The Lobster
Dans un proche avenir dystopique, les célibataires, en vertu des lois de la Ville, sont emmenés à l'Hôtel, où ils doivent trouver un partenaire romantique en quarante-cinq jours, faute de qu... Tout lireDans un proche avenir dystopique, les célibataires, en vertu des lois de la Ville, sont emmenés à l'Hôtel, où ils doivent trouver un partenaire romantique en quarante-cinq jours, faute de quoi ils sont transformés en animal et envoyés dans les Bois.Dans un proche avenir dystopique, les célibataires, en vertu des lois de la Ville, sont emmenés à l'Hôtel, où ils doivent trouver un partenaire romantique en quarante-cinq jours, faute de quoi ils sont transformés en animal et envoyés dans les Bois.
- Nommé pour 1 Oscar
- 33 victoires et 84 nominations au total
- Guard Waiter
- (as Sean Duggan)
The story centres around one man, played by Colin Farrell, as he attempts to find a partner as a part of this bizarre system. The first act revolves around his time in 'The Hotel', and is not only hugely odd, but both dramatic and unnerving as well as hilarious to watch, featuring some of the best dark comedy written in years.
The film takes its story as seriously as any drama, and you feel that through the deeply disturbing atmosphere that emerges off the screen. However, as the film is just so weird, it eases you into the oddness of it all very impressively through the use of humour, something that more pretentious art-house films fail to do, and are resultantly a lot harder to really get into.
So, you'll definitely be laughing a lot, if not in a more disturbed than hugely entertained manner, throughout the first act, and by the end of it, you'll surely be as used as you can be to the incredibly weird feel of this whole film.
Just to give you an idea of how unorthodox this film is, every scene is full of awkward silences, the actors speak as if they're reading off of cue cards with no emotion whatsoever, the imagery is very ugly and unpleasant to look at right the way through, and the incredible slow pace of it all means that the film feels like it goes on for about five times as long as it actually does.
And yet, I still can't get around the fact that this is a brilliant film. Mainly, it's the fact that it's just so unique and almost shockingly bizarre, but it's just filled with so many captivating ideas that it's impossible not to be fully drawn into this insane story.
So, the performances, the directing, the writing, and pretty much everything is stunning, apart from one big issue that prevents this from being a truly incredible film. Following the end of the first act, the film does lose its way quite a lot, taking almost too big a leap into an even stranger abyss than you ever imagined at the beginning, and, with a little less humour in the latter stages, isn't as easy to watch as the first act had been.
However, it does pick up again towards a terrifying and as bizarre as ever conclusion, and that's why I'm going to give The Lobster a 9 out of 10, but I must warn you that if you feel you can't cope with this film for longer than the first twenty minutes, then it's not for you. This is definitely a cult film for the ages, but won't be a big hit with general audiences.
- themadmovieman
- 17 oct. 2015
- Permalien
Histoire
Le saviez-vous
- AnecdotesThe production worked almost entirely with natural light and without makeup. Lighting was only used for some night scenes.
- GaffesWhen the heartless woman is escorting David out of their room, she clearly has blood splatters on the backside of her calf. As she chases David through the halls, the blood on the back of her calf disappears. When David shoots her with the tranquilizer in the back, the blood has reappeared on her calf.
- Citations
Loner Leader: We dance alone. That's why we only play electronic music.
- Bandes originalesString Quartet in F Major, Op. 18, No. 1; II Adagio Affetuoso Ed Appasionato
Written by Ludwig van Beethoven
Performed by Juilliard String Quartet
Courtesy of Sony Music Entertainment Inc
Meilleurs choix
Détails
Box-office
- Budget
- 4 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 9 077 245 $US
- Week-end de sortie aux États-Unis et au Canada
- 190 252 $US
- 15 mai 2016
- Montant brut mondial
- 17 581 104 $US
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1