Plush

The story is mediocre, the acting is bad, the amazing thing is that a "star" in the pop can become such writing songs that bad, but well ... in reality would have it, so that part is unacceptable .... is offered as an erotic film, but it is not, if your idea is to see the film to create a good climate for having sex ... you're wrong. If you're picky this film is not for you, if you want to hang out is acceptable. It is possible to see, I give it a 5 . The story is mediocre, the acting is bad, the amazing thing is that a "star" in the pop can become such writing songs that bad, but well ... in reality would have it, so that part is unacceptable .... is offered as an erotic film, but it is not, if your idea is to see the film to create a good climate for having sex ... you're wrong. If you're picky this film is not for you, if you want to hang out is acceptable. It is possible to see, I give it a 5

Not a fan of hip rock movies so turned it off at the beginning. Then decided to watch the whole thing.

Lt wasn't that great at first but it gets a little more interesting. The main character is a singer and her brother played guitar. He ODs and she comes out with a song and a tour about losing him and her popularity starts to fade. She gets a new guitar and he seduces her while she's got a husband and two kids at home. Then when the tour is over he weasels his way into her home, meets her husband and plays with her kids. Turns out she is pregnant even though he said he used protection but the problem is her husband had a vasectomy. She should have told him he slipped her a roofie.

With each new film she chooses to direct, Catherine Hardwicke strays further and further from the early films that put her on the map: her 2003 debut, the teen drama "Thirteen," and her 2005 skate adventure, "The Kings of Dogtown". Her most recent film is "Plush," a psychological thriller set in the Los Angeles music scene. It is an erotic thriller that explores themes of obsession, fame, music and desire. After losing her bandmate and brother to a drug overdose, rising to rock star Hayley (Emily Browning) finds herself on a downward spiral. Her band's second album Plush is received as a critical and commercial disaster. She finds new hope and friendship in Enzo (Samuel Xavier), the replacement guitarist, who inspires her to reach new creative heights. But soon their collaboration crosses a sexual line and Hayley, who is married with two children, backs away from Enzo's advances. As Hayley slowly uncovers Enzo's dark and troubled history, she realizes that she may have let a madman into her home and that her mistake could cost the lives of those closest to her.

"Plush" feels so inauthentic at all times that it's like the movie itself doesn't know what it's supposed to be. A cautionary tale? A rock fable? A tragic example of obsession? Or maybe just an excuse to indulge in debauchery? The film features some of the most lifeless and unconvincing concert footage ever seen; meanwhile, backstage moments consist of chain-smoking and champagne, a shortcut to danger and self-destruction. The heavy narration over a lengthy opening flashback is intended to fill in some of the emotional gaps, but it's just one of many examples of the film explaining it all. Hayley (Emily Browning - beautiful as ever) explains in detail how she and her beloved brother, Jack (Thomas Dekker), grew up in Texas writing and singing their own songs. "The music was like our secret place," she says in a nostalgic, feminine tone. "Nothing could hurt us because Jack and I had each other."

Before long, they moved to Los Angeles and formed a band called Plush. At 19, she is pregnant with twins and is marrying a charming journalist named Carter, played by Cam Gigandet. ("Carter's daughter Lila was our maid of honor," explains Hayley in one of the weirdest snippets of narration in Hardwicke and Arty Nelson's script. "She lives with her mother half the time."). Plush is a smash hit, which inspires all the creepy fan adoration and drug abuse you could hope for. Then one night after a show, Jack overdoses on heroin, leaving Hayley devastated. She records a new album in his honor, with painfully literal lyrics like, "Half of me is gone." Audiences and critics alike reject it, pushing it into an even deeper spiral.

She believes she has found her savior in the band's new guitarist, Enzo (Xavier Samuel). Not only does he know all of her old songs, but he inspires her to push her own limits when writing new songs. Unfortunately, Enzo can also be bisexual and a stalker. This isn't a spoiler, by the way: Enzo's tattoo with Hayley and Jack's pictures gives away his guidance, and the stalker part is also left pretty clear. The attraction between Hayley and Enzo is instantaneous, and they start working on the song together. As their collaboration intensifies, Hayley begins to unravel Enzo's deep secrets, including his disturbing past and dark motivations. As the plot progresses, the line between passion and obsession becomes increasingly tenuous, and Hayley finds herself trapped in a web of deceit and betrayal. The discovery of dark secrets and a hidden secret room in her home lead to events that test the limits of sanity and loyalty.

From here, "Plush" follows Enzo's efforts, with eyeliner in his eyes, to insinuate himself into Hayley's life, while Hayley remains oblivious to just how unhinged he really is. The presence of a strange new nanny to the family (Frances Fisher, with a sleek look and a cape) is no coincidence; she is exactly who you think she is. Meanwhile, increasingly threatening gifts keep pouring in from a discerning fan. Who could be sending these gifts? "Plush" awkwardly tries to shock and frighten us, while also trying to tease and amuse us. At this point, the screenplay, written by Catherine Hardwicke and Arty Nelson, is the film's most ambiguous and complex element. The story explores dark and taboo themes such as obsession and self-destruction as Hayley becomes increasingly involved with Enzo, whose motivations and intentions remain unclear until the film's climax. The narrative is driven through a series of twists and turns that keep the viewer engaged and guessing what will happen next. "Plush" still touches on complex themes such as the pursuit of perfection in the music industry, the dangers of fame and the price of obsession. Through Hayley's journey, the film examines how desire and passion can turn into self-destruction, especially when combined with industry pressure and fan expectations.

