NOTE IMDb
4,8/10
47 k
MA NOTE
Une femme se rend au Japon dans la Forêt des suicides pour trouver sa sœur jumelle et doit faire face à des phénomènes surnaturels.Une femme se rend au Japon dans la Forêt des suicides pour trouver sa sœur jumelle et doit faire face à des phénomènes surnaturels.Une femme se rend au Japon dans la Forêt des suicides pour trouver sa sœur jumelle et doit faire face à des phénomènes surnaturels.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Osamu Tanpopo
- Homeless Man
- (as Tanpopo Osamu)
Yûho Yamashita
- Sakura
- (as Yuho Yamashita)
Avis à la une
5.5 I would say is right on the money. Not academy material but good for a couple of jump scares. Just saw the movie tonight. First jump scare was so good lady next to me spilled her full bag of popcorn and tipped over her drink...we laughed and laughed...then the usher came.
I had the movie pegged to go in another direction but I guess the joke was on me, and everyone I was with thought the movie was going in the same direction I thought, so it was pleasant surprise that it was not that predictable.
Overall 5.5 is good, watchable, scary enough. More psychological than it was Horror or Terror.
It was a little light on the Horror, and there was 1 single plot line, but still enjoyed it.
I had the movie pegged to go in another direction but I guess the joke was on me, and everyone I was with thought the movie was going in the same direction I thought, so it was pleasant surprise that it was not that predictable.
Overall 5.5 is good, watchable, scary enough. More psychological than it was Horror or Terror.
It was a little light on the Horror, and there was 1 single plot line, but still enjoyed it.
As far as horror movies goes this one is not bad..The theme of the suicide forest is intriguing.The stranger in a strange land them works well here.the film avoids most of the horror clichés.
It has plenty of creepy moments and you'll jump a few times.The production is high and Natalie Dormer gives a good twist on the scream queen ..Her character is not dumb repeating cliché lines and behavior..The questions that run though your head her character answers.The film has a dark ending and is not fairy tale at all..I don't understand why its so poorly rated its not that bad...its a good scary movie.....
It has plenty of creepy moments and you'll jump a few times.The production is high and Natalie Dormer gives a good twist on the scream queen ..Her character is not dumb repeating cliché lines and behavior..The questions that run though your head her character answers.The film has a dark ending and is not fairy tale at all..I don't understand why its so poorly rated its not that bad...its a good scary movie.....
Upon seeing Jason Zada's "The Forest," I feel like I'm at a point of indifference I have never been at before when it comes to watching and reviewing films. Normally, I emerge from films eager to talk about some aspect, or feel empowered to emphasize details or things in the film I wouldn't have thought general audiences might have noticed themselves. With "The Forest," I emerge with depressingly little to talk about. It's become far too common to kick off a new year with an underwhelming horror film (2012 had "The Devil Inside," 2013 had "Texas Chainsaw 3D," 2014 had "Paranormal Activity: The Marked Ones," and 2015 had "The Woman in Black 2: Angel of Death"), and if nothing else, that seems to be the only constant in American cinema alongside with a surefire hurricane of blockbusters starting in May and continuing through July).
"The Forest" is set in the Aokigahara Forest, located in Japan's sacred Mount Fuji. It is a forest that was once known as the place where family members would leave sick, crippled, or disabled loved ones to die during times of famine and war, and in present day, is a popular suicide location. We focus on Sara Price (Natalie Dormer), a young woman who gets a call from the Japanese police telling her that her missing twin sister Jess (also played by Dormer) is dead after she was seen going into the Aokigahara Forest. Knowing her sister all too well, and knowing that she is unstable but not suicidal, Sara commits to flying halfway across the world to try and find her, as a strong part of her believes she is still alive.
Sara's belief is only strengthened when she sees that the body discovered is not Jess, leading her to believe that her sister is still somewhere deep in the forest. At a bar one night, she meets an Australian reporter named Aiden (Taylor Kinney), who decides to do a story on her and her quest to find her sister. She tells him how Jess was always the one that looked toward danger, when she turned her head; she recalls when their parents were killed by a drunk driver and how Jess saw the bodies while she closed her eyes. The next morning, the two venture into Aokigahara with a park ranger named Michi (Yukiyoshi Ozawa), in efforts to try and find Jess.
The idea of the forest, as explained in very disjointed and vague manners by the locals throughout the course of the film, is that if there is an inkling of sadness in your heart upon entering Aokigahara, it will be exploited through things that you will see in the forest to the point where you'll believe the only way out is suicide. Michi explains to Sara upon entering deep into the woods that anything she sees from here on out is a result of hallucinations and her own mind playing tricks on her. The natural world leaves as soon as you abandon the trail of the forest.
