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IMDbPro

The Den

  • 2013
  • R
  • 1h 16min
NOTE IMDb
6,0/10
16 k
MA NOTE
Melanie Papalia in The Den (2013)
Trailer for The Den
Lire trailer1:54
7 Videos
12 photos
Found Footage HorrorHorrorMysteryThriller

Ajouter une intrigue dans votre langueWhile studying the habits of web cam chat users from the apparent safety of her own home, a young woman's life begins to spiral out of control after witnessing a grisly murder online.While studying the habits of web cam chat users from the apparent safety of her own home, a young woman's life begins to spiral out of control after witnessing a grisly murder online.While studying the habits of web cam chat users from the apparent safety of her own home, a young woman's life begins to spiral out of control after witnessing a grisly murder online.

  • Réalisation
    • Zachary Donohue
  • Scénario
    • Zachary Donohue
    • Lauren Thompson
  • Casting principal
    • Melanie Papalia
    • David Schlachtenhaufen
    • Adam Shapiro
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    16 k
    MA NOTE
    • Réalisation
      • Zachary Donohue
    • Scénario
      • Zachary Donohue
      • Lauren Thompson
    • Casting principal
      • Melanie Papalia
      • David Schlachtenhaufen
      • Adam Shapiro
    • 118avis d'utilisateurs
    • 72avis des critiques
    • 48Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos7

    The Den
    Trailer 1:54
    The Den
    The Den
    Trailer 1:53
    The Den
    The Den
    Trailer 1:53
    The Den
    Trailer #1
    Trailer 1:55
    Trailer #1
    The Den
    Clip 1:45
    The Den
    The Den: Bike
    Clip 0:26
    The Den: Bike
    The Den: Lynn Sister
    Clip 2:19
    The Den: Lynn Sister

    Photos11

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 8
    Voir l'affiche

    Rôles principaux49

    Modifier
    Melanie Papalia
    Melanie Papalia
    • Elizabeth Benton
    David Schlachtenhaufen
    David Schlachtenhaufen
    • Damien Clark
    Adam Shapiro
    Adam Shapiro
    • Max
    Anna Margaret Hollyman
    Anna Margaret Hollyman
    • Lynn Benton
    Matt Riedy
    Matt Riedy
    • Sgt. Tisbert
    Katija Pevec
    Katija Pevec
    • Jenni
    Saidah Arrika Ekulona
    Saidah Arrika Ekulona
    • Sally
    Anthony Jennings
    Anthony Jennings
    • Officer Dawson
    • (as Anthony Paul Michael Jennings)
    Victoria Hanlin
    Victoria Hanlin
    • Brianne
    Anushka Rani
    Anushka Rani
    • Young Indian Girl
    Garrett Fornander
    • Prank Boy
    Lily Holleman
    Lily Holleman
    • Evil Girl
    Jeff Rubino
    Jeff Rubino
    • Suburban Dad
    Jonah Landow
    • Suburban Boy
    Rikin Vasani
    Rikin Vasani
    • Sudeep
    Brian Morvant
    Brian Morvant
    • Man on Bike
    Alexander Rydell
    • Man in Bunny Costume
    Karl L. Sanders
    Karl L. Sanders
    • Isaac
    • (as Karl L Sanders)
    • Réalisation
      • Zachary Donohue
    • Scénario
      • Zachary Donohue
      • Lauren Thompson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs118

    6,016.3K
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    Avis à la une

    6quincytheodore

    Click here for pop culture scare

    The Den takes a lot of modern references such as social media quirks and web cam gimmicks to produce a unique kind of found footage film. It's similar to series of creepy pastas on internet, and even for those who are barely familiar with the technology, the film should be relatable. Unfortunately, the conclusion isn't as strong as the set-up and some of the plots developments are too far fetch.

    Elizabeth (Melanie Papalia) is a student who investigates the behavior of web cam users in a website called The Den. It's a random streaming chat site, and just like the actual thing it has a lot of dubious people. Elizabeth begins to see a lot of strange things, including potential snuff video. It escalates very closely into her real life. The premise holds a good advantage since viewers will be familiar with this set-up.

    Acting is pretty good for the lead, as Melanie Papalia plays the role of modern young woman who relies on this tech. For most part she seems identifiable, and the film is at its strongest at first act. Cleverly using bits of well-known jokes or internet sensation, it grabs attention very quickly. The horror aspect is handled very well as it's based on viral spooky stories or clips which already proved effective to attract attention.

    Problem starts to show at latter half as the threat is looking very omnipotent. It's almost ludicrous how it can get to Elizabeth with near supernatural tech wizardly and seemingly unworldly power. The mainstay of found footage flaws reveal themselves later on as the visual gets muddled and slow, the vexing frame rate drop is real. It also doesn't make sense why there are conveniently placed cameras, especially in first person view.

