Dans un avenir où les gens cessent de vieillir à 25 ans, mais sont conçus pour ne vivre qu'une année de plus, avoir les moyens de se sortir de la situation donne une occasion d'obtenir la je... Tout lireDans un avenir où les gens cessent de vieillir à 25 ans, mais sont conçus pour ne vivre qu'une année de plus, avoir les moyens de se sortir de la situation donne une occasion d'obtenir la jeunesse immortelle. Will Salas se retrouve accusé de meurtre et en fuite avec un otage - un... Tout lireDans un avenir où les gens cessent de vieillir à 25 ans, mais sont conçus pour ne vivre qu'une année de plus, avoir les moyens de se sortir de la situation donne une occasion d'obtenir la jeunesse immortelle. Will Salas se retrouve accusé de meurtre et en fuite avec un otage - un lien qui devient un élément important de la lutte contre le système.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
On the plus side is Justin Timberlake coming back and showing that his misstep in Bad Teacher (2011) was just one of those embarrassing Hollywood screw ups. Timberlake has real drama and acting talent and is definitely here for the long haul. (Too bad Elvis was never given such chances.) Timberlake gave us a glimpse of his depth last year in The Social Newtwork (2010) , but his talents were not fully developed for Friends with Benefits (2011).
The script starts with the eerie, sobering reminder, and all too familiar words, "We don't have time...we don't have time..." Think if today you had to buy everything with time, instead of bank credit or cash. Coffee costs four minutes. A bus ride costs an hour. A car costs two years. People can give or take time from each other. Just don't run out of time or you will die on the spot. If this were real, would you treasure and spend time more wisely? The real interesting question may be that time really is the currency we live by now, we just fail to see it that way. The simple fact is that you can earn countless piles of cash and gold in this world, but you really cannot buy time. Despite the wealthy in today's world sometimes being able to cheat a few years with better health care, we all are going to die in the same average years.
While the script is the superficial tale of Will Salas (Timberlake) and his Mom (Wilde) trying to pass time in a futuristic world, the messages of the film go far deeper. It is really a tale of class warfare. People who have time, like the mega "eonaire" Phillipe Weis (Katheiser) and his rich daughter Sylvia (Seyfried) and those who constantly struggle to keep time (or run out of it) like the Salas family. Will gets the chance to move up into a better time zone thanks to a man who has just decided that after a hundred years or so, he prefers to "time out." He leaves Will the prophetic warning "Don't waste my time." How Will chooses to spend his time, for himself or for the benefit of all, is now the story.
I really did not mind that the future depicted in this film was not futuristic looking and all the cars were vintage 1970's models with updated lighting and electric sounding motors. It saved a huge budget rather than try to make the world look like it probably will in 2013 or so. And I think the point was that the future is really now.
As an entertaining film, my 7.5 rating is spot on. As a thought provoking experience, I might have given it a 10.0. After seeing this film, you should go out and visit with friends. Your own clock is ticking down. Are you really using it wisely? Unlike the time down clock on the arm of the people in this film, you never know when your time is about up.
This film...it's worth your time.
The story is simple. Time is the commodity in the future. But the best part is how the filmmaker show the audience how to use this commodity in normal everyday life. How much time you pay for certain things, where to get extra time, etc. Simply brilliant.
I never cared too much about Timberlake before, but his performance in Social Network caught my attention, and In Time further proves that he can act. The pace can be quite a drag here and there, but its full of suspense all the way, many chase scenes and all.
For those of you who are tired of prequels, sequels, three-quels, superheros, robots, aliens, etc, give In Time a shot, its definitely worth your time. The most original movie this year. 109 minutes is a commodity well-spent.
The cinematography is visually stunning, with proficient use of lighting in both daylight and night scenes, although the lighting in some club scenes feels a bit off. The film makes effective use of medium and long shots, complemented by great editing, particularly in the car chase scenes, which are thrilling and well-executed.
However, the editing feels clumsy and choppy at times, detracting from the overall experience. The pacing is intentionally rushed, aligning with the protagonist's characteristics. Despite enjoying the film, it feels like there are missed opportunities, especially in exploring its rich concept.
The writing captures the dystopian feel well, with time as the currency in a world where the poor and the rich are starkly divided. The film raises philosophical questions about life, death, time, justice, generosity, capitalism, poverty, morality, and trust. The dialogue is engaging, but the concept sometimes feels underdeveloped, lacking depth and straightforwardness.
