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Stop-Loss

  • 2008
  • R
  • 1h 52min
NOTE IMDb
6,4/10
21 k
MA NOTE
Ryan Phillippe, Abbie Cornish, Joseph Gordon-Levitt, and Channing Tatum in Stop-Loss (2008)
Stop Loss Trailer
Lire trailer2:31
14 Videos
89 photos
Psychological DramaDramaWar

De retour au Texas après avoir fait la guerre en Irak, un soldat refuse de retourner au combat malgré les ordres du gouvernement.De retour au Texas après avoir fait la guerre en Irak, un soldat refuse de retourner au combat malgré les ordres du gouvernement.De retour au Texas après avoir fait la guerre en Irak, un soldat refuse de retourner au combat malgré les ordres du gouvernement.

  • Réalisation
    • Kimberly Peirce
  • Scénario
    • Mark Richard
    • Kimberly Peirce
  • Casting principal
    • Ryan Phillippe
    • Abbie Cornish
    • Joseph Gordon-Levitt
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    21 k
    MA NOTE
    • Réalisation
      • Kimberly Peirce
    • Scénario
      • Mark Richard
      • Kimberly Peirce
    • Casting principal
      • Ryan Phillippe
      • Abbie Cornish
      • Joseph Gordon-Levitt
    • 111avis d'utilisateurs
    • 120avis des critiques
    • 61Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 5 nominations au total

    Vidéos14

    Stop Loss
    Trailer 2:31
    Stop Loss
    Stop-Loss
    Clip 0:58
    Stop-Loss
    Stop-Loss
    Clip 0:58
    Stop-Loss
    Stop-Loss
    Clip 0:27
    Stop-Loss
    Stop-Loss
    Clip 0:31
    Stop-Loss
    Stop-Loss
    Clip 0:32
    Stop-Loss
    Stop-Loss
    Clip 0:57
    Stop-Loss

    Photos89

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    + 83
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    Rôles principaux96

    Modifier
    Ryan Phillippe
    Ryan Phillippe
    • Brandon King
    Abbie Cornish
    Abbie Cornish
    • Michelle
    Joseph Gordon-Levitt
    Joseph Gordon-Levitt
    • Tommy Burgess
    Rob Brown
    Rob Brown
    • Isaac 'Eyeball' Butler
    Channing Tatum
    Channing Tatum
    • Steve Shriver
    Victor Rasuk
    Victor Rasuk
    • Rico Rodriguez
    Quay Terry
    • Al 'Preacher' Colson
    Matthew Scott Wilcox
    • Harvey
    Connett Brewer
    • Curtis
    • (as Connett M. Brewer)
    Timothy Olyphant
    Timothy Olyphant
    • Lt. Col. Boot Miller
    Josef Sommer
    Josef Sommer
    • Senator Orton Worrell
    Linda Emond
    Linda Emond
    • Ida King
    Ciarán Hinds
    Ciarán Hinds
    • Roy King
    Mamie Gummer
    Mamie Gummer
    • Jeanie
    Alex Frost
    Alex Frost
    • Shorty
    Chandra Washington
    • Mrs. Butler
    Cora Cardona
    • Theresa Rodriguez
    Isreal Saldivar
    • Augustin
    • Réalisation
      • Kimberly Peirce
    • Scénario
      • Mark Richard
      • Kimberly Peirce
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs111

    6,421.2K
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    Avis à la une

    7paul2001sw-1

    Stops short of being great; but still worth seeing

    'Stop-Loss' deals with the problems soldiers have in getting out of the army; both through the technical procedure of "Stop-Loss", whereby a solider is sent back for a second consecutive tour of duty, but also through the difficulties of adjusting to civilian life after time on the front line. Many dramas set after the Vietnam war explored the idea that the sense of a victory well won (absent then, as now) might be critical to enabling a soldier to make the transition from combat animal back to member of civic society. The film is well made, powerfully acted, and doesn't pretend that it's characters are angels (although it justly acknowledges their bravery). But it doesn't really go very far beyond its premise, and the ending is given a slightly more upbeat (but inconclusive) spin than could have been applied. The final credits remind us of the startling high number of American troops to have fought in Afghanistan or Iraq in the 21st century; wars that are fought (for good or bad) while the rest of us get on with our lives in an altogether easier place.
    Michael_Elliott

