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Ajouter une intrigue dans votre langueProfessor Thurber loves to teach, but can't stand all the politicking. So when his opportunity for tenure is announced, he goes out on a limb to prove his worth, but unexpectedly falls in lo... Tout lireProfessor Thurber loves to teach, but can't stand all the politicking. So when his opportunity for tenure is announced, he goes out on a limb to prove his worth, but unexpectedly falls in love with the girl who might replace him.Professor Thurber loves to teach, but can't stand all the politicking. So when his opportunity for tenure is announced, he goes out on a limb to prove his worth, but unexpectedly falls in love with the girl who might replace him.
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This film was a delight to watch, but did get slow at parts. At parts you did feel a little bored, but something would come up to get your attention back for a bit. It had light humor, but it was a nice chuckle and relaxing. The cast in the film was pretty good. Luke Wilson was decent, but not his best role. Now they needed an actor to play a off the wall weird teacher who is obsessed with bigfoot. So they picked David Koechner, who at first I thought wouldn't fit, but he proved me wrong. Gretchen Mol played the main female role and she did a good job. The film is all about a teacher trying to get tenure. That in itself sounds like a boring piece of work, but luckily they did put some humor in the film. That is basically what David Koechner was for. Some scenes were a bit out of the ordinary, but it really fit with the film. This independent film didn't rely on anything crazy like special effects. Just nice dialog and a decent cast. This would be one of those nice Sunday afternoon movies to watch.
You know those movies featuring a total loser who's doing so bad that it actually becomes embarrassing? They're probably aimed at making us feel better about ourselves, the real losers, out there in that strange dimension called reality-land, trying to cheer us up that every loser can strike a happy ending and somehow, thanks to Hollywood magic, turn winner again... Well, "Tenure" is one of those, with the relatively fresh twist that our "hero" is a college teacher. He's great at teaching, but not really good at anything else. His students love him, but his colleagues hate him. Plus, his best friend falls into the category of "With friends like that, who needs enemies?" It's got heart, though, and though this film is by no means guaranteed to knock your socks off, if the same thing can be said of you, I mean, the "heart" thing, then you might like it. Especially if you've ever been in a situation trying to figure out how to get through to members of the younger generation, or you believe in Bigfoot, or you happen to like Gretchen Mol...
Luke Wilson does a very good job here. He makes us like him and we want him to succeed in all areas of his life. That seems to be the main point of the movie and the main reason to enjoy it.
I know David Koechner from several roles, but mainly as the likable loser on "Superior Donuts". Here, he is a loser, but I wouldn't say likable. I suppose we want him to succeed but almost know for certain he never will.
Gretchen Mol is adorable and intelligent, and while her character's failure would be good for Charlie, she just makes Elaine too nice and pleasant for us to really want that. Seeing her and Wilson together is one of the best things about the movie.
Sasha Alexander is nothing but unpleasant. That's it. Margaret has no redeeming qualities except she's a looker. That's how Jay described Elaine, but I didn't see it myself.
Bob Gunton does a good job (though there are no challenges connected with his character's apparent problems) and I found myself wanting the film to focus more on him and the relationship between William and Charlie. I didn't care if the movie wasn't always funny.
William Bogert as the dean is sort of the absent-minded professor and makes us sort of like him, though not always.
The actors playing three of the students also made us like them. Even Ben, sort of the class clown, who doesn't have nearly enough lines.
Some of the music is classical and nice to listen to. But I particularly liked the "a capella" sound that was so much a part of the background music of the TV series "Glee" and a big part of the "Pitch Perfect" movies. This style was played at the movie's start.
Is this family friendly? In version I saw part of the sign for the presentation of a product is blurry, and every time the product name is mentioned it is bleeped. Let's just say it helps men who are having trouble with women. Later, this product is the subject of a hilarious scene in ... I'd better let you find out. Also, I have reason to suspect the F-word was used a lot. Cleaned up for TV, it's not really too bad.
I enjoyed this, though I have seen better.
I know David Koechner from several roles, but mainly as the likable loser on "Superior Donuts". Here, he is a loser, but I wouldn't say likable. I suppose we want him to succeed but almost know for certain he never will.
Gretchen Mol is adorable and intelligent, and while her character's failure would be good for Charlie, she just makes Elaine too nice and pleasant for us to really want that. Seeing her and Wilson together is one of the best things about the movie.
Sasha Alexander is nothing but unpleasant. That's it. Margaret has no redeeming qualities except she's a looker. That's how Jay described Elaine, but I didn't see it myself.
