NOTE IMDb
5,9/10
70 k
MA NOTE
Un récit de la vie de Domino Harvey. La fille de l'acteur Laurence Harvey s'est détournée de sa carrière de mannequin Ford pour devenir chasseuse de primes.Un récit de la vie de Domino Harvey. La fille de l'acteur Laurence Harvey s'est détournée de sa carrière de mannequin Ford pour devenir chasseuse de primes.Un récit de la vie de Domino Harvey. La fille de l'acteur Laurence Harvey s'est détournée de sa carrière de mannequin Ford pour devenir chasseuse de primes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Edgar Ramírez
- Choco
- (as Edgar Ramirez)
Rizz Abbasi
- Alf
- (as Rizwan Abbasi)
Joe Nunez
- Raul Chavez
- (as Joseph Nunez)
Commentaire à la une
My name is Domino Harvery. {EDIT *dizzying* CHOP} My--my--my name is Domino Harvey. {CUT, CHOP} My name is Domino Harvey. {EDIT. CUT. Playback}
Never have I seen a director take so much flack for his style before. By now it is evident that most people do not appreciate Tony Scott's choppy, flashy, dizzying editing technique. If I have to choose between loving it and hating it, I'd say I love it. It was borderline distracting at times, but the end result was pretty good and it's nice to see a director with a creative edge to his style and some originality (even if it borrows heavily from MTV videos).
This stylistic edge manifests itself as Keira Knightley plays the role of cocky badass bounty hunter Domino Harvey and even her dialogue seems strangely choppy. Otherwise she plays her poorly because I pretty much hated her character and did not sympathize one bit with her, no matter how much she suffered. We follow Domino through her life as she joins up with fellow bounty hunters Mickey Rourke, Rizwan Abbasi and Edgar Ramirez. The crew become tangled up in the FBI and suddenly has a reality show contract under Christopher Walken's TV production company (what is Christopher Walken doing in every film, by the way?). I guess that is a clever film technique, because now Tony Scott is free to use as much flashy MTV/Reality Show editing footage as he likes. It becomes a pastiche of MTV culture at this point.
It followes then that the story is told at an amazingly rapid-fire pace, with lots of raunchy strong language and gun violence. There are some funny jokes; it's all very modern and surreal at the same time. It's a mess, but it's a rather enjoyable mess. It is ultimately flawed in so many ways (the actors try too hard to make their characters "cool", for one) but it works. I give it a weak 7/10 which may seem generous when compared to the general consensus of movie-goers who graded this film but I feel it had some good ideas and executed them well.
7 out of 10
Never have I seen a director take so much flack for his style before. By now it is evident that most people do not appreciate Tony Scott's choppy, flashy, dizzying editing technique. If I have to choose between loving it and hating it, I'd say I love it. It was borderline distracting at times, but the end result was pretty good and it's nice to see a director with a creative edge to his style and some originality (even if it borrows heavily from MTV videos).
This stylistic edge manifests itself as Keira Knightley plays the role of cocky badass bounty hunter Domino Harvey and even her dialogue seems strangely choppy. Otherwise she plays her poorly because I pretty much hated her character and did not sympathize one bit with her, no matter how much she suffered. We follow Domino through her life as she joins up with fellow bounty hunters Mickey Rourke, Rizwan Abbasi and Edgar Ramirez. The crew become tangled up in the FBI and suddenly has a reality show contract under Christopher Walken's TV production company (what is Christopher Walken doing in every film, by the way?). I guess that is a clever film technique, because now Tony Scott is free to use as much flashy MTV/Reality Show editing footage as he likes. It becomes a pastiche of MTV culture at this point.
It followes then that the story is told at an amazingly rapid-fire pace, with lots of raunchy strong language and gun violence. There are some funny jokes; it's all very modern and surreal at the same time. It's a mess, but it's a rather enjoyable mess. It is ultimately flawed in so many ways (the actors try too hard to make their characters "cool", for one) but it works. I give it a weak 7/10 which may seem generous when compared to the general consensus of movie-goers who graded this film but I feel it had some good ideas and executed them well.
7 out of 10
- Flagrant-Baronessa
- 27 juin 2006
- Permalien
Histoire
Le saviez-vous
- AnecdotesTony Scott claimed that the frenetic filming and editing style of the picture is reflective of the high usage of cocaine amongst real bounty hunters he consulted while researching the film.
- GaffesWhen Domino and her dad are at the beach in England in 1993 (really filmed at Santa Monica Pier, Los Angeles), stuffed animals prizes from Le Monde de Nemo (2003) are at the carnival game.
- Citations
Domino Harvey: I saved her... And when she is older, a woman named Domino will tell her that there is only one conclusion to every story... We all fall down.
- Crédits fousThe credits for the principal cast are shown by first name only in the closing credits, ending with the real Domino Harvey, followed by an "In Loving Memory" title card for Domino.
- ConnexionsFeatured in Bounty Hunting on Acid: Tony Scott's Visual Style (2006)
- Bandes originalesAm I Really That Bad
Written by Domino Harvey, Jan Pomerans and Solomon Mansoor
Performed by Domino Harvey (as Domino) and the Dagger Baileys
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- How long is Domino?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Domino: Thợ Săn Tiền Thưởng
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 169 202 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 675 000 $US
- 16 oct. 2005
- Montant brut mondial
- 22 984 628 $US
- Durée2 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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