    Great

    Stop-Loss (2008)

    **** (out of 4)

    Hard hitting, Anti-Iraq film has Ryan Phillippe playing a U.S. soldier who leaves his final mission in Iraq but soon learns he's been stop-lossed, which means the government can break your original contract and send you back to Iraq. Phillippe refuses to go back so he goes AWOL and hits the road with his best friend's girl (Abbie Cornish) while trying to figure out what to do. Over the past few years there have been countless films protesting the Iraq war and all of them have been fair (Lions for Lambs) to really poor (Redacted) but this one here is clearly the best of the bunch but it's also one of the best war movies out there and clearly one of the best of 2008. The movie has a strong stance against the war but it's certainly Pro-Soldier and the film bleeds with love for the young men putting their lives on the line each day. The film opens with a scene in Iraq where the soldiers are working a checkpoint when a group of thugs show up with guns a soon a big battle breaks out and leads to tragedy. I really enjoyed what director Peirce did here by instead of focusing on the violence she clearly wants the viewer to see that these are kids doing this fighting. She makes it clear to us that it's kids doing the shooting and being shot at, which is something people and the media seems to forget. The Anti-Iraq stuff is handled very well and never becomes too preachy unlike many other recent films. I think the film's one problem is that it really should have ran at least an hour longer because the movie not only looks at Phillippe's situation but also two of his friends who are dealing with their own battles on returning home. The film is a lot like The Deer Hunter, a film that took three hours to tell its story, and I think that long running time would have worked well here. The two friends play a major part in the story and an emotional one so I think their stories could have been pushed out a bit further. The performances in the film are all rather remarkable and this is certainly the greatest work I've seen from Phillippe. I don't want to ruin anything but he has to go through all sorts of mental pain in the film and he pulls this off wonderfully well. I think Phillippe has always been a good actor but this film here pushes him to a great one. He really does give a strong, raw and highly emotional performance, which is the heart of the film. Cornish is also very good in her role as is Channing Tatum as the best friend. No matter where you stand on the actual war, that shouldn't keep you away from this film, which is quite original in how it tells its story and most importantly it does pay tribute to these kids who lost their lives on the battle field. This is a very strong and highly emotional film that pushes all the right buttons and really delivers.
    7Ric-7

    Wish It Could Have Been Better

    Maybe the idea was to show the total hopelessness of the conflict--that it was not really a war but urban warfare, and that there is no way to win or to have a happy ending. But that's just an idea--it's not a movie.

    I thought that the set-up was fine. But I am not sure the filmmakers knew where to go with it. Their take on the stop-loss policy is obvious, and it is a message that should be heard. But I think the film would have been more interesting if any character exhibited any real growth during the film. The vets were all depicted as basket cases--the most well-adjusted vet seemed to be the double-amputee--he told us why he would want to go back to Iraq and there was at least some productive purpose that would have been served by his return there.

    Perhaps there are soldiers who don't mind being stop-lossed--who truly believe they are accomplishing something positive over there. It would have been refreshing to have a character like that--a non-basket case. It would have been good to hear arguments supporting the stop-loss program (if there are any).

    The last 20-30 minutes of this film were baffling. The end of the film (not an ending, just an end) was very unsatisfying.

    Ryan Philippe did a competent job, but rarely conveyed anything not apparent from the lines or situation. For example, you could see that a lot of his post-war angst was attributable to guilt. How that tied in with the ending is just a mystery to me.

    I recall that a very similar military policy was explored by Joseph Heller in Catch-22. I think a comparison to that novel and film is more apt than comparing this to The Deer Hunter.

    I wish this film could have been much better than it was.
    6evanston_dad

    Another Forgettable Entry in the Iraq War Movie Mill

    Kimberly Peirce becomes one of the latest directors to try and only marginally succeed in making a compelling film about the Iraq conflict.