Bob Gunton does a good job (though there are no challenges connected with his character's apparent problems) and I found myself wanting the film to focus more on him and the relationship between William and Charlie. I didn't care if the movie wasn't always funny.
William Bogert as the dean is sort of the absent-minded professor and makes us sort of like him, though not always.
The actors playing three of the students also made us like them. Even Ben, sort of the class clown, who doesn't have nearly enough lines.
Some of the music is classical and nice to listen to. But I particularly liked the "a capella" sound that was so much a part of the background music of the TV series "Glee" and a big part of the "Pitch Perfect" movies. This style was played at the movie's start.
Is this family friendly? In version I saw part of the sign for the presentation of a product is blurry, and every time the product name is mentioned it is bleeped. Let's just say it helps men who are having trouble with women. Later, this product is the subject of a hilarious scene in ... I'd better let you find out. Also, I have reason to suspect the F-word was used a lot. Cleaned up for TV, it's not really too bad.
I enjoyed this, though I have seen better.
Smart little film about a college teacher (Wilson) facing tenure review. He's a great teacher but has barely been published and is not enough of a politician. Along comes a new assistant professor (Mol) from Yale of all places, and now he's facing competition. His best buddy, a slightly deranged anthropology teacher (Koechner), convinces him to sabotage the new arrival at every turn. Problem is, the new arrival is unsure of herself and the two "competitors" become friends. Wilson is perfect in his role, and Koechner is wonderfully daffy as a Sasquatch worshiper. Mol is pretty, but truthfully isn't given that much to do. There's a nice ongoing bit about Wilson's character and his aging dad (Gunton), who unhappily resides in a nursing home. Filmed on the campus of Bryn Mawr. Very relaxed, nothing artificial, nothing forced, to the very end.
Mike Million's 'Tenure' gives the impression that it's a university campus comedy. I found the premise refreshing and appealing. The problem is that the comedy parts are just not that funny and Million tries too much to make it quirky funny to the point that it backfires as he goes way over the top and tumbles down.
I found the Jay Hadley character very annoying and not to be a very believable professor. The Rosemarie DeWitt track also felt out-of-place. The movie should have just stayed focused on the key character Charlie Thurber. Many people of his age would be able to relate to what he's going through. I liked the Million avoids clichés in places. For example, the Teacher's pet sequence was well done.
On the technical side, the score is pretty good and the camera captures the simplicity and beauty of the location. The woods and countryside are nice to look at. The pacing is very slow, especially at the beginning. Luke Wilson is terrific. His restrained performance as Charlie makes the character all the more real. And if this film is worth watching then it's mostly because of him. David Koechner does his best with an ill-written character. Gretchen Mol is cute and likable. Sasha Alexander is wasted.
Overall, it's not as bad as many reviewers have made it out to be but it could have easily been a lot better.
I found the Jay Hadley character very annoying and not to be a very believable professor. The Rosemarie DeWitt track also felt out-of-place. The movie should have just stayed focused on the key character Charlie Thurber. Many people of his age would be able to relate to what he's going through. I liked the Million avoids clichés in places. For example, the Teacher's pet sequence was well done.
On the technical side, the score is pretty good and the camera captures the simplicity and beauty of the location. The woods and countryside are nice to look at. The pacing is very slow, especially at the beginning. Luke Wilson is terrific. His restrained performance as Charlie makes the character all the more real. And if this film is worth watching then it's mostly because of him. David Koechner does his best with an ill-written character. Gretchen Mol is cute and likable. Sasha Alexander is wasted.
Overall, it's not as bad as many reviewers have made it out to be but it could have easily been a lot better.
Le saviez-vous
- AnecdotesLuke Wilson and David Koechner appeared in Anchorman: The Legend of Ron Burgundy (2004).
- Crédits fousThe opening credits resemble a paper being marked up by, for example, a teacher, with full on red pen marks, highlighters, marks of approval, proofreader marks, cookie crumbs, and even a coffee cup stain.
- Versions alternativesThere are two versions of this film. Runtimes are: "1h 29m (89 min) (United States)" and "1h 30m (90 min) (European Film Market) ".(Germany)
- ConnexionsFeatures In Search of... (1976)
- Bandes originalesCan't Seem To Fly
Written and performed by Al Gross and Pete Surdoval
Published by Revision West/Red Engine Music
Courtesy of Marc Ferrari/Mastersource
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- How long is Tenure?Alimenté par Alexa
Détails
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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