Armand, un garçon de 6 ans, est accusé d'avoir agressé son meilleur ami à l'école primaire.Armand, un garçon de 6 ans, est accusé d'avoir agressé son meilleur ami à l'école primaire.Armand, un garçon de 6 ans, est accusé d'avoir agressé son meilleur ami à l'école primaire.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 6 nominations au total
Commentaire à la une
From the grandson of Ingmar German and Liv Ullman, Halfdan Ullmann Tøndel has a debut that shows good potential but despite it's ambitious concept and strong moments, it fails to fully hold it's narrative and goes through a limbo.
The psychological drama and themes explored of school system and the battle of wits between people is a good concept, especially not knowing much from the European standpoint. With good camerawork and sound designs, it helps to create the claustrophobic setting and tensions. The performances from the cast, especially Renate Reinsve was great and felt realistic. Unfortunately, what makes the movie not work is the way the narrative is written and how bumpy it feels.
Many of the writing components have good concepts but it's surrealist approach didn't work, which ends up feeling repetitive and muddled as it continues. Making things a bit difficult to really understand or connect with the characters or finding them believable at times. Stories like these are movies I like but I can't really engage with it because of the muddled writing and repetitive nature. The direction from Tøndel is good but at some moments, the direction felt a bit misplaced and lost. Being heavy dialogue, the dialogue is a mix of both good and some not so good.
At it's core, Tøndel has a lot of talent as this movie does show his talents and potential of being a good filmmaker in the future. But there's a lot of work still to be done.
The psychological drama and themes explored of school system and the battle of wits between people is a good concept, especially not knowing much from the European standpoint. With good camerawork and sound designs, it helps to create the claustrophobic setting and tensions. The performances from the cast, especially Renate Reinsve was great and felt realistic. Unfortunately, what makes the movie not work is the way the narrative is written and how bumpy it feels.
Many of the writing components have good concepts but it's surrealist approach didn't work, which ends up feeling repetitive and muddled as it continues. Making things a bit difficult to really understand or connect with the characters or finding them believable at times. Stories like these are movies I like but I can't really engage with it because of the muddled writing and repetitive nature. The direction from Tøndel is good but at some moments, the direction felt a bit misplaced and lost. Being heavy dialogue, the dialogue is a mix of both good and some not so good.
At it's core, Tøndel has a lot of talent as this movie does show his talents and potential of being a good filmmaker in the future. But there's a lot of work still to be done.
- Bleu-Le-Fluff-0969
- 24 déc. 2024
- Permalien
Histoire
Le saviez-vous
- AnecdotesOfficial submission of Norway for the 'Best International Feature Film' category of the 97th Academy Awards in 2025.
- Bandes originalesLe cygne (The Swan)
Taken from "The Carnival of the Animals"
Composed by Camille Saint-Saëns
Meilleurs choix
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Détails
Box-office
- Budget
- 22 000 000 NOK (estimé)
- Montant brut aux États-Unis et au Canada
- 109 061 $US
- Week-end de sortie aux États-Unis et au Canada
- 23 474 $US
- 9 févr. 2025
- Montant brut mondial
- 958 880 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
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What is the Canadian French language plot outline for La Convocation (2024)?
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