"The Forest" is marginally effective in creating atmosphere, especially during the late night and early morning scenes when the forest becomes less a collection of trees, branches, and leaves and more of an abstract maze. The issue the film has is rooted in the screenplay, penned by Nick Antosca, Sarah Cornwell, and Ben Ketai. In order for the character relationships and the setting to be simultaneously successful, or at the very least harmonious, they need to be equally developed. Initially, the trio of screenwriters do this right by giving Sara enough time before she has to go in the forest to allow her personality to be open to us to get to know. We get to know about her and her sister's backstory after she meets Aiden and we get a hold on their characters quite nicely.
The problem is that once Sara, Aiden, and Michi go in the forest, the focus should shift on the forest being the character in the film, which it really isn't. Nothing about this forest feels that eerie, except for the music and the jumpscares we experience when we are immersed into it. The feeling of being trapped in the forest with the characters is there, since there is no cutting to a search party or Sara's fiancé, but there is still no real involvement or characteristic with this forest aside from ropes and the occasionally successful jolt.
Because of this, "The Forest" grows repetitive, and at the end of it all, we have a conclusion that doesn't answer any of our questions about who Jess is as a person and why she would have wanted to go into these woods in the first place. This is especially frustrating since, from the beginning, Zada and company make it seem like they will develop the story in a manner that's focused on the characters, only to leave the most intriguing soul of the entire film undeveloped in her motivations and her intentions.
Well-shot, but lacking sustenance and the graceful blend of character and location, "The Forest" is a mediocre horror film, though its PG-13 makes it perfectly acceptable for the middle school/high school crowd to experience a Friday night scare. It's a bit humorous to think that the path the film took is the same the film's characters took upon entering Aokigahara. Instead of following the path that would've keep them safe (the filmmakers keeping both the characters and the location in mind), they took a wrong turn and ended up losing themselves in a sea of unfortunate circumstances.
"The Forest" is set in the Aokigahara Forest, located in Japan's sacred Mount Fuji. It is a forest that was once known as the place where family members would leave sick, crippled, or disabled loved ones to die during times of famine and war, and in present day, is a popular suicide location. We focus on Sara Price (Natalie Dormer), a young woman who gets a call from the Japanese police telling her that her missing twin sister Jess (also played by Dormer) is dead after she was seen going into the Aokigahara Forest. Knowing her sister all too well, and knowing that she is unstable but not suicidal, Sara commits to flying halfway across the world to try and find her, as a strong part of her believes she is still alive.
Sara's belief is only strengthened when she sees that the body discovered is not Jess, leading her to believe that her sister is still somewhere deep in the forest. At a bar one night, she meets an Australian reporter named Aiden (Taylor Kinney), who decides to do a story on her and her quest to find her sister. She tells him how Jess was always the one that looked toward danger, when she turned her head; she recalls when their parents were killed by a drunk driver and how Jess saw the bodies while she closed her eyes. The next morning, the two venture into Aokigahara with a park ranger named Michi (Yukiyoshi Ozawa), in efforts to try and find Jess.
The idea of the forest, as explained in very disjointed and vague manners by the locals throughout the course of the film, is that if there is an inkling of sadness in your heart upon entering Aokigahara, it will be exploited through things that you will see in the forest to the point where you'll believe the only way out is suicide. Michi explains to Sara upon entering deep into the woods that anything she sees from here on out is a result of hallucinations and her own mind playing tricks on her. The natural world leaves as soon as you abandon the trail of the forest.
"The Forest" is marginally effective in creating atmosphere, especially during the late night and early morning scenes when the forest becomes less a collection of trees, branches, and leaves and more of an abstract maze. The issue the film has is rooted in the screenplay, penned by Nick Antosca, Sarah Cornwell, and Ben Ketai. In order for the character relationships and the setting to be simultaneously successful, or at the very least harmonious, they need to be equally developed. Initially, the trio of screenwriters do this right by giving Sara enough time before she has to go in the forest to allow her personality to be open to us to get to know. We get to know about her and her sister's backstory after she meets Aiden and we get a hold on their characters quite nicely.
The problem is that once Sara, Aiden, and Michi go in the forest, the focus should shift on the forest being the character in the film, which it really isn't. Nothing about this forest feels that eerie, except for the music and the jumpscares we experience when we are immersed into it. The feeling of being trapped in the forest with the characters is there, since there is no cutting to a search party or Sara's fiancé, but there is still no real involvement or characteristic with this forest aside from ropes and the occasionally successful jolt.
