Quand vient l'automne

When is a crime not a crime? That seems to be a question French films are asking lately. Latest to explore this issue is Francois Ozon in his new film with the awkwardly translated title WHEN FALL IS COMING. The main story concerns a woman, Michelle, and the strained relationship with her daughter. The daughter right off the bat appears eager for her mother to die so she can inherit the lovely country home, even though Michelle has already given her the beautiful large apartment in the city. The whole film is beautifully photographed with the autumn foliage providing a spectacular backdrop. It's mushroom season. The daughter, an embittered divorcee, brings her young son to visit his grandmother, Michelle. Michelle and her grandson enjoy a very loving relationship. Michelle makes lunch featuring a sumptuous mushroom dish. After lunch, she and her grandson go on an outing together. They return to find that the daughter has fallen ill, apparently from having eaten a poison mushroom. The daughter accuses her mother of deliberately trying to poison her. The police investigate. The cops are sympathetic, but the daughter threatens to keep her grandson away from his grandmother. It turns out that Michelle has an unsavory past, which is at the root of her daughter's bitterness. Michelle's best friend is Marie-Claude, whom she accompanies to visit her son Vincent, who is imprisoned for some unstated crime. (At one point we see him going to a gay cruising ground.) Apparently, he's basically a good person who just has a lot of bad habits that get him into trouble. He loves Michelle, who has always been kind to him. When Marie-Claude dies, he becomes closer to Michelle and wants to help smooth things over between her and her daughter. I don't want to include spoilers, but things take a negative turn at this point, raising a lot of questions. The police become suspicious and step up their investigation of Michelle and Vincent. This is an intelligent and compelling film for adults. There are no car chases, explosions, or vulgar jokes. It held my attention all the way through, despite the unsensational approach to the material. Performances are all excellent, especially Helene Vincent as Michelle. (Who says that there are no good roles for older women? Maybe in Hollywood, but the French have given us a great one in this film.) The more I think about this film, the more I appreciate it.

"Quand vient l'automne" can be translated as "When fall comes". In this film this can be taken literally as the film has many beautiful images of fall but also figuratively as the film is about two old ladies who are overtaken by their own past.

The film starts with one of the old ladies serving a meal of self-picked mushrooms to her daughter. The daugther becomes very sick but survives. Because the tension between the daughter and mother was already there before the meal the question is, was this an accident or an assassination attempt? This is the beginning of a film full of plot twists.

The mushroom poisoning theme made me think of "Fiorile" (1993, Paolo and Vittorio Taviani).

The film full of plot twists made me think of the earlier Ozon movie "Huit femmes" (2002).

Compared to "Quand vient l'automne" "Huit femmes" is a purely artifical movie. "Quand vient l'automne" is much more naturalistic although not in every respect plausible.

In "Huit femmes" there are only female characters, in "Quand vient l'automne" there are also male characters, but not in a father role. There seem to be only mothers.

"Huit femmes" is a pure "who-donnit", "Quand vient l'automne" is much more of the "why-did he/she do it" nature

"Quand vient l'automne" is entertainment in the first place. It is good entertainment but in my opinion a bit less entertaining as "Huit femmes". This is due to the fact that the film contains a few little flaws. I will mention two of them.

For the first one I return to the accident / assassination question I mentioned in the beginning of this review. At the start of the film memory disorder is suggested as a third possible reason by way of a few "absences" of the main character. This possibility remains up in the air for the rest of the film.

In the second place the character of daughter Valérie is very one dimensional (and very unsympathetic). Valérie is played by Ludivine Sagnier, who can do much better. She proved this for example in (you might guess it) .... "Huit femmes".

Slow and predictable - to the point that I found my eyes closing during some scenes. A film that aims to provoke introspection or reflection should at least offer some meaningful insight. This one felt utterly flat: 2 hours and 9 Euros wasted.

To be fair, I wasn't the only one with this reaction - I saw similar expressions of disinterest in the theater.

The ambiguity of certain characters could have been intriguing, but it was handled carelessly. In some ways, it reminded me of the numbing dullness typical of Bertrand Tavernier's films - highly praised, yet hollow.

Some expressions - from the grandson, the friend's son, the daughter - hint at deeper emotions. But everything is left to the viewer's imagination. And that raises a question: if I'm expected to imagine everything, why go to the cinema at all?

I just watched this movie in Paris, and I was blown away how good is the story and how well written it is. I read that the movie won a couple of awards in San Sebastián festival and I was very curious. The film is a drama with a very dark side but at the same time with plenty of sense of humor all over. The cast is magnificent: all of them play so incredible real. Helene Vincent et Josiane Balasko deserve all the awards without forgetting Pierre Lottin, he's just amazing as the felonious son of hers. Without telling too much, the story depicts a kind of characters very rare to find in any movie. I loved how the movie surprises you with some very unexpected turns. I watched most of the films of Francois Ozon, and this one is probably one of his best works. A must watch!

A grandma is hated by her daughter. When a small reunion with her daughter and her grandson turned into an incident, all things within the small family turns upside down and complicated.

I personally had not watched any Ozon films BUT I always hear great things about him. He is not that famous across the pond BUT from what I gather from French redditors - he is one of the most respected French Directors living right now. I personally had not watch a film of his since none really piqued my curiosity but this film was a nice surprise.

Firstly, the first half is too unsubtle. Its so on the nose with all the vitriol that it kind of grates AND truly made it expected that there is something that will happen.

But when it did happen, it really took speed on the pedal.

The twist and turns in the later 2/3 of the film is so well calibrated AND while very convoluted makes such a wonderful AND heartwarming film. A lovely choice to make the score whimsical score given how insane and mysterious the twist and turns the film will go. It really set this semi-serious tone. It really took time to peak up BUT it stayed there.

I think I will seek his work. While the script has its problem, He seems like a great technician. The last half of this film is great and tight - though very convoluted. I definitely think he has better films in his repertoire.

Recommended.

PS: QCinema Issue#2 - The initial video has a weird discoloration and had to be replayed within 4-5 minutes in. My Initial screening of Ghost Cat, Anzu was cancelled AND that was flaring me up. Tomorrow, there will be a typhoon AND its not getting better for me LOL.

PPS: The main actor was a former comedian lol. But the French reviews are very concerned who is the gay one, isn't it him? He was the one staying out of dark parks AND has not married. Lol.