La graine et le mulet

NOTE IMDb

MA NOTE

Dans le sud de la France, un ouvrier de chantier naval d'origine arabe poursuit son rêve d'ouvrir un restaurant en compagnie de la fille de sa conjointe.Dans le sud de la France, un ouvrier de chantier naval d'origine arabe poursuit son rêve d'ouvrir un restaurant en compagnie de la fille de sa conjointe.Dans le sud de la France, un ouvrier de chantier naval d'origine arabe poursuit son rêve d'ouvrir un restaurant en compagnie de la fille de sa conjointe.

Réalisation
- Abdellatif Kechiche
Scénario
- Abdellatif Kechiche
- Ghalya Lacroix
Casting principal

Voir les informations de production sur IMDbPro

NOTE IMDb

7,4/10

8,1 k

MA NOTE

Réalisation
- Abdellatif Kechiche
Scénario
- Abdellatif Kechiche
- Ghalya Lacroix
Casting principal

Voir les informations de production sur IMDbPro

Récompenses
- 19 victoires et 9 nominations au total

Photos18

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Histoire

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Anecdotes
Shooting was supposed to start in the summer of 2005 but one of the leading actors was sick, which resulted in a major delay. Thus, filming actually started on 5 September 2005 and was still running by 16 January 2006. The set was on a boat in the port of Sète for at least six weeks from October to December 2006. Outside temperatures were very low, as opposed to what they should have been if schedule could have been held. This led the production to set up large tents near the boat with heating systems for the actors and extras to remain comfortable between takes.

Citations
Julia: [talking to Slimane about her husband] Is that a family man ?
Serguei: Never there for his kid.

Connexions
Featured in Maltin on Movies: Flipped (2010)

Bandes originales
El fan hob wa imane
Written by Mohamed Abdel Wahab and Hussein El Sayed

Avis des utilisateurs41

Commentaire à la une

6/10

It could have been an excellent movie

Something unusual happened at the end of this movie projection. Several people not knowing each other gathered at the cinema exit and discussed the movie. It appeared that the movie was spoiled by several cinematographic tics which the director promoted to the status of the style and used all over the movie "ad nausea". He extends the lengthy sequences probably to make us share the uneasiness of the characters in the given situation (the mother scolding the child for weeing in her panties, the guests waiting for the cous-cous, the final run of Slimane and the belly dance). But this is a 0-level translation of the reality into the cinematographic language. The profusion of the very close-ups and the clip-like filming with very short shots is a minor default. It is probably one of the points which makes some people like the movie as "modern". The movie is almost twice as long as usual and I can not find any cinematographic reason to make it this long, if not just the desire to convince the spectator (and jury) that this movie has something exceptional. We spent some good moments but we hope that this gifted director will not be encouraged to belaborates more in his future creations.