AKA

Dalibert is no stranger to this genre of action film. He could have taken the easy route and strung together a series of action tropes to move things along. He knows how to do it. He has done it before. And well. But this time he rolled the dice on a much harder bet. This time he teased out the characterizations to keep the viewer hooked. This is most definitely NOT some sort of clever hodge-podge of different movies. The closest analog is MAN ON FIRE 2004, which also relies heavily on the interaction between a hardened killer and a young boy. This may not be a film for everyone, but the more time you spend with it, the more interesting it gets. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

AKA is a TV Movie, WTH???

Hollywood should take notes and learn a lot from this film. This is a low budget so the special effect is basic. The fight choreography is very simple but excellently executed, but I'll elaborate further in the next paragraph. Soundtrack didn't ruin the film.

The fight or action scene was surprisingly old school and excellently timed. The best things about the fight scenes are how effective and good the timings and movements were well planned and make sense as if it was directed by a martial artist coach for a marine or army.

The actors act good, the main character is a bit too stoic but he was supposed to have an air of mystery. And then the direction of the director was very enjoyable. Almost like music video but with a specific street wise style.

And in conclusion, this is one of the most enjoyable low budgeted action movie. The storyline might not win any award, but if you're looking for a good entertaining action movie, you'll like this.

This is a great and brilliant thriller action gangster movie. Great plot and acting there isn't a single wasted scene in this movie plenty great action scenes.

It,s the same great actor as Netflix movie Lost Bullet it,s kind of the french Jason Statham.

The movie is entertaining,fun and I think it is very original also. The cinematography, locations and scenery are interesting and different.

The film's atmosphere and pace are also terrific. The story is plausible but something too similar in relation to this kind of movies. But the fight and actions scenes are beautifully and originally structured for a action movie.

There are a lot,s of cool action and fight scenes sequences in this movie. It,s a great and entertaining action thriller movie.

What a nice action gem. The cinematography is fabolous. It's very much like Hard Boiled; Die Hard and all those big 1990's action movies rolled into one.

Alban Lenoir is a star! Such cinematic presence with chic style and gaelic flair! C'est bon! Wow. Eric Cantona can act as well. Some great lines from him.

The storyline is a nice twist and turn and not at all mundane like most cliche gangsta movies. It's refreshing and stylish with some magnificent direction.

Saïdou Camara does a great cool calm and collected job of Pee Wee. Philippe Résimont is also a class act. The scene of the heist is very much like John Woo's Hard Boiled and Michael Mann's Heat as well as Die Hard. The drugs' den takeout is very much stylised like Oldboy but with guns instead of a hammer.

It's a nice movie and something I can easily watch again. It's popcorn entertainment and another gem in the recent French cinema wave. Just keep them coming!

Morgan S. Dalibert your cinema reminds me of Jean-Pierre Melville! Super!

I chanced upon this French crime-action-thriller on Netflix and was totally taken aback by the planning and execution of it's action scenes, though it is not a genre that I particularly enjoy.

Alban Lenoir, the co-writer & lead actor of the film looks ultra-skilled and effortless in both hand-to-hand combat and close range shooting scenes.

There is enough blood and gore in the movie, but still the movie appears realistic. Even though the body count is high, the act in itself is never glorified.

Amidst all the blazing guns and bullet wounds on his body, Alban Lenoir's Adam Franco, the protagonist turns out to be quite headstrong in protecting young children, which adds the required humanity angle to the film.

The story unfolds at a relatively slower rate, but it's never boring. Your 122 minutes are well taken care of.