Snow Angels

'Snow Angels' is a movie based on a book by Stewart O'Nan. It is directed by David Gordon Green, and stars Sam Rockwell, Kate Beckinsale, and Michael Angarano. Rockwell and Beckinsale portray a recently divorced couple with a daughter, who were high school sweethearts. Angarano plays a teenager, who used to be baby-sat by Annie (Beckinsale). The movie follows the lives of several people, including Annie and Glenn (Rockwell), Arthur (Angrano) and his parents, and others as some relationships are built and others are destroyed.

The movie has a strong real-life feeling to it, thanks to great writing by Green and great acting skills by the cast. There are scenes where Annie yells at her child that may seem to be out of place at first glance, but are actually amazing true-to-life ways to express how sometimes parents can lose their tempers with their children. The scenes show how sometimes kids can try to push their parents' buttons, or play their parents against each other without even knowing it.

The acting is absolutely wonderful – the actors show a wide range, from joy to sorrow, and from humor to violent anger. There are times when you love and sympathize with the characters, and there are times when you hate them so much your blood boils – that's how strongly the audience connects to the characters. By the end of the movie, you feel drained, as if you just watched someone you love die.

There were times when the whole audience laughed together, and there were times when the whole audience grew silent in discomfort. The way that this movie consists of laugh-out-loud moments and moments when you just want to tear your heart out and break out a box of tissues is what makes it an outstanding movie. This movie doesn't even have to try to get its audience to love it. The script is chock-full of wit, life at its best and worst, and humor for every generation. The movie left me walking out of the BAM theater smiling and wishing I could watch it again, not wondering why I'd wasted over 10 bucks on a ticket.

The only problem I found with the movie was that its setting was a bit confusing. There were scenes where the characters used cell phones, and others where there were those record players for LPs. But other than that, the movie was flawless.

Beckinsale is at her best here, not only in looks, but in acting range. She took me on another world as I sympathized with her, felt angry at her, felt happy with her, and watched her as her character's story unfolded before my very eyes. This is one of her best movies, and to me it IS her best movie.

10/10, for sure.

"Snow Angels" starts off as a fairly conventional, angst-ridden indie drama about life in an American small town, but the movie turns into a profoundly moving work after an unexpected tragedy strikes the community.

Director David Gordon Green's screenplay (co-written by Stewart O'Nan) focuses on two disintegrating marriages - one belonging to Annie and Glen Marchand, and the other to Louise and Arthur Parkinson - and the effect the breakups are having on the children and extended families. The people in both groups already seem profoundly unhappy with their lives, but when an unspeakable disaster occurs, things go from bad to worse for all concerned.

"Snow Angels" features insightful writing, sensitive direction and a profound sense of place and season (it takes place in the deep, dark days of a Midwestern winter, though the film itself was filmed in Nova Scotia). It's not an easy movie to watch at times - its emotions wrenching and its characters' weaknesses all too human and recognizable – but excellent performances by Kate Beckinsale, Sam Rockwell, Michael Angarano, Jeanetta Arnette, Deborah Allen and Griffin Dunne, among others, make it worthwhile viewing.

The underlying novel and this film stole my planned novel! I live in Northeast Pennsylvania (the film is set in Southwest PA). I'm one of those who threaten, promise, etc., to write a book someday but probably never will. But my main idea was to write about one of the ancient defunct communities that dot the old coal and oil regions of the state.

SNOW ANGELS does a great job at depicting lives in such communities. Especially during that part of the year when the landscape is barren and suicides spike. The profound sense of hopelessness is evident in many of the characters. Those without resources fall into profound despair. Those better off look into themselves. The result is always tragic or counter-productive. Only youth sees promise, has hope, etc.

The film was far from perfect: Rockwell and Beckinsale's story line so dominates that the lives of the other characters become almost a distraction. I doubt that's what the author intended. The climax pays off in intensity but is predictable. But the acting and script are exceptional as is the pacing and mood. For those who think the film lacks plot, the simple depiction of setting and life are story enough.

David Gordon Green is the most talented and consistently excellent American director to emerge this decade, making a splash he has yet to equal with "George Washington" in 2000, and gaining further recognition with the acclaimed, painfully true-to-life relationship drama "All the Real Girls". Sadly, his follow-up to "All the Real Girls", the outstanding "Undertow" failed to register with critics, and "Snow Angels", although better received, came and went without causing much buzz. Green's first major studio job, stoner action-comedy "Pineapple Express" was a big hit, and taken along with his unrelentingly grim "Snow Angels" shows the director attempting to move past his small-scale independent films which initially garnered so much acclaim for him.