Because of this, "The Forest" grows repetitive, and at the end of it all, we have a conclusion that doesn't answer any of our questions about who Jess is as a person and why she would have wanted to go into these woods in the first place. This is especially frustrating since, from the beginning, Zada and company make it seem like they will develop the story in a manner that's focused on the characters, only to leave the most intriguing soul of the entire film undeveloped in her motivations and her intentions.
Well-shot, but lacking sustenance and the graceful blend of character and location, "The Forest" is a mediocre horror film, though its PG-13 makes it perfectly acceptable for the middle school/high school crowd to experience a Friday night scare. It's a bit humorous to think that the path the film took is the same the film's characters took upon entering Aokigahara. Instead of following the path that would've keep them safe (the filmmakers keeping both the characters and the location in mind), they took a wrong turn and ended up losing themselves in a sea of unfortunate circumstances.
Natalie Dormer plays a woman who is searching for her twin sister(also Dormer) who has gone missing in Japan, last seen in a forest where everybody seems to die, but she is determined to find her no matter what, but will she find her, or will the forest drive her insane?
The film does have some good scares, and Natalie Dormer does give it her all here. But the story itself feels to cut down, and actors like Taylor Kinney who play it so bland, he just does not have much to work with. The movie tries to hard and it shows, the ending does not leave much to be explained. All in all, it could have been better. Just don't leave much to enjoy all of it.
The film does have some good scares, and Natalie Dormer does give it her all here. But the story itself feels to cut down, and actors like Taylor Kinney who play it so bland, he just does not have much to work with. The movie tries to hard and it shows, the ending does not leave much to be explained. All in all, it could have been better. Just don't leave much to enjoy all of it.
As a whole the movie works and is very satisfying. It's like a joke that seems to have a weak set up that's made up for with a hilarious punchline, but waiting for the punchline to come in a feature film can be dull.
It's not like pulling teeth dull or anything like that, It is a good story. It really does not hurt that Natalie Dormer is fun to look at for an hour or two as she plays a woman looking for her twin sister who entered a forest in Japan known to attract those who want to commit suicide and never comes out. For those of you not into Dormer, Taylor Kinney is in it as well as a reporter trying to help, but has his own agenda. If you you don't like either actor that will be a problem cause for the most part it's the two of them in the woods for the majority of the film.
It's not as scary or frightening as I hoped for. The disturbing images did the trick, but it did not get my heart jumping like I expected, but it feels like the overall story is what is supposed to haunt you. I get it but I'm not all that impressed.
It's not like pulling teeth dull or anything like that, It is a good story. It really does not hurt that Natalie Dormer is fun to look at for an hour or two as she plays a woman looking for her twin sister who entered a forest in Japan known to attract those who want to commit suicide and never comes out. For those of you not into Dormer, Taylor Kinney is in it as well as a reporter trying to help, but has his own agenda. If you you don't like either actor that will be a problem cause for the most part it's the two of them in the woods for the majority of the film.
It's not as scary or frightening as I hoped for. The disturbing images did the trick, but it did not get my heart jumping like I expected, but it feels like the overall story is what is supposed to haunt you. I get it but I'm not all that impressed.
Le saviez-vous
- AnecdotesNatalie Dormer actually went to the Suicide Forest with her Japanese driver for research. She ventured five meters off the path to take photos and her Japanese driver would not step half an inch over the path.
- GaffesDuring their first excursion into the forest with Sara, Aiden & Michi remove a decaying dead body hanging from a tree. As Michi cuts the rope, Aiden takes the body in a "Fireman's Carry" across his shoulders and lowers it to the ground.
The chances of this happening in real life are extremely unlikely. Even an inexperienced person like Aiden would know better than to make close, direct physical contact with a putrefying corpse, which is undoubtedly swarming with bacteria and insects- as well as leaking any number of bacteria laden bodily fluids- creating a highly unsanitary situation.
Furthermore- immediately after having the corpse directly across his shoulders- Aiden continues his hike in close proximity to his companions. Not only does his light color T-Shirt show no sign of bodily fluids or rotting flesh, in real life the smell of the decaying body on Aiden's clothing and skin would be so overwhelming as to be unbearable, not only to him but to those around him (that's why those who work around crime scenes, dead bodies, etc., wear special disposable bio suits and sometimes must even dispose of their street clothing if it is saturated with the odor of decaying tissue- the smell is that bad).
- ConnexionsFeatured in Monster Vision: A History and Analysis of Horror Cinema (2016)
- Bandes originalesJapan
Written by Alex Banks and Hannah Thomas
Courtesy of Cavendish Music
Under license from 5 Alarm Music
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Khu Rừng Tự Sát
- Lieux de tournage
- Tara National Forest, Serbie(the forest scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 26 594 261 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 741 176 $US
- 10 janv. 2016
- Montant brut mondial
- 39 712 000 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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