Un avocat se charge d'une affaire d'homicide involontaire impliquant un prêtre qui a procédé à un exorcisme sur une jeune fille.Un avocat se charge d'une affaire d'homicide involontaire impliquant un prêtre qui a procédé à un exorcisme sur une jeune fille.Un avocat se charge d'une affaire d'homicide involontaire impliquant un prêtre qui a procédé à un exorcisme sur une jeune fille.
- Récompenses
- 4 victoires et 9 nominations au total
But in many ways, 'Emily Rose' is different from almost every past horror movie in the sense that it doesn't make really obvious attempts to frighten its audience. Instead, director/co-screenwriter Scott Derickson seems content to make us think. There are several questions raised in the film regarding religious beliefs and the public's general perception of them, but these are all handled in an objective and impartial manner. And as for the scare factor, since the filmmakers aren't overly obvious in trying to scare the audience, the film actually is frightening at several points - again, unusual for a horror film. The frightening events regarding Emily Rose's exorcism are all the more frightening as they don't seem horribly staged and predictable. (although the cheesy demonic animation, as shown in the trailer, could have been done far better) It's true that composer Christopher Young seems unable to resist the horror movie cliché of having horribly over-dramatic music which builds to a climax at the most frightening moment, but for the most part the movie is able to surpass the usual horror clichés.
It helps of course that the cast all deliver quality performances, the obvious standout being Jennifer Carpenter as Emily. Her possession scenes are nothing short of incredible, the sheer torment she seems capable of portraying is utterly captivating. Laura Linney also shines in the lead, giving a powerful and affecting performance as the attorney of the convicted priest who performed Emily Rose's exorcism. As said priest, Tom Wilkinson also manages to impress, delivering a quietly effective and very human performance. My only complaint is that the characters of Campbell Scott and Colm Feore were really badly written, coming off as the typical antagonistic figures, and nothing more. Both give satisfying performances, despite their one dimensional characters, especially Feore, who has always been talented at taking terribly written characters, and giving them life and personality nonetheless.
So The Exorcism of Emily Rose may not quite be the very best of its genre, but it certainly proves to be one of the more intelligently made ones. The director seems to have for once taken that extra step, and put aside the endless thrills and shocks in favor of making us think a bit. There are some cheesy effects, such as the demonic visions, but there are some genuinely frightening parts, especially the actual exorcism scene, mainly due to the chilling and captivating performance from Jennifer Carpenter as the title character. The principle cast members, Laura Linney and Tom Wilkinson also give strong performances, bringing many layers to their characters. Quite the quality piece overall, and one worth seeing.
-8/10
Histoire
Le saviez-vous
- AnecdotesJennifer Carpenter's audition was so convincing and scary that the director decided to cast her right then.
- GaffesThe prosecutor is only partially correct in that humans have two sets of vocal cords (they are properly known as vocal "folds"). He calls them "duel sets," consisting of the "superior vocal cords" and the "primary ones." They are correctly known colloquially as "true vocal folds" and "false vocal folds." The FVF are called "false" because they are made up of membrane, whereas the true folds have a deep layer of muscle tissue and can be controlled. The FVF can be recruited by powerful airflow and/or by disciplined muscular movements by the muscles surrounding them. However, they cannot be "activated" in the sense that a muscle can, and would not produce a different "voice." At most, some harmonic overtones or vibratory interference (such as that heard in Tibetan chanting) might be heard. The prosecutor uses the term "dual voices" as if it means two separate actual voices, as if "voice" was being produced by two distinct sets of vocal folds, which is not possible in humans. The writers confused it with some individuals' ability to produce two different fundamental frequencies by vibrating each of the true vocal folds at different rates, but the act of forming words is not determined at the vocal fold level, but by resonances created by the positions of the articulators in the vocal tract.
- Citations
Father Moore: Tell me your six names!
Emily Rose: [possessed] We are the ones who dwell within.
Emily Rose: [in Hebrew] I am the one who dwelt within CAIN!
Emily Rose: [in Latin] I am the one who dwelt within NERO!
Emily Rose: [in Greek] I once dwelt within JUDAS!
Emily Rose: [in German] I was with Legion!
Emily Rose: [in Assyrian Neo-Aramaic] I am Belial!
Emily Rose: [in English] And I am Lucifer, the devil in the flesh.
- Crédits fousOpening statement: This film is based on a true story.
- Versions alternativesTheatrical version 119 min. and the unrated version 122 min.
- ConnexionsFeatured in 2006 MTV Movie Awards (2006)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- El exorcismo de Emily Rose
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 19 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 75 072 454 $US
- Week-end de sortie aux États-Unis et au Canada
- 30 054 300 $US
- 11 sept. 2005
- Montant brut mondial
- 145 166 804 $US
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1