"Snow Angels" is another drama from David Gordon Green, true, but it is also still different from his other films in the sense that it is his most tragic film and also his most narratively-focused (his previous films were far more lyrical). Here he's also dealing with sorts of characters he only touched on previously, and it's also (if you don't count his collaborative effort on "Undertow") his first screenplay adapted from another person's work. I have not read the novel "Snow Angels", but I doubt there is any detail, no matter how painful, which Gordon Green didn't unflinchingly transfer to the screen.

Although I enjoyed "All the Real Girls" a lot, I found that whenever the film was not focusing on the two leads it lost its edge and became a rather mundane, typical sort of film, with few truly interesting characters aside from the main two. "Snow Angels", perhaps partially due to it being an adaptation, doesn't fail to create interesting (although certainly not sympathetic) characters out of every last major player in this film. The story connects a teenager who is falling in love, his former babysitter, her estranged husband, and their daughter in an involving, focused narrative which is never exactly unpredictable but is always absorbing and deeply, deeply affecting. It's not an enjoyable film, exactly (at least the final hour isn't), but it is hypnotic, it is stunningly, stunningly well-directed and photographed by David Gordon Green and frequent collaborator Tim Orr, respectively (there are certain shots which are too beautiful to put into words), and I was absolutely transfixed for the entirety of this film.

Another film in what Nathan Lee (formerly) of the Village Voice terms the 'familiar turf of the Small-Town Midwinter Tragedy', which Lee insists the film transcends, "Snow Angels" is right up there with "The Sweet Hereafter" and Paul Schrader's "Affliction" (I was even surprised to find that Russell Banks wasn't the author of the novel this was based on), and for my money better than those two films. I quite like the Small-Town Midwinter Tragedy as a sub-genre, so I'm not going to say that this doesn't fall under that label, but I will say that "Snow Angels" achieves a sort of real, honest drama that can only come through true insight into the characters (in an interview with the Onion A.V. Club Gordon Green stated that this was a very personal project, and it shows), and a real understanding of them. In that sense it goes far beyond most tragedies (the vast majority are shallow, miserable, soulless tearjerkers, no matter how far back in history you look), and although it's unpleasantly dark and grim, there is humanity to the film, mostly observed through the young couple in love (these scenes are somewhat reminiscent of "All the Real Girls", only without the complications), which really elevates this beyond your typical downbeat film, as ultimately devastating and depressing as it is.

The film would be nothing without the performances, and as someone who couldn't have cared less for Kate Beckinsale before seeing this, I now think this was easily the best female performance of the year so far. If the Academy didn't require extensive lobbying for a film to get a nomination, Beckinsale would almost certainly be up for Best Actress come early 2009. The rest of the cast are excellent too, in particular Sam Rockwell, who may annoy a lot of viewers with his performance in this film, but it is absolutely necessary for the character to work, and is eerily reminiscent of someone I used to know, and all the more effective for it.

I don't want to see this film again for a long, long time, and in this case that's a good thing.

9/10

I refrain from rating this one as I have a lot of mixed feelings about this film. Granted it is a very deep and sensitive foray into the trappings of human emotion and relationships, but I can't reconcile why anyone would even attempt a movie like this, especially in this day and age. Although all the technical elements remain in tact, from the impeccable direction, to the heart-rending acting performances, the depth of emotion this film challenges you achieve seems a bit parochial to me, given that all we are shown is the dark side of each situation. Isn't there enough discord we must deal with in our day-to-day lives, than having to feel our emotions tumble blindly into an abyss of despair, then having to muster up the strength to climb back up and out, just to resume our lives as usual? I can't find any redeeming qualities to this film, yet I did watch it from beginning to end. It has all the qualities of a well-made film which draws you in, but once you're in you find yourself just wanting to get out but you can't, because you have to see how it all plays out after all. I guess what I'm trying to say is that there isn't any 'entertainment value' to this film, it's almost like some extended version of a story you'd expect to find in the news today, instead of on the big screen. Hollywood, maybe it's time to get back to the basics?