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Scoop

  • 2006
  • Tous publics
  • 1h 36min
NOTE IMDb
6,6/10
89 k
MA NOTE
Hugh Jackman and Scarlett Johansson in Scoop (2006)
Theatrical Trailer from Focus Features
Lire trailer2:09
6 Videos
73 photos
Dark ComedyWhodunnitComedyCrimeFantasyMystery

À Londres, une étudiante américaine en journalisme divulgue un grand scoop et entame une liaison avec un aristocrate alors que se déroulent des incidents provoqués par sa révélation.À Londres, une étudiante américaine en journalisme divulgue un grand scoop et entame une liaison avec un aristocrate alors que se déroulent des incidents provoqués par sa révélation.À Londres, une étudiante américaine en journalisme divulgue un grand scoop et entame une liaison avec un aristocrate alors que se déroulent des incidents provoqués par sa révélation.

  • Réalisation
    • Woody Allen
  • Scénario
    • Woody Allen
  • Casting principal
    • Scarlett Johansson
    • Hugh Jackman
    • Jim Dunk
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    89 k
    MA NOTE
    • Réalisation
      • Woody Allen
    • Scénario
      • Woody Allen
    • Casting principal
      • Scarlett Johansson
      • Hugh Jackman
      • Jim Dunk
    • 282avis d'utilisateurs
    • 179avis des critiques
    • 48Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos6

    Scoop
    Trailer 2:09
    Scoop
    Scoop Scene: You're Very Different
    Clip 1:04
    Scoop Scene: You're Very Different
    Scoop Scene: You're Very Different
    Clip 1:04
    Scoop Scene: You're Very Different
    Scoop Scene: The Swiming Pool
    Clip 0:51
    Scoop Scene: The Swiming Pool
    Scoop Scene: Here You Are
    Clip 0:38
    Scoop Scene: Here You Are
    Scoop Scene: All That's A Missing Is A Moat
    Clip 0:58
    Scoop Scene: All That's A Missing Is A Moat
    Scoop Scene: Listen To Me
    Clip 0:41
    Scoop Scene: Listen To Me

    Photos73

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    + 67
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    Rôles principaux54

    Modifier
    Scarlett Johansson
    Scarlett Johansson
    • Sondra Pransky
    Hugh Jackman
    Hugh Jackman
    • Peter Lyman
    Jim Dunk
    • Funeral Speaker
    Robert Bathurst
    Robert Bathurst
    • Strombel's Co-Workers
    Geoff Bell
    Geoff Bell
    • Strombel's Co-Workers
    Christopher Fulford
    Christopher Fulford
    • Strombel's Co-Workers
    Nigel Lindsay
    Nigel Lindsay
    • Strombel's Co-Workers
    Ian McShane
    Ian McShane
    • Joe Strombel
    Fenella Woolgar
    Fenella Woolgar
    • Jane Cook
    Pete Mastin
    • Death
    • (as Peter Mastin)
    Doreen Mantle
    Doreen Mantle
    • Joe's Co-Passengers
    David Schneider
    David Schneider
    • Joe's Co-Passengers
    Meera Syal
    Meera Syal
    • Joe's Co-Passengers
    Kevin McNally
    Kevin McNally
    • Mike Tinsley
    • (as Kevin R. McNally)
    Robyn Kerr
    • Tinsley's Fans
    Richard Stirling
    • Tinsley's Fans
    Romola Garai
    Romola Garai
    • Vivian
    Carolyn Backhouse
    Carolyn Backhouse
    • Vivian's Mother
    • Réalisation
      • Woody Allen
    • Scénario
      • Woody Allen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs282

