Bad Words: Concours de gros mots

The storyline allowed for a lot of funny moments and the movie definitely ran with it. It was hilarious and didn't stray from the plot to include any unneeded jokes (this is what draws me away from most comedies). The child, Chaitanya (Rohan Chand), was innocent and cute enough to provide a nice contrast to the unscrupulous Guy (Jason Bateman). With some heartwarming moments, this movie is more than just a rude comedy. The comedy is raunchy and vulgar though so it definitely takes a certain sense of humor to enjoy (sad to say that it is mine lol). Also, a little predictable, but that doesn't take away from the movie too much.

This is indeed racist and it's also misogynistic. Does this mean that a movie with those qualities can't be funny? The movie knows it's racist and (wow this word is overused lately) misogynistic . It's also extremely funny. If you know you can't see past certain things like that then I suggest you don't watch this movie. It's mean and and very crude and hilarious.

I was actually ashamed that I laughed at some of the jokes as I consider myself to be a good person but they are so shamelessly delivered by Bateman I just couldn't help myself. Young Rohan Chand was very likable and held his own with Bateman who knows first hand about what it takes to be a child actor. Turn off your media forced judgment and just enjoy the movie. Even assholes can be funny.

I was blown away by the surprisingly low "6.7" current rating on IMDb. My theory: The easily offended were easily offended (perhaps the movie should have been called "Bad Words").

(Some of my favorite comedies: Dumb & Dumber, Super Troopers, and Tommy Boy).

Jason Bateman stared in, and directed, this "tightly" constructed DARK adult comedy. There was not a wasted second or single "slow" moment in the entire 89 minutes.

Everything was dead-on: The originality of the storyline, the casting, the acting, the timing, the tone, and THE KID!... I've never been a big fan of the "cute, heart-strings-pulling, kid" cliché, but you don't have to be to appreciate this kid - he takes NOTHING away from the dark humor, and only adds substantially to the film in every way. His authenticity and interaction with Bateman's character is as good as it gets (Roeper compared Bateman's spot-on apathy to Bill Murray's, and I couldn't agree more - you could just as easily picture Murray working his magic with the same degree of unflappability, esp. opposite such a contrastingly upbeat kid).

Bateman is an unassuming Rock Star that let's his talents do the talking, and I'm looking forward to the next film he directs and leads.

Debuting feature director Jason Bateman stars here as Guy Trilby, a 40 year old former proofreader for product guarantees. One day he gets the bright idea to enroll in a national Spelling Bee. He's found a loophole which he can exploit, so he's off and running, competing against kids a quarter of his age. These include the annoying but endearing Chaitanya Chopra (Rohan Chand), a boy with a demanding, somewhat distant father. Despite being a wise ass and a potty mouth (as well as a man on a mission), Guy finds himself befriending the boy.

"Bad Words" is a gem for this viewer. On the surface, it would seem to be a standard tale of an ageing loser, with much of the raunchiness and vulgarity expected from that sort of thing. Well, the movie doesn't disappoint in that regard, but it also turns out to have a fair bit of heart, without going overboard on sentiment. Guy is an enigma for a long time, confounding the reporter (the sexy Kathryn Hahn) with whom he frequently ends up having sex. (During which she apparently doesn't like being looked at.) And the friendship that develops between the smart alecky adult and the earnest kid was written in an entertaining and convincing way. Not surprisingly, Guy introduces Chaitanya to such grown up delights as ogling breasts, as well as teaching him the joys of practical jokes.

The language is often colourful enough to generate some laughs, although "Bad Words" never does wallow in complete raunchiness or unpleasantness. The words chosen for the spelling bee are pretty damn amusing at times.

Bateman does a creditable job as director, as well as delivering an engaging performance. Hahn, Allison Janney, Philip Baker Hall, Ben Falcone, Steve Witting, Beth Grant, Anjul Nigam, and Bob Stephenson are among a rock solid supporting cast. Young Chand is very likable.

Overall, a smart, funny tale recommended to comedy lovers tired of the predilection towards political correctness in current times.

Eight out of 10.

It's very rare that I find myself lost in the narrative, characters and the comedy that I forget altogether that I am watching a movie intent on criticizing it. Jason Bateman's (Horrible Bosses, Up In the Air) directorial debut Bad Words did just that–allow me to lose myself to laugh so hard with such shocking moments that I almost forgot I had to review the film.

Bad Words is a short, sweet and unexpectedly dark comedy with instances of pure vulgarity and vileness that is at the same time, heartwarming–yes, you read that right.

For one, Bad Words was the first ever straight-up comedy I have ever experienced at TIFF. Of course, so many movies have heavy comedic instances, but I can assure you, Bad Words will have you laughing so hard, that at times, you'll find it hard to hear the next bit of dialogue (I'm warning you from experience).

The film opens with unexplained genius Guy Trilby (Jason Bateman) entering himself in a regional spelling bee, with a brief flashback explaining how he has been able to register legally. From the moment the movie starts, Bateman has the audience in tears and on the floor laughing, winning the regional bee sending him off to the national bee, in hot pursuit of all the angry parents and students who he beat at the regionals. Once Bateman makes it to the super bowl of spelling bees, The Golden Quill, along with his travelling documenting reporter (Kathryn Hahn, We're The Millers), hilarity and vulgarity ensue.

The mystery behind Trilby's anger with the world, constant bitterness and his obsession with winning the bee is at the centre of the film, along with his inability to allow anyone get close enough for him to care, drive the narrative. The blend of Bateman's dark direction and stylistic choices, along with screenwriter Andrew Dodge's fiercely morbid dialogue allow for the experience to be natural and so unexpected.

I have no idea if either Bateman or Dodge were inspired at all with the work of Bobcat Goldthwait (World's Greatest Dad, God Bless America) and his darkly satirical body of work, but if I was told that was another addition to that list of black comedy, I would not doubt it. The envelope is constantly being pushed in Bad Words. Each character Trilby interacts with, whether it be for an extended period of time, or just shortly, Bateman nails each and every scene with a natural sense of arrogance. Trilby's scenes with "slumdog" (Rohan Chand), a lonely prostitute on the street, or a victimized man going to a washroom stall, are some of the best in the film.

Bateman undoubtedly has a keen eye for comedy. Rude, crude and sometimes completely uncalled for, Bad Words was a pleasant change of pace during TIFF and surely one of the most memorable comedies of the year.

Expect Bad Words in a theatre near you. And the only thing bad about it, is how much you will find yourself laughing at the most inappropriate things, da*#it!

Night Film Reviews: 7.5/10 Stars