NOTE IMDb
6,4/10
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MA NOTE
Emily se rend à Miami dans l'espoir de devenir danseuse professionnelle. Elle tombe sous le charme de Sean, le chef d'une troupe de danse, dont le quartier est menacé par les plans de dévelo... Tout lireEmily se rend à Miami dans l'espoir de devenir danseuse professionnelle. Elle tombe sous le charme de Sean, le chef d'une troupe de danse, dont le quartier est menacé par les plans de développement du père d'Emily.Emily se rend à Miami dans l'espoir de devenir danseuse professionnelle. Elle tombe sous le charme de Sean, le chef d'une troupe de danse, dont le quartier est menacé par les plans de développement du père d'Emily.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Misha Gabriel Hamilton
- Eddy
- (as Misha Gabriel)
Stephen Boss
- Jason
- (as Stephen 'tWitch' Boss)
Chris Charles Herbert
- Lamborghini Driver
- (as Chris Charles)
Avis à la une
When I stepped into the theater to see Step Up Revolution, I expected cutting-edge dance. I got it and maybe better than I expected with robust routines blending 3-D performance and modern art to tell a story that moves from public display to public mission.
"The Mob" is a flash mob secretly doing percussive urban choreography at different times in Miami to publish the dance on YouTube and win $100K for the most hits. The opening sequence using vintage low-riders in a traffic jam is spectacular, a muscular routine using very physical dance and very physical automobiles for an enjoyable fusion of art and pop culture.
Look, this is not Flashdance or Dirty Dancing, and Emily (Kathryn McCormick) is not Jennifer Beals, nor is Sean (Ryan Guzman) Patrick Swayze (or Channing Tatum from the first installment), but they are attractive performers given simple dialogue but dynamic modern film dancing that uses creative camera angles and minimal CGI to tell a pleasant formulaic story. In other words, I was entertained by the dancing and found the screenplay clichéd.
Emily's dad, Mr. Anderson (Peter Gallagher, the only true actor in the lot), plans to build a giant complex right in the hood of the dancers, a place romanticized for the purposes of the story but in reality a poor wharf community. The Mob, along with Emily, fights to preserve the area using flash mob to tell their story to the city to stop the construction. The set pieces are uniformly exciting and executed with such energy as to evoke the passions of youth and protest.
The story and the dialogue are pedestrian, but that dancing is so magnetic that I might go back and see the first three films in the series and maybe Footloose and maybe even West Side story and Strictly Ballroom.
If for nothing else, Step Up Revolution keeps alive the romantic dance movie genre with some steps even Fred Astaire wouldn't recognize. Now that's revolution.
"The Mob" is a flash mob secretly doing percussive urban choreography at different times in Miami to publish the dance on YouTube and win $100K for the most hits. The opening sequence using vintage low-riders in a traffic jam is spectacular, a muscular routine using very physical dance and very physical automobiles for an enjoyable fusion of art and pop culture.
Look, this is not Flashdance or Dirty Dancing, and Emily (Kathryn McCormick) is not Jennifer Beals, nor is Sean (Ryan Guzman) Patrick Swayze (or Channing Tatum from the first installment), but they are attractive performers given simple dialogue but dynamic modern film dancing that uses creative camera angles and minimal CGI to tell a pleasant formulaic story. In other words, I was entertained by the dancing and found the screenplay clichéd.
Emily's dad, Mr. Anderson (Peter Gallagher, the only true actor in the lot), plans to build a giant complex right in the hood of the dancers, a place romanticized for the purposes of the story but in reality a poor wharf community. The Mob, along with Emily, fights to preserve the area using flash mob to tell their story to the city to stop the construction. The set pieces are uniformly exciting and executed with such energy as to evoke the passions of youth and protest.
The story and the dialogue are pedestrian, but that dancing is so magnetic that I might go back and see the first three films in the series and maybe Footloose and maybe even West Side story and Strictly Ballroom.
If for nothing else, Step Up Revolution keeps alive the romantic dance movie genre with some steps even Fred Astaire wouldn't recognize. Now that's revolution.
Step Up Revolution is a must watch if you are street dancing fan. Dancing gets just better and political here! Tight moves, fancy footwork, blasting beats, spectacular group numbers n backdrop of glitzy Miami... There's no reason you won't enjoy this one. Oh yeah, someone knows how to take full advantage of 3D, from the opening scene to the end credits. Kudos to "The Mob" n entire crew. Must mention, the magic man in the background is our own Shaamak Davar. Overall, I would call it a triumph of sheer spectacle! Yes, my review doesn't go with the critics because what critics don't understand is, they don't make these things to win awards, they make them so we can have fun watching!
Strength of will and right attitude are the main ingredients for getting what you want. It is not always about being in the right place at the right time. But also making sure those two will meet you half way.
"Step Up Revolution" has for once broken the stigma created by movies where every teenage- dancing character has one and only thing in their minds: fame and fortune. This time they go a bit deeper in search of something more than self assurance or rebel behaviour, trying to bring justice to their people instead of thinking the world revolves around them. The music is not so catchy but the well choreographed flash-mob style performances are quite interesting. It's a good entertainment for dance lovers or anyone in the mood for a good time.