    6,689.4K
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    Avis à la une

    7TheLittleSongbird

    Much better than initially thought

    Admittedly on first viewing I didn't care for Scoop, finding it weirdly plotted and not very funny. Seeing it again as part of a Woody Allen film marathon and being much more used to his style(that I wasn't at the time on first viewing must have a lot to do with not caring for it in the first place), Scoop was far better than initially remembered. It is a long way from Allen's best films, see Annie Hall, Manhattan, Crimes and Misdemeanours, Hannah and her Sisters and Husbands and Wives to see him at his best, but it is better than Cassandra's Dream and To Rome with Love. Scoop is not without imperfections, the story is very far-fetched at times with some convolutions and scenes that don't add to very much, Hugh Jackman is very underused and Scarlett Johansson looks uncomfortable, she's much better in Match Point. Scoop is photographed with style and atmosphere and there is great use of locations. The classical music score is a good fit and will be a delight for any classical music fan, while Allen's directing is as adroit as ever. Allen's writing has been much more insightful and thought-provoking, but the script is still very clever and funny(and in distinctive Woody Allen style), Allen and Ian McShane have the best lines, and while the story is not completely successful the blend of comedy and mystery has enough moments where it works(it has been done far better before though, notably Crimes and Misdemeanours). Allen is hilarious and witty- knowing exactly how to say and time his lines- though with a character that had a danger of falling into the trap of mugging. Ian McShane is wonderfully mysterious and says his lines, and as said before he has the best of them alongside Allen, in a sardonically sly fashion, you just wish he had more screen time. And while Hugh Jackman is underused when you do see him he is dashing and charismatic. All in all, it is easy to see why people won't like Scoop, initially I didn't but on re-watch while problematic it was much better than expected considering the rep it has among a fair few people that consider it as one of Allen's worst. 7/10 Bethany Cox
    7A_Roode

    Worthy addition to Woody Allen's filmography

    I was lucky enough to get a free pass to an advance screening of 'Scoop' last night. Full house at the theatre and when the movie ended there was spontaneous applause. I didn't speak to anyone who disliked 'Scoop' although two teenagers sitting next to me sighed and fidgeted uncomfortably for most of the film. They were the exception though because everyone else including myself really enjoyed themselves.

    'Scoop' is a quickly paced murder mystery. A young female journalism student is unwittingly maneuvered by forces beyond her control into trying to catch a serial killer on the loose. Plenty of hijinks ensue as she partners up with a traveling illusionist and falls in love with a frisky and charming young nobleman.

    'Scoop' isn't a bad addition to the Woody Allen filmography. It isn't his best work but it is a very enjoyable and light hearted romp. I'd say it fits quite comfortably into being an average Woody Allen film, right in the middle of the pack. If you're a Woody Allen fan you'll probably enjoy yourself. If you're indifferent to his work then 'Scoop' might be enough to get you interested in seeing more. I don't think that anyone who dislikes his style of film-making and acting are going to change their mind. Woody plays the same kind of neurotic character we've grown so accustomed to although it borders dangerously close to forced and over the top in this film. While potentially aggravating for some who might find themselves wishing he'd hurry up and just spit out the words, Woody Allen fans know what to expect.

    Very good performances all around in my opinion although I found myself missing Ian McShane who is excellent and not on camera nearly enough. Hugh Jackman is great as the charming nobleman and I think Woody Allen has found a new regular star to work with in Scarlett Johansson. I think that with 'Match Point' this is their second pairing and she's just magic with the material that Woody gives her. Could be the beginning of a beautiful relationship! I'm glad I saw the movie and definitely recommend it. More sophisticated comedy than movies like 'Scary Movie 4' so if your brand of comedy is the latter rather than the former, 'Scoop' probably isn't for you. If, on the other hand, you like a touch of class, sophistication and fun, 'Scoop' is for you. Probably not the Woody Allen film I'd introduce to a newcomer but all others should give it a try.
    7james_longley

    better than I expected

    I went to the movie theater this afternoon expecting to be underwhelmed by Scoop. Happily, the film exceeded expectations, at least a little bit. It's nothing heavy, nothing deep -- and not anywhere as good as any number of real Allen masterpieces -- but it's also completely enjoyable as a light, bantering comedy. There's something kind of simple and sweet about it. "Cute" was the word I heard from people in the audience as they were walking out after the show. It doesn't feel like Allen set out to create a masterpiece here, it feels like he wanted to make a little comedy and have fun doing it. Compared to just about everything Hollywood is producing, Allen's stuff has a tendency to charm. Even the fluffy stuff. These days it's just refreshing to go to a movie made by an actual human being.
    8andrewthezeppo

