Dernière nuit à Milan

Very nice movie! And I'm speaking from someone who usually doesn't like the genre and 8/10 hates the italian way of acting, sometimes very poor. From the intro with an amazing aerial view of Milan by night with a perfect, thrilling soundtrack, the plot unfolds in very clever way. I liked the flashback part, not exaggerated, just helpful to understand the story. The acting is pretty good, the rythm is perfect. The sound editing play the lion's share here: the music is truly remarkable, really "pulp", perfectly timed. This film for me was a huge surprise. You won't regret the choice. To be seen!

Even if I'm Italian, I usually don't like italian thrillers so much. Well, this one is very, very different. It makes you feel you're inside the movie the whole time, even if there are not so many extraordinary special effects or chase scenes. You can feel from the very beginning it has a wonderful screenplay, great direction and excellent soundtrack.

Almost all actors (Favino and Caridi on top) are really amazing in their characters! I only wish some of them had used a less pronounced southern accent, or at least to have the subtitles, because some of the clips (fortunately not too many) are really hard to follow if you are not from Calabria or Sicily.

A great story, but unfortunately poorly turned into a movie. The story has great potential but the script is quite cheap.

I like watching non-American movies, especially thrillers, so I started watching this movie with great anticipation. The scenes were so-so for the first few minutes and it almost put me off continuing to watch. It was only later in the film that it became clear why.

There are quite a few holes in the story that could have been shown much better, with more authenticity and more realistically shown. For example, when we see dozens of fellow cops at the crime scene, and the main protagonist is brought a glass of water by a forensics officer who has left the scene (would a forensics officer really leave a crime scene and bring water to someone who is hidden behind other people??) .

Too bad for a lost opportunity.

Mesmerizing opening with an aerial night view of Milano and the trademark giallo soundtrack which reminded me of Morricone: it must be in my top 50... maybe even higher.

Not an absolutely perfectly designed noir/police drama: I felt like I missed something that wasn't completely clear despite my efforts.

Also some scenes and parts of the screenplay were a little weak partly due to the attempt of creating authentic main characters - which is a rarity in today's marketing designed productions - partly for reasons I can't pinpoint but involve both the writer/director and the actors.

Yet it's been more than a year since I've watched something as compelling in the genre (which I'm a great fan of - as you can see from my list of over 1000 watched productions - and about which I'm starting to become hardly satisfiable).

Great music, maybe a little too dark and dramatic compared to the script, but that's nitpicking.

Photography as well tries to mimic the '70s style of giallos with its simple camera work and original lights/colors - though maybe indulging a bit too much with Milano postcards.

So if you love well designed and executed crime stories, you have to add it to your list.

The only unforgivable negative is the audio: 2/10. Better use subtitles in a language you know, because not even a mother tongue can get more than 95% of what is said in the original italian version. The most understandable italian is spoken by one asian character...

It's an 8, which means a 10 in the world of IMDB.

I saw his interview and he recommended to watch it because it is a good movie...and he was right!

Good picture, rythm and characters. Enjoyable couple of hours of entertainment.

I liked the way the movie starts with the initial scene with only music. Milan by night looks gorgeous and fascinating in this film. A kind of Gotham City with an italian cop instead of batman.

Funny dialogues in some scenes with strong southern italian accent. Direct and powerful screenplay with some interesting flashes back and forward.

Franco, the protagonist, is a credible character and his trip to hell and back keeps you stuck to the screen.