    Peirce takes on as her subject the military's stop-loss clause, essentially a back door draft by which the military can use fine print in recruits' contracts to prevent them from getting out once their time is up. Peirce obviously feels strongly about the policy, but what should be a hard-hitting drama feels instead like a rather preachy after-school special. She coaxes a nice performance out of Ryan Phillipe, as the soldier who goes AWOL when his stop-loss clause is activated, but she doesn't fare as well with the rest of the cast. The film suffers from confusing editing, that doesn't always make it clear where characters are or how events are related to one another, and the writing at times is weak as well, with character motivations not coming across as clearly as they should.

    I don't know what it is about the Iraq conflict that makes it so hard for filmmakers to make good movies about it. Maybe it will have to be over for a while before anyone can begin to approach it with any success.

    Grade: B-
    8the_Poppuns

    'Coming Home' for a new generation

    It's horrible that we need a new one, you'd think people would learn their lesson the first, or hundredth, time they were taught it. But anyway, the movie is pretty good. At the very beginning it reminded me of 'Redacted' and then later 'In the Valley of Elah' and you could say with most movies that that would be a detriment but they're all telling stories about the same subject. So it's not like anyone is copying anyone else.

    This movie is more movie-ish than those I mentioned. It works as entertainment(that sounds wrong) as well as being informative. It's showing you a certain situation people are going through but it's also a "movie", with action scenes, good acting, relationship issues, etc. As I said the acting is good. Ryan Phillipe is I want to say underrated, but maybe he's not rated at all. He's an extremely good looking person who could have just been in romantic comedies and made some nice money that way, but instead he's carved out an interesting resume for himself. He does some of his best work here. Joseph Gordon Levitt, everyone's favorite young indie actor, shows up here as well, although he has a smaller role than he normally does. He and the rest of the cast were also really good. Ciaran Hinds makes an interesting cowboy, btw. I wouldn't have guessed that. The only problem I may have had with the film is that I didn't like the ending. But that doesn't take away from the fact that I think this is a well-made movie.

    The film is serious. It'll probably be depressing for most people. But hey life is depressing right now. Especially for people involved in this situation and maybe those folks should consider whether they should really watch it or not. Because I would think they'd want to escape that reality. The people who aren't paying attention to what's going on should see it. I'd have less problem recommending this to them. I think it's the least likely of the Iraq based movies to offend anyone. It's got a few violent war scenes but nothing over-the-top or terribly graphic. It's just basically wave at you saying "hel-lo, this is the stuff you're trying to ignore but should really be paying attention to.' There is a normal amount of cursing and no naked people that I can remember.

    If you haven't been watching the Iraq war centered movies, it's time you saw one and this would probably be the easiest to take.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The title refers to a provision in all military service contracts that says a service member can be involuntarily extended beyond their discharge (from active duty) date, and at times beyond their final discharge from service date, according to the needs of the service.
    • Gaffes
      When Sgt. King visits Rico, as he pushes his wheel chair out of the sun you can clearly see a bulge in Rico's t-shirt where his real arm is resting.
    • Citations

      [from trailer]

      Passport Issuer: Here's your new ID. If you go, you're gone for good.

    • Connexions
      Featured in Siskel & Ebert & the Movies: 21/Chapter 27/Flawless/Stop-Loss/Run Fatboy Run (2008)
    • Bandes originales
      Courtesy of the Red, White and Blue (The Angry American)
      Written by Toby Keith

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    FAQ22

    • How long is Stop-Loss?Alimenté par Alexa
    • Is 'Stop-Loss' based on a book?
    • What are the songs played in the trailer?

    Détails

    Modifier
    • Date de sortie
      • 28 mars 2008 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Ausente
    • Lieux de tournage
      • Maroc
    • Sociétés de production
      • Paramount Pictures
      • Scott Rudin Productions
      • MTV Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 25 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 10 915 744 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 4 555 117 $US
      • 30 mars 2008
    • Montant brut mondial
      • 11 212 953 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 52 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 1.85 : 1

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    Ryan Phillippe, Abbie Cornish, Joseph Gordon-Levitt, and Channing Tatum in Stop-Loss (2008)
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    By what name was Stop-Loss (2008) officially released in India in English?
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