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Ajouter une intrigue dans votre langueA chronicle of the weeks after the 2000 U.S. Presidential election, and the subsequent recounts in Florida.A chronicle of the weeks after the 2000 U.S. Presidential election, and the subsequent recounts in Florida.A chronicle of the weeks after the 2000 U.S. Presidential election, and the subsequent recounts in Florida.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 3 Primetime Emmys
- 10 victoires et 34 nominations au total
Commentaire à la une
If you thought a movie about the controversial 2000 Presidential campaign recount in Florida, you're wrong. Just when you think it's some crazy movie, you recall that it all really happened. At times, only the CNN footage reminds us that it really did happen. The drama and gravitas of the story should not be lost, but is, upon Americans. The movie not only accurately portrays actual events, but notes their context and their importance to American history, an analysis that many have already so soon forgotten.
The star-filled cast's fame does not disservice or overshadow the characters they portray, a fine balance of talent and respect. Special note, however, must be paid to Laura Dern's awe-inspiring role as the aloof, artificial Secretary of State, Katherine Harris. Despite makeup which makes prostitutes jealous, her mannerisms and uncanny slanted poise cause incredulous disbelief that such a wacky imitation could be enacted. All the cast, however, is likewise surrealistically convincing.
The hard working, late hours, and soul-sucking reality of working in a campaign office, often a suite rented out of a strip shopping mall with temporary desks and phone lines cheaply laid in for only a few months' time, is evident and pervasive. Such atmospheres lend the movie a realistic feel of grassroots-level work. One is likely to develop a profound respect for the idealism and vigor (or ego) of such volunteers with such spartan environments.
Music is not even necessary as the chaotic, meaningless buzz of a campaign office or the silent seriousness of a limo ride are soundtracks in and of themselves. The seriousness of the situation does not let the viewer go for the entire movie's arc, from the movie's opening seconds when an elderly lady's seemingly innocent action will cause screaming suspended disbelief in all viewers alike. The tension continues for over an hour more, frustrating and terrifying viewers until an ending whose frustration compares with few other feelings. Even typically dry court readings gain an impossible level of drama, tension, and emotional disbelief to the point of tears as the movie progresses through the increasingly unbelievable tale. The dirty tactics are unsurprising, given recent politics, but to witness the beginnings of the such era in retrospective is humbling. The animosity of the foes is tempered with a thin grasp on reality and humanity, summoned by powers eluding most of us common lay men and women.
The film is so accurate and nearly documentary which is suitable for those of all political persuasions. The far more important point is the preservation of the Union and our ability to pass power peacefully and civilly. Affairs even weightier than party affiliation are at stake. The movie is trying on the heart and mind as it begs us to question how insane the electoral system is, a view with which those of all political persuasions may likely agree. Nonetheless, the system somehow survived to live another day, a day that will again return.
The star-filled cast's fame does not disservice or overshadow the characters they portray, a fine balance of talent and respect. Special note, however, must be paid to Laura Dern's awe-inspiring role as the aloof, artificial Secretary of State, Katherine Harris. Despite makeup which makes prostitutes jealous, her mannerisms and uncanny slanted poise cause incredulous disbelief that such a wacky imitation could be enacted. All the cast, however, is likewise surrealistically convincing.
The hard working, late hours, and soul-sucking reality of working in a campaign office, often a suite rented out of a strip shopping mall with temporary desks and phone lines cheaply laid in for only a few months' time, is evident and pervasive. Such atmospheres lend the movie a realistic feel of grassroots-level work. One is likely to develop a profound respect for the idealism and vigor (or ego) of such volunteers with such spartan environments.
Music is not even necessary as the chaotic, meaningless buzz of a campaign office or the silent seriousness of a limo ride are soundtracks in and of themselves. The seriousness of the situation does not let the viewer go for the entire movie's arc, from the movie's opening seconds when an elderly lady's seemingly innocent action will cause screaming suspended disbelief in all viewers alike. The tension continues for over an hour more, frustrating and terrifying viewers until an ending whose frustration compares with few other feelings. Even typically dry court readings gain an impossible level of drama, tension, and emotional disbelief to the point of tears as the movie progresses through the increasingly unbelievable tale. The dirty tactics are unsurprising, given recent politics, but to witness the beginnings of the such era in retrospective is humbling. The animosity of the foes is tempered with a thin grasp on reality and humanity, summoned by powers eluding most of us common lay men and women.
The film is so accurate and nearly documentary which is suitable for those of all political persuasions. The far more important point is the preservation of the Union and our ability to pass power peacefully and civilly. Affairs even weightier than party affiliation are at stake. The movie is trying on the heart and mind as it begs us to question how insane the electoral system is, a view with which those of all political persuasions may likely agree. Nonetheless, the system somehow survived to live another day, a day that will again return.
- richardc020
- 20 juil. 2008
- Permalien
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- AnecdotesBecause of the extensive parody of Katherine Harris in the media, Laura Dern expressed great apprehension over how to approach the character. Dern convinced Executive Producer and Director Jay Roach to allow her at least three takes for every scene: one underplayed, one "medium", and one way over-the-top, so Roach could help guide her performance.
- GaffesBen Ginsberg states that Bill Daley's father "stole it for JFK," referring to the belief that Chicago mayor Richard Daley rigged the vote in Illinois in 1960. Kennedy would have still won the electoral college without Illinois.
- Bandes originalesI Won't Back Down
Written by Tom Petty and Jeff Lynne
Performed by Tom Petty
Courtesy of Geffen Records
Under License from Universal Music Enterprises
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Recount
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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