    The Den resembles internet sensation it's based on, interesting at first but stumble with glitches afterward. The material is spread too thinly and the last act falters, considering the film is fairly short it could've wrapped up nicer. If not for anything, The Den has a few good internet viral scares and they are better than most found footage has to offer.
    chaos-rampant

    Limits, images

    Here's one of those things that sound stupid if you just describe it, a horror film in the found footage mode entirely assembled via web and phone cams and mostly taking place on a laptop. No it isn't scary, the acting is below par, there's no cinematic craft, the horror plot and climax are atrociously bad, in the end it's no more than a gimmick, but for a while you can see them probing something interesting.

    Part of the reason why I think it's so darn clever is in how it threads the practical limitations of what they could do on a tiny budget, around narrative limitations of how much story they could deliver within the former, around broader meta- limitations of how much is possible for a viewer to know as true, going from meagre means to the broad, perplexing questions.

    Inspiration after all is nourished and energized by limits, self-imposed or from necessity like a painter has to puzzle about how he can enliven and give depth to a twodimensional surface. It's easy to think of so many things to do with a budget in the millions, which is why unconstrained imagination fizzles out, but how much can you do with just a camera?

    Here it's about a viewer in the midst of images, a girl doing a behavioral study over online chat services, who like us is looking to surmise possible pattern and truth; the constraint is that we can only watch.

    A lot of the time we stare into a computer environment. Jarring to see in a film but still the groundwork through which we know so many other things these days. We see through a webcam at the girl in her apartment so we acquire a sense of real time. But then things are shifted around. Videos that we were parsing as taking place now are suddenly paused. We connect to random chatters, but have no way of knowing how much is real even within the small confines of the screen. Some of them are pulling pranks, there's a startling Russian roulette scene that ends with bloodshed and everyone laughing.

    Among all this is footage of a possible murder.

    So this could have been great, about our inability to be grounded in a horizon of shifting images and context; a Blowup for the tumblr age. We could swim far deeper into the videos, form more ambiguous connections, play and replay edges and details, tune in and out of a far stranger parade of the visual strangeness that is taking place out there, some of it feigned, some bizarre or exciting, even stupidity or crass sex would have its place, some strangely poetic in spite of all else.

    So they constrained themselves in a powerful way, but halfway through they axe all that and fall back to the convenient limits of tradition: Halloween, Scream 2, Saw and Hostel. It's a throwaway thing by the end which is a shame.
    4lovintennis

    Awesome concept but too much unrealism

    For example, when she calls her friend at her house across town to warn her of the intruder: first of all, COME ON!-- who leaves their back door unlocked for anyone to come in when they weren't even doing anything out back to begin with? Secondly, no one would be so defensive about the warning to get out of the house, coming up with the ever-typical response, "What are you talking about? WHO'S in my house?" If someone got a warning like that, that person would be freaked out immediately and be out of there in a New York minute. To make it even MORE unrealistic, she turns around, worried, when she hears something after the warning over the phone, saying, "Hello?" This one's definitely sub-par.
    s0hc4ht04

    Great modern horror. Not good for my cyber-paranoia.

    This movie is very fresh and modern. I've never seen a horror movie done like this before (webcam style). I honestly don't understand all the negative reviews here. This movie was very fun to watch, made me jump a few times, and the story unwound perfectly. Don't be asking yourself "why is she filming this" - that totally defeats the purpose of storytelling. I feel like too many people might be going into this movie with high expectations? Sure there are some logical errors, but what horror movie is completely devoid of those?

    Actually, don't take my review into consideration. Only consider all the other negative reviews and just give this movie a try. Then perhaps you'll like it a bit more.

    I feel like the build up was great, the storytelling was fresh, and the ending was clever. The overall plot and ending might be a bit too sick and twisted for some (probably not for the average horror movie goer), but this is actually real life. There are some sick people out there and I feel like this movie made a great commentary about it.
    7marinaant-36217

    The Den

    This movie was so disturbing for me knowing the dangers of the internet and that it seemed so realistic as if it happened for real. I liked the main character as well as the film it kept me in interest curious to see what's going to happen. I think that this movie has deep meanings as well especially to the young people that use these kind of sites.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Melanie Papalia said she researched her role by going into actual chat sites, including ChatRoulette, which she said creeped her out. She said most of the people were very weird and creepy, and almost all of the guys were naked. She said, "But it wasn't funny, it was gross. The look on these guys' faces while they were just sitting there touching themselves was so disturbing that it just stayed with me. I remembered it while filming too, but it's not a site that I ever want to go on again. I didn't think I would feel as vulnerable as I did, but it was the way they looked at me through my screen."
    • Gaffes
      It is not possible for the hacker to erase Elizabeth's hard drive in just a few seconds, especially by software means. It would take several hours to make the data completely unrecoverable.
    • Crédits fous
      The very end of credits has "Talk to someone..."
    • Connexions
      Referenced in Unfriended (2014)
    • Bandes originales
      Also Sprach Zarathustra
      Written by Richard Strauss

      Performed and Produced by Evan Goldman

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    FAQ17

    • How long is The Den?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 mars 2014 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Death Online
    • Sociétés de production
      • Cliffbrook Films
      • Onset Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 500 000 $US (estimé)
    • Montant brut mondial
      • 410 129 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 16 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.78 : 1

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