As the plot unfolds, the tensest scenes begin to pile up. One of the most intense scenes occurs when Hayley (Emily Browning) and Enzo (Xavier Samuel) are in the recording studio. The passion between them is palpable, but there's also an unsettling feeling in the air as Enzo's mysterious past begins to unravel. At this point, the sexual and emotional tension peaks, and viewers are caught between desire and fear of what lies ahead. As the plot progresses, the relationship between Hayley and Enzo becomes increasingly dark and dangerous. Hayley begins to uncover disturbing secrets about Enzo's past and his connection to the missing women. These revelations create an atmosphere of constant tension as Hayley struggles between her crush on Enzo and her instinct for survival. One of the most impactful final twists happens when Hayley goes to her neighbor's house. She enters this dark and disturbing space, revealing shocking secrets about Enzo's true nature, and his violent acts build to an emotional and chilling climax. The final scene of the film is an intense confrontation in the final minutes, where all the tensions accumulated throughout the story reach their apex. It's a moment of catharsis and redemption for Hayley as she struggles to survive and overcome the obsession that nearly destroyed her.

The always beautiful and talented Emily Browning, as Hayley, gives a captivating and intense performance. She masterfully portrays her character's journey from a talented and passionate singer to a woman plagued by obsession and fear. Browning manages to convincingly convey Hayley's vulnerability and determination, making her a charismatic and multifaceted protagonist. Her emotional delivery is remarkable, especially in the confrontational and tense scenes, where she expresses Hayley's inner struggle in an impactful way. Xavier Samuel, in the role of Enzo, offers an equally powerful performance. He portrays Enzo as a charismatic and mysterious man, who oscillates between seductive charm and a menacing aura. Samuel manages to convey the complexity of the character, keeping viewers both intrigued and uncomfortable with Enzo. His chemistry with Browning is palpable, which intensifies the scenes of passion and obsession.

Catherine Hardwicke's direction is instrumental in establishing the film's dark and unsettling atmosphere. She uses a dark color palette and shadows to create an environment that reflects the emotional turmoil of the characters. The way she utilizes cinematography and editing helps to heighten tension at key moments in the narrative. Hardwicke also makes directorial choices that contribute to the feeling of claustrophobia and oppression, especially in the scenes inside the house and recording studio. She uses intense close-ups of characters' faces to highlight their emotions and inner conflicts. Additionally, the film's soundtrack, which combines original music with well-known tracks, plays a key role in setting the mood. The music - both the Plush band's lyrics and the instrumental - merges with the scenes in an organic way, competently accentuating the emotion and tension of each moment.

"Plush" is a film that certainly does not leave indifferent. Emily Browning and Xavier Samuel deliver passionate and captivating performances that are the beating heart of this film. Their on-screen chemistry is undeniable, and they manage to convey their characters' intensity convincingly. However, the film is not without its critics. The plot may seem somewhat familiar to anyone who is used to movies about intense relationships that descend into obsession. The lack of originality in the narrative can be a negative point for some viewers, in addition to Catherine Hardwicke's direction being a polarizing element. On the one hand, she manages to create a dark and intense atmosphere that fits well with the film's theme. On the other hand, the narrative is confusing at times. One of the most annoying factors is its lack of originality, even if the twists in the final minutes are minimally interesting. The doubt that remains in those who watch is not who did it, but how he did it and why he did it. Several clues are left throughout the script, and the most attentive viewer can already imagine how the plot will unfold in the middle of the film. Still, Catherine Hardwicke's direction manages to keep us hooked on the screen, curious to know how the ending will unfold.

Being a HUGE movie buff and having a soft side for Indie movies I was expecting a lot.Why? The banging trailer and Emily Browning made me anticipate the movie very much until I watched it and was disappointed to the maximum. Beginning with the direction style, the movie looked like a first-timer's project which they could care about less. The style isn't that bad actually, but its so many other factors that make this movie unbearable and a pain to watch. The intertwined and unrealistic plots are taxing on the mind and what's more,they are all PREDICTABLE. The acting is below average to say the least, apart from Emily Browning of course, who was very convincing in her role and the only thing that kept me from stopping the movie. The music used was quite good at times, IF you're into the Indie Electronic,Electronica etc..genres. Only watch this if you have lots of time on your hands.

Sometimes its easy to push another persons buttons. It's even easier to do so, when you're not showing your full self. In this case this happens to a young female singer who seems to be very vulnerable. Though that seems to be a stretch considering she is married to Cam Gigandet (well the character he is portraying).

Of course there is more than a few moments where the viewer will be shaking their head, at what the singer is doing. But then again, this is way better than some other recent movies with a same story line. The sex scenes are not very steamy, which is intended, but the very first one could easily be discussed and ripped apart. Other movies have had problems with similar evolving scenes ... Whatever the case, this is a decent effort, until the end (with some extra juice and some extra twists)