Ajouter une intrigue dans votre langueTen of the greatest filmmakers in the world passionately discuss their craft in Angela Ismailos' hugely entertaining documentary GREAT DIRECTORS.Ten of the greatest filmmakers in the world passionately discuss their craft in Angela Ismailos' hugely entertaining documentary GREAT DIRECTORS.Ten of the greatest filmmakers in the world passionately discuss their craft in Angela Ismailos' hugely entertaining documentary GREAT DIRECTORS.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Charlotte Alexandra
- Alice Bonnard (clip from Une vraie jeune fille (1976))
- (images d'archives)
- (non crédité)
Harriet Andersson
- Anne (clip from Gycklarnas afton (1953))
- (images d'archives)
- (non crédité)
Jeanne Bates
- Mrs. X (clip from Eraserhead (1977))
- (images d'archives)
- (non crédité)
Jean-Paul Belmondo
- Michele Di Libero
- (images d'archives)
- (non crédité)
Dirk Bogarde
- Max (clip from Il portiere di notte (1974))
- (images d'archives)
- (non crédité)
Nell Campbell
- Columbia - A Groupie (clip from The Rocky Horror Picture Show (1975))
- (images d'archives)
- (non crédité)
Commentaire à la une
Incredibly difficult not to make a bad pun out of the title...
The Great Directors takes 90 minutes to interview great directions, for which there is no discernible criteria. Squeezed into this run time is a bunch of conversations, some much more elucidating than others. Although the typical film buff might be interested to see so many voices collected in one sitting, the film comes off often as incoherent. The director, to quote another review, "awkwardly squeezes herself into one too many frames", often distracting from the real point. It does not help, again as others have noted, she rarely gets to the heart of the matter. Richard Linklater, in his grand total of 5 minutes, talks about the mixed reception of The Newton Boys but it comes more more as smarmy than education. Likewise his talk on growing up poor encouraging him to become an independent filmmaker does not gel well with the more self- effacing wit of a character like Agnes Varda.
Sometimes these filmmakers talk about their influences. The documentarian and Todd Haynes agree on the power of R.W. Fassbinder's work and segue into it. It's clear just how much Haynes respects the man but this comes off almost as inconsequential. We don't really hear Lynch or Sayles talk about their formative influences so it leaves one wondering where all these conversations are being generated from.
To summarize, one could easily find more interesting material from these filmmakers by watching more personal interviews or.. heck, just watching their movies.
The Great Directors takes 90 minutes to interview great directions, for which there is no discernible criteria. Squeezed into this run time is a bunch of conversations, some much more elucidating than others. Although the typical film buff might be interested to see so many voices collected in one sitting, the film comes off often as incoherent. The director, to quote another review, "awkwardly squeezes herself into one too many frames", often distracting from the real point. It does not help, again as others have noted, she rarely gets to the heart of the matter. Richard Linklater, in his grand total of 5 minutes, talks about the mixed reception of The Newton Boys but it comes more more as smarmy than education. Likewise his talk on growing up poor encouraging him to become an independent filmmaker does not gel well with the more self- effacing wit of a character like Agnes Varda.
Sometimes these filmmakers talk about their influences. The documentarian and Todd Haynes agree on the power of R.W. Fassbinder's work and segue into it. It's clear just how much Haynes respects the man but this comes off almost as inconsequential. We don't really hear Lynch or Sayles talk about their formative influences so it leaves one wondering where all these conversations are being generated from.
To summarize, one could easily find more interesting material from these filmmakers by watching more personal interviews or.. heck, just watching their movies.
- The_Manchurian_Nominee
- 10 juil. 2010
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Nagy filmrendezők
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 17 921 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 440 $US
- 4 juil. 2010
- Montant brut mondial
- 17 921 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
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By what name was Great Directors (2009) officially released in Canada in English?
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