Une vie

I've been on a bit of a spree of Jewish themed films of late, trying to inject a bit of hope in between the inevitable darkness. Going from Shoah to Yentl and The Zone of Interest to One Life, which I think will likely bridge the horror with some lasting positivity... hopefully. I say this, as like many, I'm aware of Nicolas Winton from his appearance on That's Life! A stunning piece of television that will stick with anyone who remembers it being broadcast. I was very young though and I'm sure there's more to the story than I recall. Winton was a man who saw what the Nazis were up to, whilst many were covering their eyes and was moved to do something. That something was the Kindertransport or more accurately an extension of it. One Life is based on his true story and it doesn't shy on the details. We first meet an older Nicolas (Anthony Hopkins), doddering perhaps, slowing down a little but still motivated to help. Haunted by his past. You don't unsee the things he's seen. As he stares into a darkened window, we drift back to the 30s, where he's played by Johnny Flynn, trying to convince his mother (Helena Bonham Carter) that it's a good idea for him to travel to Czechoslovakia to help the refugees from the advancing Nazis. Flynn not only portrays Winton magnificently, he also feels perfectly in step with Hopkins. He's a bit of a chameleon. Nicolas though isn't on the surface. He's a well to do stockbroker. A desk man. Head in paperwork type. The harsh Prague winter is not what he was prepared for, but he learns quickly that without help, these displaced people have been forgotten by the system. The British government is not helping Czechoslovakians. When Nicolas is quizzed as to his motives, what skin he has in the game. His response is gripping. Heartfelt, unwavering, determined and spine tingling. The scenes of people saying goodbye at train stations, children with numbers on cardboard around their necks are intercut with the bureaucracy that Nicolas, friends and his mother navigate with steely determination as a score of thick string and piano laden melancholy fills the score. It's this drive/melancholy that defines Nicolas. The drive is his nature, the melancholy what he's left with when there's time think. It's this time that dictates older Nicolas's life. He realises there's sadly still a lesson to be learnt. This timeline isn't perhaps as fraught and terrifying, but it's what lead to that TV moment, this film and Anthony Hopkins reducing me to tears. The pace is kept up by jumping between Hopkins and Flynn in the eras of his life, where although some things have changed, the focus hasn't. It's not an easy watch, amazing as it is what they're doing, as Babi Winton (Bonham Carter) says "Nicky, you must know you can't save them all". What a world we live in. Where this happened and still the danger persists. Thank god for people like Nicolas Winton. A magnificent story brought about by the evil that people are capable of.

Turn on the news and what do you see? Man's inhumanity to man. Ukraine, Gaza etc etc. It's enough to make you lose faith in the human race - or it would be were it not for the occasional story of humanity at its best.

In Czechoslovakia in 1938-9, a small group of people (Nicholas Winton is the best known as he was the last survivor of that group) are appalled by the plight of mainly Jewish refugees, and resolve to do something. Despite opposition from governments (German, Dutch, British and American) they manage to evacuate 669 children and provide them with foster families in the UK, where many of their descendants live to this day. A further 250 children were on a train that was scheduled to leave on the day war was declared. Two of them were still alive at the war's end.

Then the story was forgotten for more than forty years, until at last Nicholas Winton was given the recognition he deserved (not the least astonishing part of the story is that Robert Maxwell did one decent thing in his life).

The film is in two parts; the younger Winton being played by Johnny Flynn, the older by Anthony Hopkins. Both give stand-out performances. Also excellent is Helena Bonham Carter as Winton's mother. The scene where she tells a bureaucrat what she thinks of him is priceless.

But the most important aspect of the film is its message. Human kindness is still a force in the world. Everyone can make a difference. No good deed, be it great or small, is ever wasted.

If only governments were run by people like Nicholas Winton.

I rarely concern myself with the opinions of others, especially professional critics, but some of the negative reviews I've read about this are churlish to say the least. I think one of the big positives of this film is that it just tells the story. Most of us in UK probably know the story of Sir Nicholas Winton and how he organised the transport of 669 Czech Jewish children to relative safety in the UK in the face of the Nazi onslaught in the Sudetenland and Czechoslovakia. Despite what some suggest, it clearly shows that this is a team effort led by Winton's persistence and determination; it does not make him out to be the sole hero. However, as important as the evacuations is the story about how it came into the British consciousness via the quirky 1970s BBC TV show, 'That's Life.' It truly is something that needed to be told, then and now, and is done so in a suitably serious nut heartwarming manner. Do go and see it and do be prepared for the final scenes.

Anthony Hopkins excels in the lead role, showing he's still magnetic well into his 80s and he's ably supported by Johnny Flynn playing him as a younger man and it's good to see Lena Olin again on the screen, playing his wife.

It's a solid drama that will appeal to the same target audience that made The Great Escaper,Operation Mincemeat,Dirty Little Letters etc popular; the older generation- and there's nothing wrong with, at least their going to the movies!

I knew about the Kindertransport but not fully; this film dutifully tells the story and it has the same level of tension that Munich: The Edge of War had ,countries being invaded as a set up to tell humane stories.

The classic TV recreation on' This Life' was well done and moving.

This is truly an exceptional piece of work. Having seen the trailer it could've easily been made to look and feel quite tacky but I was genuinely surprised and extremely impressed by what has been accomplished. Every step of the production was presented exactly as you would want from a time period piece and I don't recall seeing any cgi at all and certainly none which could've potentially shattered the illusion. The commitment of the actors, both past and present versions were magnificent and made you completely believe their situations. The story is an exceptional one and I'm glad that it has been told in exactly the way it was & it absolutely destroyed me & I don't think there was a dry eye left from anyone in the cinema screening that I watched it in. Anything which gives me the immediate emotional reaction that this did means that it deserves a full 5 stars.