Un jeune homme qui a été condamné à sept ans de prison pour avoir dévalisé un bureau de poste finit par passer trois décennies en cellule d'isolement. Pendant ce temps, sa propre personnalit... Tout lireUn jeune homme qui a été condamné à sept ans de prison pour avoir dévalisé un bureau de poste finit par passer trois décennies en cellule d'isolement. Pendant ce temps, sa propre personnalité est supplantée par son alter-ego, Charles Bronson.Un jeune homme qui a été condamné à sept ans de prison pour avoir dévalisé un bureau de poste finit par passer trois décennies en cellule d'isolement. Pendant ce temps, sa propre personnalité est supplantée par son alter-ego, Charles Bronson.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 7 nominations au total
- Nurse 1
- (as Mark Davenport)
Avis à la une
Which is good, because the story isn't up to much. It's a loose dramatisation of the life of Michael Peterson, a man who robbed a post office and ended up becoming Charles Bronson, one of the most famous convicts of all time. To be honest, the events aren't all that interesting, and in other hands the continuous brawls with prison officers could become repetitive. Thank Heaven then for the presence of Nicolas Winding Refn (VALHALLA RISING) as director. This is a guy who understands cinema and the beauty of cinema, and he makes the film intensely watchable as a result. BRONSON looks a thing of beauty, even if that beauty is stark, brutal and minimalistic.
Born Michael Peterson (Tom Hardy), in a British suburb in 1952, he first went to prison at the age of 22 for burglarizing a post office. He stole £26.18 and received seven years for the crime, but that sentence was quickly extended as Peterson's infractions inside began to pile up: insubordination, violence, blackmail, and multiple hostage situations. Michael is gradually swallowed up by the prison system, seemingly an environment that suits him best. It is during this time that Michael Petersen, the boy, fades, and 'Charles Bronson,' his superstar alter ego, takes over. Bronson occupies any territory in which he exists by sheer, brute, force. Bronson's first and only instinct is to fight, to capture, and to win. He never makes it to phase two of planning. He has now spent more than three decades in jail, with the majority of those years in solitary confinement, and has become a tabloid sensation as the "most violent prisoner in Britain."
The film is impressively structured and edited, shot in dark tones--illustrating his theme that Bronson is "an artist looking for a canvas," whose search is frequently violent, crazy, and erratic. The director is Nicolas Winding Refn, most famous for the movie "Drive" (2011), and his "Pusher" trilogy of films about Copenhagen's violent, multi-ethnic underworld. Refn himself is something of a rebel, who brings a sharp, surreal, foreign eye to the film.
The film solely rests upon the astonishing performance from an almost unrecognizable Tom Hardy. Bronson never asks for our sympathy for his situation, but somehow, at times, he is able to do just that. Hardy brings a raw physicality to the role, leaping naked about his cell, jumping from tables, and hurling himself into half a dozen guards. Unfortunately, the film never gets under the skin of Bronson and his motivations. It omits other facets of his life including the Muslim woman he married in jail, his conversion to Islam, and the subsequent renouncement of the awards he won for his art and poetry.
Enduring the egotistical ramblings of a psychopath may not sound like a particularly entertaining prospect, but "Bronson" delivers on all fronts. Gripping, visceral, ugly, and beautiful, "Bronson" is simply unforgettable.
The man, which the British press calls 'the most violent prisoner in Britain," is one of the most complex, and highly disturbing characters to be depicted on screen this year. He always wanted to famous, Hardy states with such charisma at the opening of the film, but he can't sing, he can't dance, so he creates an alter ego during his time as a boxer prior to his prison sentence. Though the film is loosely based on the real man and his story, it doesn't matter, Refn treats the film with such artistic integrity and takes chances that most directors hope to accomplish in their careers. The narrative, though over-whelming at times, is unyielding in the manner in which it's told. For the most part however, Tom Hardy's gritty and aggressive performance will go down as one of the best kept secrets of 2009.
In watching the picture, the co-stars are nearly invisible as Hardy takes control of the screen and your attention. He enables the viewer to devote their time and energy with fear of severe consequences in not doing so. Hardy is an incredible talent and not sure if you'll see a more devoted actor to a character on film this year.
Refn's choice of music that fills the scenes with torment, discomfort, and sheer violence is a brilliance shown in his armor. Bronson is pure entertainment, and though it doesn't provide any moral or social significance in the acts of our lives, it's an admiral effort by British cinema.
***/****
Bronson was initially incarcerated for seven years for the robbery of a post office where he stole £26.18. However he has spent 34 years in prison and psychiatric wards so far, and is still there, spending 30 of them in solitary confinement. He has been involved in fighting, brawls and hostage taking which led to his increased sentence, and he seems to enjoy it. No lives have been lost.
This is an excellent performance from Tom Hardy –funny, thoroughly engaging and intense. He physically transformed himself for this role and obviously studied Bronson vigorously to accurately portray his mannerisms.
A thoroughly compelling film. A must see!
Le saviez-vous
- AnecdotesCharles Bronson was not allowed to see the film, but said that if his mother liked it, that would be enough for him. According to Refn, his mother loved it. In 2011 Bronson was finally allowed to see the film and called it "theatrical, creative and brilliant".
- GaffesAt (11:00) The tutor asks Charles "What's the matter, Charlie?" But in this stage of the story Charles Bronson still had his original name Michael Peterson. He had not yet changed his name to Charles Bronson.
- Citations
Charles Bronson: [Real Life Charles Bronson Quote] How would you feel, waking up in the morning without a window? My window is a steel grid, I 'ave to put my lips against that steel grid and suck in air, that's my morning... 'cause I got no air in my cell. I have to eat, sleep and crap in that room twenty-three hours of a twenty-four hour day. You tell me, what human being deserves that? Apart from the stinking paedophile or a child killer. I don't deserve that, I done nothing on this planet to deserve that. My bed is four inches off the floor, it's a concrete bed, my toilet hasn't even got a seat on it or a lid, and I 'ave to live like this month after month after month, and the way it's looking it's year after year after year. Now is that's right then so be, but let somebody else 'ave a fucking go at it, 'cause I've had twenty-six years of this bollocks and it's time to come out, and I want the jury at my trail to come and see how I'm living. But I'm not living, I'm existing.
- ConnexionsFeatured in The Rotten Tomatoes Show: Zombieland/A Serious Man/Whip It (2009)
- Bandes originalesVa pensiero (Chorus of the Hebrew Slaves)
from Verdi's "Nabucco"
Written by Giuseppe Verdi
Performed by Orchestra e Coro del Teatro alla Scala (as Chorus and Orchestra of La Scala, Milan)
Conducted by Lovro von Matacic
Licensed courtesy of EMI Records Limited
Meilleurs choix
- How long is Bronson?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Bronson: el prisionero más peligroso
- Lieux de tournage
- Welbeck Abbey, Worksop, Nottinghamshire, Angleterre, Royaume-Uni(Rampton psychiatric hospital)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 230 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 104 979 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 940 $US
- 11 oct. 2009
- Montant brut mondial
- 2 260 712 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1