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6,3/10
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Ajouter une intrigue dans votre langueThe non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the sto... Tout lireThe non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the story "Beauty and the Beast".The non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the story "Beauty and the Beast".
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"SAP" is one of those shows where you actually had to be there. Mae is super likeable and has great chemistry with the audience. They are way better to watch live with friends than alone on netflix. Yes, it's true with every stand-up but with some ppl it's more so(ex: if Michelle Wolf is 9.5/10 on netflix then she's 10/10 live. If Mae is 6/10 on netflix, they are 8/10 live).
Writing-wise it's good: Mae is self-aware, there are jokes and there are some good metaphors.
Overall, this special is like a reddit thread where Mae is the op, the first level-commenter, and the jokey sub-commenter. It leaves you feeling good about the community but you're ready to move on to another post.
Writing-wise it's good: Mae is self-aware, there are jokes and there are some good metaphors.
Overall, this special is like a reddit thread where Mae is the op, the first level-commenter, and the jokey sub-commenter. It leaves you feeling good about the community but you're ready to move on to another post.
I've been a fan of Mae's since first seeing them on Baroness Von Sketch Show occasionally. On a recent road trip my wife and I got a lot of enjoyment when we listened to the Don't Ask Tig episode that featured Mae, and who didn't enjoy what they brought to the second season of The Flight attendant?
This stand-however, didn't work for me. My score of 5/10 is solely for Mae, and I feel like this special was deeply hampered by poor direction.
There were multiple moments that could have been tightened-up with some editorial guidance. I wasn't bothered, as some other reviewers were, by "stories within stories" tangents, because I've seen plenty of it in stand-up and as long as it isn't abused (as it wasn't here), it actually helps my enjoyment. It's part misdirection, part timing.
I'm not sure why Mae or Netflix chose Abbi Jacobson (Broad City) to direct this. I mentioned Tig Notaro earlier, someone who actually has experience directing a stand-up special, and a similar person (if not Tig, exactly) might have brought a more editorial approach.
I also feel like Netflix has a problem with wanting to capitalize on talents who are "hot", without evaluating whether someone has enough material or a tight enough set to bring it home in a special. I don't remember the last Netflix stand-up that I actually enjoyed. Thinking more widely, I wondered when I last enjoyed a stand-up and it was 2022's Rothaniel from Jerrod Carmichael. I appreciate that Mae and Jerrod have very different vibes, and I'm not saying Mae needs to be more subdued or that Abbi should have copied the "intimate" feel that Rothaniel had, but maybe there's some space somewhere in-between where this same act, slightly pared down, doesn't fall so flat.
Oh, and the opening/closing segments didn't really add anything to the special for me. They were just there.
This stand-however, didn't work for me. My score of 5/10 is solely for Mae, and I feel like this special was deeply hampered by poor direction.
There were multiple moments that could have been tightened-up with some editorial guidance. I wasn't bothered, as some other reviewers were, by "stories within stories" tangents, because I've seen plenty of it in stand-up and as long as it isn't abused (as it wasn't here), it actually helps my enjoyment. It's part misdirection, part timing.
I'm not sure why Mae or Netflix chose Abbi Jacobson (Broad City) to direct this. I mentioned Tig Notaro earlier, someone who actually has experience directing a stand-up special, and a similar person (if not Tig, exactly) might have brought a more editorial approach.
I also feel like Netflix has a problem with wanting to capitalize on talents who are "hot", without evaluating whether someone has enough material or a tight enough set to bring it home in a special. I don't remember the last Netflix stand-up that I actually enjoyed. Thinking more widely, I wondered when I last enjoyed a stand-up and it was 2022's Rothaniel from Jerrod Carmichael. I appreciate that Mae and Jerrod have very different vibes, and I'm not saying Mae needs to be more subdued or that Abbi should have copied the "intimate" feel that Rothaniel had, but maybe there's some space somewhere in-between where this same act, slightly pared down, doesn't fall so flat.
Oh, and the opening/closing segments didn't really add anything to the special for me. They were just there.
Mae arrives on Netflix with a characteristically understated live special, with only a sort of semi-meta bit of bumpering with the great Phil Burgers (also in Feel Good) as adornment. I think the direction was similarly bare bones but the material was solid and Mae is so effortlessly charismatic, with their slightly-overwhelmed-to-even-be-speaking-in-public vibe. The comedy is a niche sort of vibe tonally and strikes a strange place between introspective tangents of tremendous earnestness and stabs of surreal bluntitude. Whether they nail "the big message" or not is neither here nor there, this is them fairly unvarnished and I can dig it.
I keep submitting this review and it doesn't post.???
I can't say I laughed uproariously during this comedy special, but I did smile pretty often. Mae is very engaging and it was a pleasant watch. I'd watch future shows by them.
As I remember, the doggy style section and callbacks were the funniest parts.
Mae has a fun stage presence. Very likeable.
There seems to be a trend in comedy specials where to me, they seem more like one-person shows than all-out comedy. Rothaniel, which I also enjoyed, was another one, as I remember. I guess the difference is that these shows seem much more personal-story based, and that's okay.
I can't say I laughed uproariously during this comedy special, but I did smile pretty often. Mae is very engaging and it was a pleasant watch. I'd watch future shows by them.
As I remember, the doggy style section and callbacks were the funniest parts.
Mae has a fun stage presence. Very likeable.
There seems to be a trend in comedy specials where to me, they seem more like one-person shows than all-out comedy. Rothaniel, which I also enjoyed, was another one, as I remember. I guess the difference is that these shows seem much more personal-story based, and that's okay.
Based on some of the other reviews I've read, I think that perhaps this special isnt for everyone, and thats okay. Personally, I laughed a ton throughout, *like* to the point of having coughing fits because im still recovering from a cold.
I found it to be intellectually stimulating while providing good laughs. Mae Martin is incredibly introspective, perhaps to their detriment sometimes. It creates the stage for unique jokes, which landed for me, though I could understand if others don't appreciate it. If you're looking for cheap, hacky laughs or those based on vulgarity, you will not find it here. If you enjoy thought-provoking comedy and enjoyed Feel Good, you may just find this to be as brilliantly written as I did.
I found it to be intellectually stimulating while providing good laughs. Mae Martin is incredibly introspective, perhaps to their detriment sometimes. It creates the stage for unique jokes, which landed for me, though I could understand if others don't appreciate it. If you're looking for cheap, hacky laughs or those based on vulgarity, you will not find it here. If you enjoy thought-provoking comedy and enjoyed Feel Good, you may just find this to be as brilliantly written as I did.
Le saviez-vous
- ConnexionsReferences La Belle et la Bête (1991)
- Bandes originalesThe Lions Sleeps Tonight
Written by Solomon Linda, Hugo Peretti, Luigi Creatore, George David Weiss and Albert Stanton
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Détails
- Durée1 heure 10 minutes
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By what name was Mae Martin: SAP (2023) officially released in Canada in English?
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