"Step Up Revolution" has for once broken the stigma created by movies where every teenage- dancing character has one and only thing in their minds: fame and fortune. This time they go a bit deeper in search of something more than self assurance or rebel behaviour, trying to bring justice to their people instead of thinking the world revolves around them. The music is not so catchy but the well choreographed flash-mob style performances are quite interesting. It's a good entertainment for dance lovers or anyone in the mood for a good time.
From Biscayne Bay to Watson Island, Miami is the star of the latest installment in the Step Up series. Lets hear it for the Production Designer and the Art Department. They really worked lots of technology and high style into this segment and I for one think the look is terrific!
the producers really scored landing Peter Gallagher as the Real Estate Developer Mr Anderson since the leads are relative unknowns. They say the first timers cut is the cheapest but we all know that delays add to the bottom line but lucky for Scott Speer the dancing and the sizzling hot locations save the show and make for one amazing ride into Miami. Music? check; Dancing? check, Ocean? check, Real life story? double check... so get ready to ENJOY your trip to Miami, it's worth the price of admission.
the producers really scored landing Peter Gallagher as the Real Estate Developer Mr Anderson since the leads are relative unknowns. They say the first timers cut is the cheapest but we all know that delays add to the bottom line but lucky for Scott Speer the dancing and the sizzling hot locations save the show and make for one amazing ride into Miami. Music? check; Dancing? check, Ocean? check, Real life story? double check... so get ready to ENJOY your trip to Miami, it's worth the price of admission.
I am shedding my weird, creepy hoody that I hide out with and telling everyone that I am a fan of the Step Up franchise. Yes I'm a little embarrassed and honestly I'm not saying the movies are good but as far as guilty pleasures go they are absolutely divine. With the exception of the first installment which although starred a young sexy Channing Tatum in his first lead role took it self way too seriously to be entertaining. And thats a huge reason why these films work because from it's superior sequel, best of the franchise and one of the best dance movies ever made Step Up 2 The Streets the movies have found this odd balance off fiery kinetic dancing, likable personalities, overly melodramatic and unintentionally funny performances, ferocious cinematography and hammy storytelling that just works. You laugh, you clap and sometimes you tear up at the clichéd and expected finale. This entry fares better than the last which was still pretty damn good. It centers on "The Mob" a dance group of struggling artists looking to make their mark on pop culture by staging creative dance mobs so that they can get 10,000,000 views on you tube and get a hefty $100,000 prize. (which split between the 50 person team isn't very much but I'll let it pass). Anyways he comes in contact with another struggling young dancer whose well not very struggling since her Daddy is a billionaire whose looking to tear down the middle/poor class neighborhood they live in and make it into a huge resort. Enter the film's interestingly semi fleshed out plot as they decide to change their flash mobs from breezy dance numbers to ones with meaning as they protest "The Man" so to speak. Of course their is some third act drama to cause a downward spiral before wrapping it up in the films inspired finale which was in fact inspired by the classic film The Warriors. The dancing is amazing and for the first time in the series they incorporate different styles of dance such as contemporary and modern to successfully winning measures. Kathryn McCormick of So you think you can dance has some crazy sizzle in the lead when it comes to her dancing but her acting is well questionable in the essence of I'm not actually sure that's what she's doing. Slightly more successful and way hotter is MMA fighter Ryan Guzman as the film's thankfully mostly shirtless leading man. He's got the body of a Greek god and the talent when it comes to dancing but hey let's just leave the acting out of this equation. You know there's a problem when the film's best performance dramatically is from Peter Gallagher as her over bearing, greedy Father. And watching the two of them together trying to force some type of connection is akin to watching erasers on a desk facing each other. That being said they are hot and very talented when dancing. And when they are it's fire. And thats basically the film as with the other installments when they try for the drama it's unintentionally funny and it works in a so bad it's good way but when they perform you see the kinetic, addictive energy that makes these films so endearing. 4/5
Le saviez-vous
- AnecdotesAdam Sevani, Mari Koda, and Chadd Smith make cameo appearances and have their own dance scenes in the film.
- GaffesWhen going to the party, there is a sign that says "no employees allowed". He removes the sign with a snatch and holds it in his hand. Next shot it's gone and is neither in his hand nor on the floor.
- Crédits fousThe Summit Entertainment logo gets spray-painted.
- Versions alternativesThe UK release was cut, the distributor chose to remove language (in this case, an inadequately obscured use of 'motherfucking' and an aggressive use of 'bitch') in order to obtain a PG classification. An uncut 12A classification was available.
- ConnexionsFeatured in The Big Review: Summer Trailer Park Series (2012)
- Bandes originalesMonday (The Glitch Mob Remix)
Written by Steve Nalepa, Justin Boreta, Edward Ma and Josh Mayer (as Joshua Mayer)
Performed by Steve Nalepa (as Nalepa) & The Glitch Mob
Courtesy of Glass Air Records LLC & Steve Nalepa Music
By arrangement with Zync Music Group LLC
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Step Up Revolution
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 33 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 35 074 677 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 731 708 $US
- 29 juil. 2012
- Montant brut mondial
- 140 470 746 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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By what name was Sexy Dance 4: Miami Heat (2012) officially released in India in Hindi?
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