    Delightful summer comedy

    I thought this was a wonderful way to spend time on a too hot summer weekend, sitting in the air conditioned theater and watching a light-hearted comedy. The plot is simplistic, but the dialogue is witty and the characters are likable (even the well bread suspected serial killer). While some may be disappointed when they realize this is not Match Point 2: Risk Addiction, I thought it was proof that Woody Allen is still fully in control of the style many of us have grown to love.

    This was the most I'd laughed at one of Woody's comedies in years (dare I say a decade?). While I've never been impressed with Scarlet Johanson, in this she managed to tone down her "sexy" image and jumped right into a average, but spirited young woman.

    This may not be the crown jewel of his career, but it was wittier than "Devil Wears Prada" and more interesting than "Superman" a great comedy to go see with friends.
    7jemps918

    Allow yourself to be transported to a different, old school kind of storytelling

    Allow yourself to be transported to a different, old school kind of storytelling. Scoop is classic Woody Allen.

    Allen's latest muse, Scarlett Johansson (who also appeared in last year's Match Point, also by Allen), is surprisingly able to tone down her sultry sex kitten appeal and transform into a normal looking student-type with the aid of nerdish glasses and outfits but still fails to make the audience believe how Hugh Jackman's lordly character can be so smitten by her, given the royal's background (don't worry, no spoilers here). There are no grand transformations for Johansson's character here, as she consistently plays the same character throughout despite the script saying otherwise. You even forgive her character's apparent lack of logic, continuing an affair with a suspected serial killer, simply because he is His Royal Hotness Jackman, who is refreshing to see sans the Wolverine duds.

    If anything, consistency is what the 70-year old Allen is all about. He continues to tell his stories on celluloid in the same way he always has; as if he's never been exposed to modern film-making, which is probably what makes his quiet, simple films appealing. They never seem to aim for a specific market; as if Allen makes movies to his taste alone, whether the public likes it or not.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The lead character (originally an adult journalist) was tailored specifically to Scarlett Johansson, whom Woody Allen observed as having an unused "funny" quality about her while working on Match Point (2005).
    • Gaffes
      There were several scenes where Scarlett Johansson's lapel mike radio frequency transmitter strapped on her waist behind her is visible.
    • Citations

      Sid Waterman: I was born into the Hebrew persuasion, but when I got older I converted to narcissism

    • Connexions
      Featured in Siskel & Ebert & the Movies: World Trade Center/Step Up/Scoop/Half Nelson (2006)
    • Bandes originales
      Swan Lake Ballet Suite
      Composed by Pyotr Ilyich Tchaikovsky (as Peter Tchaikovsky)

      Performed by New Symphony Orchestra of London

      Adrian Boult (as Sir Adrian Boult), Conductor

      Courtesy of Geffen Records & Manhattan Production Music

    Meilleurs choix

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    FAQ19

    • How long is Scoop?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 novembre 2006 (France)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Amor y muerte
    • Lieux de tournage
      • Dorchester Hotel, 53 Park Lane, Mayfair, Westminster, Greater London, Angleterre, Royaume-Uni(on location)
    • Sociétés de production
      • BBC Film
      • Ingenious Film Partners
      • Phoenix Wiley
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 17 300 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 10 525 717 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 3 003 000 $US
      • 30 juil. 2006
    • Montant brut mondial
      • 39 220 946 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 36 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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