Bullet Proof

It's the same old same old with added shmutz and a piss poor story that has been told numerous times afore. Embarrassing and amateur for the most part.

What is the fascination with hoillywood and Vinnie Jones. He was an average soccar player, known more for his temper than his skills and it seems that in america, he lacks either. He really REALLY can't act worth a toss, he's not a hard man, just a dodgy looking wannabe geezer. He only had his debut in the Guy Richie film Lock Stock and two Smoking barrels because he was a drinking buddy with Guy and because he was so desperate for work he'd do it for virtually nothing. Maybe it's the fake east end 'cockney' accent that hides his lack of ability. Well I suppose given the tripe he appears in it's all his audience can stand.

Basically what I'm saying is if you see Vinnie Jones on the cast list, advoid like the plague. Take some laxatives and a book to the toilet - you'll have a much more enjoyable time.

...to be said about this. Absolutely terrible. Poor script and script direction, some awful acting and a story thats about as original as Vinnie Jones' look.

Not sure whether Clayton should stick to acting or directing, or, maybe even find himself a new vocation.

Tell me Mr Clayton - what's the need for a cigarette throughout the film?

A movie to avoid.

Story - 0.50 :: Direction - 1.00 :: Pacing - 1.25 :: Performances - 1.00 :: Entertainment - 1.25 TOTAL - 5/10

Not every film needs to stimulate the mind. Some merely need to deliver car chases, gunfire, and Vinnie Jones doing his best impression of a man who has just been cut off at the bar. This is that film.

The plot is action-movie paint-by-numbers: an unnamed anti-hero steals from a deranged crime boss, unknowingly picks up said boss's pregnant wife, and suddenly finds himself pursued by a madman with no moral compass and a deep personal investment in retrieving his family and fortune. Cue the requisite chaos, violence, and a shadowy hitman named "The Frenchman" because, of course, there is.

The writing, courtesy of Cooper Bibaud, Danny Mac, and James Clayton, is nothing if not predictable. The characters are stock action figures: the reluctant hero, the unhinged villain, the enigmatic assassin. Originality is nowhere to be found, but at least James Clayton's direction injects some energy into the proceedings. His use of tempo shifts and creative camera angles make the relentless action more engaging than it has any right to be.

As for performances, Vinnie Jones reigns supreme, which is another way of saying that the acting is functional at best. He glares, he growls, he explodes into violence; he is every Vinnie Jones character ever, and honestly, that is half the fun. The rest of the cast do their best with what they are given, but with characters this thinly drawn, their efforts can only go so far.

Is it good? Not really. Is it entertaining? Absolutely. This is cinematic junk food: it will not nourish the mind, but it will satisfy that craving for mindless mayhem.

No less than 30 reviews were posted on June 14, 2022. All them rated this movie a 10. Yet when I submit this, I'll be sent an email stating that some admins are going to parse mine before it's posted. I gotta chuckle outta that.

Alright, so we all know there are a handful of movies out of the tens of thousands that have been produced in the history of film that actually rate a 10. This ain't one of them.

This is one of the better Vinnie Jones films out of everything that's been released over the past decade. He does "Vinnie Jones" in this pretty well. In a lot of the others he seems to force the character. What else is he going to do? He's been typecast into the role.

Aside from nothing being original, from the script, the soundtrack, and the cinematography, it at least was a smooth ride from beginning to end. There were no noticeably huge plot holes, and the continuity of the film seemed bang on.

Not too deep, paced to keep me interested, I guarantee you've seen worse.