting and singing at the same time in Clean, Maggie Cheung has not let her fans down.

So what does it take to win at the Cannes Film Festival? Well, Maggie Cheung pulled out all the stops for her win in 2004 in a moving film directed by her ex-husband Olivier Assayas.

Emily Wang (Maggie Cheung), a junkie ex-VJ, struggles in life after her husband, a famed yet ageing rocker whose career is in decline, dies after a heroin overdose on the drugs she had bought him. After serving six months in jail for possession, she finds her son, Jay (James Dennis) is put into the care of her parents in law, Albrecht (Nick Nolte) and Rosemary (Martha Henry). Knowing that the only way to see her son again is to clean herself up, Emily moves to Paris to rebuild her life, seeking help from long forgotten contacts. Meanwhile Albrecht begins to have a change in heart when he realises that Rosemary is dying.

Maggie Cheung's performance isn't easy to match with superlatives. Mastering dialogue in Cantonese, English and French, as well as singing the title track - she, unlike many HK actors, hasn't launched a singing career - it feels as much an honest, raw portrayal of Emily's character and her struggles to deal with the twists presented to her. Whilst Cheung and Assayas may have split amicably years before, I can't help but feel that their own history must have played a part in the making of this film, and if so, they used it well for the benefit of the film. Which is just as well, as I felt the overall script wasn't as impactful as it could be, particularly given Cheung's performance.

Nick Nolte's role is fairly limited. It's strange seeing him now as a grandfather, but he does it well - will we see a change in direction from him? This is a good film, and we will look back on it one day in an awards ceremony and say this is the one movie that exemplifies all of Maggie Cheung's achievements in one film.