Le sens même du mot "humanité" change quotidiennement dans le monde moderne. Mais il y a une vérité que seuls quelques-uns sont prêts à affronter : Il y a des monstres en liberté dans le mon... Tout lireLe sens même du mot "humanité" change quotidiennement dans le monde moderne. Mais il y a une vérité que seuls quelques-uns sont prêts à affronter : Il y a des monstres en liberté dans le monde. Et ils sont la clé de l'avenir de notre race.Le sens même du mot "humanité" change quotidiennement dans le monde moderne. Mais il y a une vérité que seuls quelques-uns sont prêts à affronter : Il y a des monstres en liberté dans le monde. Et ils sont la clé de l'avenir de notre race.
- Nommé pour 1 Primetime Emmy
- 20 victoires et 55 nominations au total
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I especially enjoy the acting. Amanda Tapping, Christopher Heyerdahl, and Robin Dunne give great performances. I wouldn't be surprised if they were nominated for several acting awards.
Some of the episodes standout more than the others. "Edward", "The Five", "Requiem", and "Revelations" are episodes that capture the soul of the series. The stories are compelling. Besides being well planned and acted, these episodes give important background and pushed the story arch further.
For Amanda Tapping, this is a good move - she's not Sam Carter anymore, playing the enigmatic and potentially very sexy Helen Magnus, aided by her slightly stereotypical teen-angst-ed daughter Ashley, some gentle-monster beast and a newly inducted fish out of water type, Will.
The concept is nice, 'Sanctuary for all' - being 'all' are non-humans, (but it does come across that they're all sort of imprisoned anyway). There's a sort of 'Gothic Buffy' feel about the scenario and the circumstances, but minus the classic Whedon Buffy humour.
The production values aren't superior and it's obviously CGI, there are some sub-par blue/green screens going on in places...but you can forgive this for a decent enough premise and storyline. Knowing that this hasn't been funded by a studio and Tapping herself is an executive producer, one should actually give the production some credit.
Tapping is fairly good in this role - we see her move out of the clever and cute Samantha Carter and flex her acting muscles somewhat in the portrayal of an 18th century English woman. Her accent isn't flawless, but you can forgive this - I'm sure it would be explained away that Magnus has been living in the USA for some time. There is no explanation as to why she's in the USA - or if she even is in the USA - the location is not revealed, but one assumes it's in North America.
Other actors put in decent enough performances, but there's nothing outstanding. Character wise the weak link here is the character of Ashley. Far too stereotypical, hard and cold. One supposes that she is in some way meant to contrast her mother, but we've seen characters like this far too many times before...she needs some depth.
This will be compared to Buffy - the characters aren't immediately associated with the former series - but it's there in the design of the monsters - the characters are also somewhat similar - the blonde fighting machine(Ashley/Buffy), the clever researcher (Magnus/Will/Giles) and monsters that work for the 'good guys'.
This 'pilot' doesn't go that far and we need a whole season of this to make a judgement call really. Based on this pilot though, I am intrigued and would like to see more.
I would not be surprised if several of the actors receive awards for their acting. In addition, I expect to see several technical awards for the production of the show.
Christopher Heyerdahl plays a couple of characters that are very different from each other. From the first episode of season one to the last, you get to see his incredible range as an actor.
Most of the time when an actor or actress plays a role for a very long time, the way Amanda Tapping played Samantha Carter, it is can be difficult to remove that image from the audiences mind. In Sanctuary, Amanda Tapping proves yet again what a fine actress she is as Helen Magnus. She created a new entertaining character for her public to care about and support.
Le saviez-vous
- AnecdotesSanctuary was the first television series in North America to start production using the new RED camera exclusively, capturing images at four times the resolution of a high definition camera. One of the only television series to shoot extensively on green screen with virtual sets.
- Citations
Henry Foss: All access pass to Spookville. Comes with a free lunch and a decoder ring.
- ConnexionsFeatured in WatchMojo: Top 10 SyFy Channel Shows (2015)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Svätyňa
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée44 minutes
- Couleur