The chase and fight scenes are entertaining, and the production design, with its contemporary buildings and futuristic cars and clothing, enhances the film's atmosphere. The soundtrack is unique, with a calm, mellow, and slightly electronic touch, featuring gritty bass lines and a dystopian feel. It's not generic but purposeful in its composition.
This film feels like a school project with a high budget. It could have benefited from extended scenes and more action sequences to fully explore its potential.
Overall, In Time is an interesting watch with visually stunning cinematography and a unique concept. Strong 6/10, decent 7/10.
The plot for this film is very unique, I don't think I've ever seen anything quite like this. There was a lot of familiar actors in this (Cillian Murphy, Johnny Galecki, Vincent Kartheiser to name a few). The acting was very good overall I thought, even from Justin Timberlake in the lead role.
There was some good drama as well as good action scenes (car chases, shooting etc). It is the sort of film that will keep you guessing as to what will happen next and it was just a very interesting concept overall.
It would have been nice if there was a bit more back story though, it was never really explained why the world was like it was. Apart from that, just take it for what it is and enjoy it.
Would recommend it to anyone who fancies watching something a bit different.
8/10.
But I enjoyed this twist on the same old action movie. It even starts with some thoughts on philosophy. A rich boy finds himself in a poor man's bar where everybody wants a piece of him, so much so that his considerable wealth and time line are in danger. While the poor are in constant need of money, it turns out that the rich don't have the same drives for life. This rich guy is impressed by Will's (Justin Timberlake) honesty and earnest desire to find out how the other side lives. Will is then faced with the possibility of an infinite life time of money.
From there, we get a Robin Hood action movie. Will pairs up with a daddy's girl vixen, Sylvia (Amanda Seyfried) and they are on the run from the time keepers (Cillian Murphy). I have enjoyed Timberlake's recent foray into the world of movie stars, but I like him more as a comedic straight man than as an action hero. Seyfried, on the other hand, proves that she can play pretty much anything. A mysteriously innocent, sharp-shooting, sexy action girl suits her well.
The logic that this new world presents is pretty easy to figure out, but as you are doing that at least you are distracted from the usual action movie set-up. Hollywood has ventured again into the science fiction romance genre, and has again come out with an intelligent, action-packed film with something for everyone.
Le saviez-vous
- AnecdotesThe film takes place in 2169.
- GaffesWhen congratulating his mother with her 50th birthday Will says: "25 for the 25th time". However 25 for the 25th time would be her 49th birthday. On her 50th birthday she turns 25 for the 26th time.
- Citations
Henry Hamilton: How old are you? In real time?
Will Salas: 28.
Henry Hamilton: I'm 105.
Will Salas: Good for you. You won't see 106, you have too many more nights like tonight.
Henry Hamilton: You are right. But the day comes when you've had enough. Your mind can be spent, even if your body's not. We want to die. We need to.
Will Salas: That's your problem? You've been alive too long? You ever known anyone who's died?
Henry Hamilton: For a few to be immortal, many must die.
Will Salas: What the hell is that supposed to mean?
Henry Hamilton: You really don't know, do you? Everyone can't live forever. Where would we put them? Why do you think there are time zones? Why do you think taxes and prices go up the same day in the ghetto? The cost of living keeps rising to make sure people keep dying. How else could there be men with a million years while most live day to day? But the truth is... there's more than enough. No one has to die before their time. If you had as much time as I have on that clock, what would you do with it?
Will Salas: I'd stop watching it. I can tell you one thing. If I had all that time, I sure as hell wouldn't waste it.
- Crédits fousIn the start and end credits, some letters such as O and I, begin as numbers which count down to 0 or 1.
- ConnexionsFeatured in In Time: The Minutes (2005)
- Bandes originalesMi Swing es Tropical (Zeb's Reggae Remix)
Written by Nickodemus (as Nicolas DeSimone), Hector Alomar and William Holland
Performed by Nickodemus and Quantic featuring Hector "Tempo Alomar"
Courtesy of Wonderwheel Records
By arrangement with Visions from the Roof
Meilleurs choix
Everything New on HBO Max in July
Everything New on HBO Max in July
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- El precio del mañana
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 37 520 095 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 050 368 $US
- 30 oct. 2011
- Montant brut mondial
- 173 930 596 $US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1