NOTE IMDb
4,9/10
19 k
MA NOTE
Une équipe frère-soeur qui qui faussent des rencontres paranormales pour de l'argent obtiennent plus que ce qu'ils avaient prévu lorsqu'un emploi dans un domaine hanté devient plus que réel.Une équipe frère-soeur qui qui faussent des rencontres paranormales pour de l'argent obtiennent plus que ce qu'ils avaient prévu lorsqu'un emploi dans un domaine hanté devient plus que réel.Une équipe frère-soeur qui qui faussent des rencontres paranormales pour de l'argent obtiennent plus que ce qu'ils avaient prévu lorsqu'un emploi dans un domaine hanté devient plus que réel.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Ian Lorimer Milne
- Craig
- (as Ian Milne)
Avis à la une
Maybe I don't expect to see a Citizen Cane level movie when I am watching a Netflix horror film. Some of the reviews make it seem like they watched a different movie. It is a decent horror movie. It won't blow you away, but the story is original enough and acting good enough that it is an enjoyable movie to watch. It's on Netflix give it a shot.
There were moments during this horror flick where I was fully engaged but then found myself struggling to keep interested. The pace is uneven and the dialog stiff and unnatural. A big part of the problem is actor Ben Lloyd-Hughes. Perhaps it's the fault of the filmmakers for making this Brit actor an American caritcature, cartoonish in his immorality, bullying with denim shirt sleeves rolled up like a 50's Kerouac character, but most of the fault likes with the actor himself. Lloyd-Hughes prefers bludgeoning the viewer instead of giving us muted shades. On the other hand, Florence Pugh is a revelation. Whereas Lloyd-Hughes's portrayal lacks subtlety, Pugh is all nuance. Silent through much of the movie, the director lets Pugh's face tell the story. She has a way of barely moving her facial muscles to convey a great deal. At one point early on, a friend asks a newly-haunted Angela if "she's on something." Her reaction perfectly captures that look narcotic drugs can bring to a person; it leaves the viewer with no doubt to her changing state of mind. A wonderful moment. As for the film itself, it avoids many of the genre's repetitious gimmicks, relying on our imagination to fill in the blanks. For that alone, and Pugh's remarkable performance, I enjoyed "Malevolent," despite the lagging moments, weak dialog and Ben Lloyd-Hughes.
A simple idea but easily to determine how it's going to end. Good acting but sometimes a bit stiff. Some scenes were gruesome but overall an ok 'ghost' story if you have a spare hour or so to watch it. Nothing to keep you on the edge of your seat.
Malevolent, which just premiered on Netflix, is about a phony ghost-hunting crew in the '80s who encounter a real haunted house. I'm seeing a lot of negative reviews for this. Thought it wasn't half bad myself. Sure, it doesn't really do anything new and the story and direction is average, emphasis on AVERAGE. This is a competent film, and I was entertained enough for the running time. The cast is game and sells this. Also, there are a couple of interesting song choices that did catch me by surprise and added to the creepiness.
Starts out good enough.
Your average horror film. Decent actors, Ok plot.
a little bit of Occulus mixed with Grave encounters and other films.
And then, the ending. Wtf. I can't find any words for it. It is truly horrible. How did they not come up with anything better?
Minor spoilers ahead:
1. They show way (waay) to much. Not a scary ending. 2. Elliot can apparently survive anything.
And then, the ending. Wtf. I can't find any words for it. It is truly horrible. How did they not come up with anything better?
Minor spoilers ahead:
1. They show way (waay) to much. Not a scary ending. 2. Elliot can apparently survive anything.
Le saviez-vous
- AnecdotesBased on the book "Hush" by Eva Konstantopoulos.
- GaffesAside from certain technologies seen, such as 1980's headphones, there is very little from the actual 1980's in this movie. Most of the fashions, makeup and hairstyles seem very much from the 21st Century, especially during the nightclub scene.
- Citations
[first lines]
Title Card: None of the dead come back. But some stay. -Saint John the Divine
- Bandes originalesI.O.U
Performed by Freeez
Written by Arthur Baker and John Robie
Produced by Arthur Baker
Publishers: Downtown DMP Songs (BMI)/Shakin Baker Music Inc (BMI)/Indulgent Music (BMI)
Courtesy of Beggars Banquet Records Ltd.
By arrangement with Beggars Group Media
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Détails
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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